Shocker sees horror director Wes Craven attempting (but failing) to replicate the success he enjoyed with A Nightmare On Elm Street (1984), bringing to the screen another supernatural psycho in the form of serial killer Horace Pinker (Mitch Pileggi), who uses black magic to free his spirit as he is being zapped in the electric chair. Transferring from body to body, Pinker is able to continue his grisly murder spree, AND have a little fun with Jonathan Parker (Peter Berg), the high school football star who was instrumental in Pinker's arrest.Craven not only rips off his own ideas, using dreams as a major plot device, but also mimics the horrible tongue-in-cheek style of the later Elm Street movies, his killer a wisecracking figure unable to be destroyed by normal means. The result is a real stinker of a movie, boasting a lousy central performance from Berg (whose whiny nasal delivery is unbearable), lots of dreadful visual effects, and a plot that makes very little sense, all capped off with a sequence that is easily one of the worst things Craven has ever committed to film (and that's saying something): a battle that takes place inside a television set, with Pinker and Jonathan travelling through several TV shows, the plucky high-schooler eventually using the TV remote to control his enemy. I'm not entirely sure what Craven was aiming for, but the result is embarrassing in the extreme—even worse than BB the robot in Deadly Friend.N.B. I just remembered the moment where Pinker disguises himself as a massage chair, which is as bad as, if not worse than, the TV channel hopping scene.

Shocker (1989) is a master of horror Wes Craven's underrated excellent horror flick, that I do believe is a classic and I love it to death! It is my third favorite Wes Craven's horror flick. This movie is a memories on my childhood, I grew up watching this movie as a kid. The same thing that was with the Chinese director John Woo by me, I had no idea who was Wes Craven or that it was directed by him. The only movie I memorized by Wes was Scream, which become my favorite film when I was 15 years old, I watched Scream with my mom and even my mom liked Scream. I found out a year later about this film Shocker, but version I had on VHS was extremely horrible lousy picture quality and awful audio. The subtitles were extreme lousy dubbed so I couldn't watch this film. Now recently I got this film on Blu-ray and I really had a blast watching this horror film! A Nightmare on Elm Street and New Nightmare are my favorite Wes Craven's horror films that I love to death and Shocker is my third favorite horror film is my number 3 Wes Craven's slasher horror flick, that I love to death! This amazing stylish horror film from the late 80's is about a diabolical mass murderer who harness electricity for unimaginable killing powers. Why I love this film? because Horace Pinker is a bad ass, kick-ass villain! The film simply reminds me on A Nightmare on Elm Street the original flick. Btw I hate horror idiotic icon Michael Myers from Halloween franchise, I hate him and I hate Jason Voorhees the same as Myers, but Horace Pinker could kick both of their assess! I love this film because in any horror film that I remember the main hero of the whole film is a kick ass guy who is likable decent male hero character trough whole film! In every horror film that I remember the main hero is always some stupid girl, but Wes tried something else which it worked.You have a great horror, likable characters, a lot's of action, a lot of fantasy in it and a lot of fun. This is Peter Berg's best film in his whole career which is an awesome classic! Nancy Thompson (Heather Langenkamp) from A Nightmare on Elm Street is my favorite number 1 horror icon heroine but Jonathan Parker is my favorite number 1 horror icon which I love him to death.I love the music scores from Megadeth and The Dudes of Wrath, I love soundtracks No More Mr. Nice Guy and shocker to death.My favorite scene is when Horace Pinker (Mitch Pileggi) posses the body of 9 year old girl and drives an excavator and try's to kill Jonathan which that scene was incredible awesome! Horace posses the body of Lt. Don Parker (Michael Murphy) and hunts down Jonathan (Peter Berg) and shots with a gun on him, missing him and they both fight face off on a tower when they both climbing up and Don Parker kick's him away.Ghost Alison Clemens (Camille Cooper) kick's Horace's spirit away from Jonathan.Jonathan face's off Horace him self and fight's him off and finally beat's him in his own game, like Nancy did and he survives.The cast is very solid in here: Mitch Pileggi gave a solid performance, Peter Berg's best underrated role, Camille Cooper is very underrated and excellent actress in here.You also have Ted Raimi in here and Heather Langenkamp in a cameo scene as Horace's Victim.Wes Craven did amazing job as script writer and director you have a solid script and awesome dialogue in the film.R.I.P. - Wes Craven (1939 - 2015) I really miss you and thank you for all the Freddy movies, thank you for all horror franchise and movies like are: A Nightmare on Elm Street, New Nightmare, Scream, The Serpent and the Rainbow, Shocker and The People Under the Stairs. I love you so much I wish you could done more horror movies I really love them.Overall: I love Shocker to death and it is my third favorite Wes Craven's horror film! The rating is a 10/10 for me.Shocker (also known as Wes Craven's Shocker) is a 1989 American horror film written and directed by Wes Craven. It stars Michael Murphy, Peter Berg, and Mitch Pileggi as the evil antagonist Horace Pinker 10/10 Grade: Bad Ass Seal Of Approval Studio: Universal Pictures, Alive Films Starring: Michael Murphy, Peter Berg, Cami Cooper, Mitch Pileggi, Sam Scarber, Richard Brooks, Ted Raimi, Heather Langenkamp, Lindsay Parker, Janne Peters Director: Wes Craven Producers: Warren Chadwick, Wes Craven, Bob Engelman, Peter Foster, Shep Gordon, Barin Kumar, Marianne Maddalena Screenplay: Wes Craven Rated: R Running Time: 1 Hr. 50 Mins. Budget: $5.000.000 Box Office: $16,554,699

