HBO started this out as a contest for people to submit stories of their real-life experiences on the New York City subway and then chose ten stories to put to this film. Some excellent actors and directors were chosen to perform in this film, which is a series of vignettes. As a result of all these talented people being involved, the film is very easy to take and sometimes entertaining. There are some moments of wit as well as a few moments of drama which are memorable. Also, "Subway Stories" creates a believable experience even in the midst of stories that sound improbable at times. None of the stories are all that bad. The trouble is that no part if this film is all that exciting or compelling. Maybe the problem is that there are so many stories that the viewer doesn't have the time to become involved in the characters and their problems. Also, many of the characters show little common sense and as a result, their dilemmas are exasperating. I suppose this is worth watching if one is intrigued by the idea. It's certainly painless to sit through. It's just that given the fascinating premise and the impressive array of talent gathered, it should have been much better.

HBO invited the citizens of New York to send in their stories and experiences of travelling on the subway system – 1000's did. From these, this film was produced, using the real experiences of day to day travel to inspire this anthology of short stories. Starting with a man who learns the hard way the importance of following the crowd, the film continues with the Vietnam veteran who gets a backlash from the passengers, a woman trapped in a turnstile, a man conducting an affair on a train and a man who starts getting stock tips from an old man riding the morning train each day.Not getting HBO in the UK, we are pretty reliant on what is imported by other channels; many of the biggest shows make it of course but it is less common for the many cable movies made by the station to reach the UK. So it was with surprise that I found somebody had bought this collection of stories and stuck in the late night schedules to be mostly overlooked and ignored. Loving short films as a type of movie experience I wanted to give this a try and I wanted it to be good and, on the whole, it was pretty enjoyable and interesting. Some of the stories are very basic or reveal their all as easily as a paid dancer and these tend to be the lesser films even if they do still have some merit.However the films that stood out in my mind are those that capture the randomness of life in a big city, where things happen quickly that can't be repeated or ever relived, where you don't know all the answers and it is more than just a funny story that happened. A couple of the shorts here hit this on the money and are interesting and yet leave you not knowing everything so that it does linger with questions and so on. It is these couple of shorts (Miracle Manhattan, 5:24, Love on the A Train, The Red Shoes in particular) that make the film worth seeing even if the other ones are fairly ordinary and only really watchable without being special (Fern's Heart of Darkness and Sax Cantor Riff to name two).The cast is impressive even if they are not all used that well and the quality of performances does rather depend on the material. Not to rate everybody but; KRS-One was a surprise but did the job; N'Bushe Wright was good; Denis Leary was impressive and convincing; Zahn was unusually understated as indeed was Stiller; I don't understand why Mekhi Phifer bothered to show up considering all he got out of it; Taylor and Rapaport make an average film better; Rockwell is an interesting find with nothing to do; Perez isn't annoying (is there higher praise than that?); Heche is shot in the distance and hard to make out and has her short stolen by a good turn from the late Gregory Hines. The rest are OK in support but really the film is more about the stories than the cast and weak stories aren't greatly improved even when they do have a good cast here.Overall this is an interesting collection and I'm glad I saw it. There are no really bad entries but one or two are fairly ordinary and I wouldn't rate them if they had been short films in their own right; however the majority are actually well done, interesting stories that snapshot memories and half stories to be interesting and leave the audience curious but, like the train, forced to move along and take what we can from them. Not a brilliant collection by any means but the good outweighs the average and it is worth seeing if you get the chance.

The New York Subway is not just a transit network: it's also a place where all sides of that city's racial divide come together, albeit not necessarily in harmony. Even I have a collection of several Subway stories, and I was only in New York for 4 days. So the idea of making a film based on the true experiences of Subway users might not appear bad. But a collection of separate short films (each by a different director) always runs the risk of going nowhere, of offering underdeveloped plots and scenes that are meaningless without context: most of these stories end undramatically when someone simply gets off the train, and feel no more exciting or complete than the tales that I sometimes bore my friends with. Unsurprisingly, perhaps, my favourite segment is 'The 5:24', which develops a proper narrative despite fitting the overall pattern of chance encounters on brief journeys. Overall, however, 'SUBWAY stories' mainly reflects its subject matter: diverse, functional, but not exactly a place you'd choose to be without a very good reason.

Don't let this pass you by. Evocative, funny, poignant, and tragic by turns, it leaves you with a warm feeling and a sense of puzzlement: if they can make things as good as this, how come we have to put up with so much dross? Great ensemble playing, great music, stand-out miniature performances from Christine Lahti, Mercedes Ruehl, Rosie Perez, and Gregory Hines, but the icing on the cake is a chilling song from Taryl Hicks in "Sax Cantor Riff". The musical close under the credits was also a knock-out.Quote of the movie: "Only in New York..."