Some Like It Hot
Some Like It Hot
NR | 19 March 1959 (USA)
Some Like It Hot Trailers

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

Reviews
viccentelles

The best movie I've ever seen. The acting is great and I never get bored by the comedy... So much fun!!!

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NikkoFranco

Jack Lemmon, Tony Curtis and Marilyn Monroe completes the saying ' Three's Company ' and the results are bombastic. The gents, cross dressing by accident to hide from the mob ends up with a group of showgirls and both have fallen to the charms of the kittenish Marilyn Monroe. Who gets there first and win her heart, and how they managed to disguise it and to be exposed in the end becomes double riotous in each frame of this wonderful, fun-oriented , classic of a film. Proud owner here of a VHS copy.

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Alie Ross

A couple of days ago I saw this movie for the very first time. It was an extra credit film for my Film History class that I am taking currently. I have seen many black and white films before but nothing compared to this one. From the first scene to the end credits my mind was on a complete roller coaster ride. I was very impressed with the main characters and how the actor/actresses playing them held their own throughout the entire film.The way the two main actors portrayed the two women throughout the entire was really impressive. This is a film I would recommend because it combines humor,suspense, romance, and violence in a unique way that really captures the time period it was filmed in. I can clearly say that this film for me was really enjoyable and nothing like I expected it to be. I hope it is enjoyable for others as much as it was enjoyable for me!!!

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weezeralfalfa

For the most part, I enjoyed this very unusual farce. Casting two men who made themselves up as women in order to escape the wrath of a murderous Chicago gang was a clever plot idea. The incorporation of the historic St. Valentine's Day gangland massacre into the screenplay provides some diversion from the business of trying to continue fooling people into believing that Tony Curtis and Jack Lemmon are women. Tony and Jack are the principal comedy team. We have 2 other actors: Marilyn Monroe and Joe E. Brown, who are principally strait men for the comedians. The members of 2 gang also serve, to a limited extent, as straight men. The casting was near perfect. Tony and Jack made a great comedy team, and were made up to look like women about as well as possible. The main problems were their manner of walking and their voices, which should have given them away as men. This is a major weakness of the screen play: perhaps fatal if that bothers you too much. Sadly, much of stage and film humor relies on victims who are unusually nonobservant, clumsy or stupid. This reduces the comedic value. Implausible happenings and connections between scenes are frequent in this film. Again, too many of such reduces the comedic value of the film. However, as in this film, this significant negative can often be compensated for by sufficient truly funny happenings. Also, children are no doubt generally less bothered by implausible happenings, judging by the popularity of animations. The scene where various members of the female band gradually squeeze into Jack's(as female)train berth because he has some bootleg liquor reminds me of the famous scene in The Marx Brothers' "A Night at the Opera", where more and more people have a reason to squeeze into their tiny hotel room, falling and climbing all over each other, until the last one opens the door and half spill out. In addition to masquerading as a woman, Tony masquerades as a rich sea captain, several times going back and forth between one disguise and the other, primarily for the purpose of seducing Marilyn. Clearly, he is trying to imitate Cary Grant's manner of speaking as the captain, reasonably successfully. This somewhat reminds me of a later film starring Tony: "The Great Imposter", where he successfully masquerades as a number of men in their work.It's clear from a comment by Joe E. Brown that the title means that some people prefer jazz. As usual, Marilyn plays an innocently slutty gold-digger. And, as with so many of her later films, sounds like she was a basket case much of the time, showing up very late or not at all, forgetting her lines, crying and complaining. The director had to put up with these distractions because the public still loved her.

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