Wes Craven is one of my favorite directors. the plot of "Nightmare on Elm Street" was brilliant, and decades later, "Wes Craven's New Nightmare" was just as brilliant, IMHO. I even love "Cursed." So I really wanted to like "Shocker." but that's only possible if you ignore some truly major inanities.For instance: from the beginning, it's obvious that Jonathan has information about the killer and can help find and capture him. But Jon's cop father refuses to believe him, and keeps telling him to "go home, this is MY job." Why? Or the scene where Jonathan dreams himself into the next murder, with one of his football buddies to wake him just in time (for-- what?). How does he know the murderer's going to strike right then? In fact, Jonathan's psychic abilities overall are hit and miss: he dreams some of the murders, but he's happily playing football while his girlfriend is being slaughtered. Why didn't he feel that one coming? And when Jonathan searches for the necklace that somehow (it's never explained how) will keep him safe...I just had to laugh. Seriously? He's going to dive to the bottom of a lake, AT NIGHT, and find that tiny necklace? And speaking of that, why is he loving ghost-Alison half the time, but scared witless of her the other half?It's not all silliness, though. There are some things to recommend this movie. It's definitely gory, for those of you who like that. There is some humor, and the Zelig-like trip through the TV programs was quite interesting. And there are some nice scenes of autumn in the suburbs: the leaves swirling in the wind, the witchy little kids running across the street (again, unexplained), the moon through the trees...And anyway, a bad Wes Craven horror movie is still better than a good non-Wes Craven horror movie.

Wes Cravens' "Shocker" is often one of the more derided in the directors' career, but in this own reviewers' humble opinion, it still manages to be pretty entertaining, even as it gets awfully silly and keeps wavering between a serious, sombre tone and an insane, over the top one. It doesn't help that it's too obvious that Craven was trying to create another Freddy Krueger in the form of raving maniac Horace Pinker, a savage psychopath played to foaming-at-the-mouth perfection by Mitch Pileggi, eventually to become better known for playing Skinner on 'The X-Files'.Pinker's on the loose, slaughtering whole families, but opposing him is college football star Jonathan Parker (a remarkably sincere Peter Berg), a nice guy who was raised by a police lieutenant (Michael Murphy). Jonathan and Horace, who are connected in a way that the younger man doesn't anticipate, are also psychically linked, and Jonathan is able to give the cops his name and place of business and before too long the killer is caught and executed.But the story doesn't end there, as Pinker, in league with Satan, "survives" the electric chair and lives on to overtake various unlucky people and control their bodies, including, in the movies' most memorable sequence, a little girl. How can one hold in their laughter watching this blonde haired moppet curse like a sailor, and try to operate a bulldozer?Ultimately, the movie is a little too absurd for its own good, but damn if it doesn't have some good atmosphere, show off some amusing ideas, and go overboard on the bloodshed. One particular murder scene is just drenched in the red stuff. One of the methods used to combat Horace is pure corn, involving Jonathans' love for girlfriend Alison (Camille Cooper) and an all-important locket. The best stuff is the wonderfully ridiculous climax in which a rampaging Horace and Jonathan run amok through TV programming (they end up in an episode of 'Leave it to Beaver' where Jonathan pleads for the Beavers' help). This does show some invention, and the special effects are effectively cheesy. (One has to love the "You got it, baby!" moment.)The cast is extremely game throughout this thing; also popping up are Ted Raimi as an assistant coach, Vincent Guastaferro ("Jason Lives: Friday the 13th Part VI") as a victimized cop, Heather Langenkamp in a tiny, non-speaking cameo as a murder victim, Richard Brooks ('Law and Order') as football player Rhino, Ernie Lively as the warden, rock guitarist Kane Roberts also doing the cameo thing as a road worker, and Cravens' kids Jessica and Jonathan in bits. The heavy metal soundtrack adds to the fun.Overall, this may not be something this reviewer would necessarily consider "good", but it's still something of a hoot, and may keep some people watching out of sheer disbelief.Six out of 10.