It Happened One Night
It Happened One Night
NR | 22 February 1934 (USA)
It Happened One Night Trailers

A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.

Reviews
evhstheater

They most certainly don't make comedies like this anymore. It is such a joy to watch the chemistry of the two lead on screen and fall in love with them falling in love.

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adonis98-743-186503

A spoiled heiress running away from her family is helped by a man who is actually a reporter in need of a story. It Happened One Night (1934) might have been a classic but it really doesn't hold that well i'm afraid cause i found myself being really bored by the storyline especially since i have seen it done better in better movies and even tv shows that came decades later. The acting wasn't anything special either and the characters especially the main girl were annoying to say the least. It Happened One Night is a forgettable, boring and just a bad film. (0/10)

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Anssi Vartiainen

A young woman from a wealthy background cracks under the pressure of her demanding lifestyle and runs away. On her way she meets a struggling reporter, who decides to stick with her with a story in mind. Together they experience the joys of life. If this sounds vaguely familiar, it might be because you've seen the 1953 classic, Roman Holiday, the plot of which fits the exact same description. This came first, however.The are also differences. Whereas Roman Holiday is a pretty clear romantic city comedy, this movie can best be described as a road trip movie. It's also a bit more dramatic, or at least not as clearly a comedy. Overall I find Roman Holiday to be the superior film, but that's mainly due to the strength of its main leads. It Happened One Night certainly has star power going for it, with Clark Gable proving himself Gregory Peck's equal in all ways that matter. But if you were to tell me Claudette Colbert was just as good in this as Audrey Hepburn was in Roman Holiday, I'd punch you. Not that Colbert is bad, mind you, but her character is written pretty passive. I blame mostly the era, but the problem still exists.Nevertheless, I do like this film. Frank Capra's light, idealistic world view is evident throughout and it's just such a joy to experience. In his world people still believe is basic goodness and there are no true villains. Or if there are, there are also plenty of people to laugh at them or to thwart their evil schemes. What can I say, they don't make movies like these anymore. An attempt to make a movie such as this nowadays just wouldn't fly. It would be seen as too naive. Its dialogue as too corny, its characters as lacking humane flaws. But in denying ourselves films such as these, we're losing something. Whether its simple honesty or something else. But we're losing it.And that's a shame.

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brodyeto

The dialog is witty, the characters are delightful, and the story is timeless. The way it managed to weave together a story of conflicing interests and miscommunicated interests was so good, it became a cliché in romantic comedies, even to this day. However, unlike some other formulaic cash grabs you might see today, nothing about the misunderstanding felt forced or overly coincidental. The acting was great, and Clark Gabels performance was charming, smooth, and reluctant, akin to Bogart in Casablanca.

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