What the hell are you supposed to do when suddenly one night, during your birthday celebration moreover, your old and physically exhausted grandfather shows up on your doorstep and begs of you to disregard everything and drive 300 miles to bring him back home? You could refuse and put him on a bus, seeing that he also managed to find his way there alone perfectly fine, but – like the cute woman accompanying him already pointed out – he is your grandfather and you just don't do a thing like that. So what other option is there but to politely offer a ride to both gramps and the lady? During the road trip, however, granddaddy reveals he's entangled in a spiritual battle with a ancient witch called Dsonqua and you are involved through your bloodline. A-ha! That immediately explains the eerie hallucinations you're having about wicked witch masks inside the pool and outside your bedroom window! All this is what's happening to Jan-Michael Vincent in "Shadow of the Hawk"; an above average compelling and atmospheric 70's thriller with a good cast and astonishing Canadian filming locations. Especially the first half of the film is more than fascinating to observe, what with all the mysterious Indian mythology and the genuinely creepy images of the witch's frightening mask. Unfortunately the film loses quite a lot of its pace and interest halfway and ends up being a rather dull and unmemorable supernatural hocus-pocus thriller. The most exciting moments of "Shadow of the Hawk" occur during the road trip, like for example the crash into an invisible wall, whereas the long-anticipated climax battle against the witch and her disciples is tedious and disappointing. George McGowan, known from the nature-revolts classic "Frogs", directs with a noticeable disinterest, but luckily the cast is excellent. Chief Dan George and Jan-Michael Vincent (one of my personal heroes of the 70's) are terrific and very believable as the Indian saviors. "Shadow of the Hawk" is quite difficult to track down these days, so make sure you only take the effort in case you're really interested in the film.

I would classify this as a horror/suspense movie. It deals with Native American black magic in the beautiful Canadian forests of British Columbia. Jan Michael Vincent plays Mike, or young "Hawk" (which is funny since in Airwolf he's HAWKE too!) who has to come to terms with an old Indian curse which is troubling his grandfather. Arriving in Vancouver(?), his grandfather persuades him and a journalist, Maureen, to drive him back to his Indian village. Meanwhile, Jan has been haunted by a really spooky, white-faced, grotesque mask that freaks him out at night and in the pool with his girlfriend. Apparently an ancient Indian witch is trying to destroy his grandfather, and now him! There are some really creepy moments in this movie. There's a Stephen King like 50's car with blackened windows that appears and reappears eerily. Weird things happen to Jan's 70's style SUV while driving - the breaks go out, a tire almost falls off. In the forest, a bear tries to kill JMV. Just a a lot of black magic evil abounds!! Anyway, Jan eventually comes to terms and confronts the evil in the Indian village after going through a 'ritual' of sorts. I think the scenery is the best part about this film. It has that 'X Files' look of spooky Canadian forests - just stunning mountain vistas. The movie is effective enough to keep you creep-ed out. This is a great Jan Michael Vincent role for his early career. I wouldn't call is great acting, but he does maintain his 'cool' while still showing skepticism and caution at all the strange happenings around him. Plus, he looks great! That's probably the best reason to see this movie - for JMV fans especially!

Shadow of the Hawk is a film that can be viewed on many levels. It is at once a parable about the use of power and a young man's conflicted response to his vocation. I am speaking of power as it is defined in various North American Indian traditions. Power in such traditions is neither good nor evil in itself. It is the person using it who is good or evil and uses it to those ends. It is in the portrayal of black vs. white magic that the film has serious flaws, introducing non-Native American elements for dramatic effect. Nevertheless, the essential understanding that power has the potential for personal enlightenment or self-destruction manages to come through. There is also the drama of the vision quest operating here. The vision quest, found in the traditions of many North American Indian tribes, is a experience through which one conquers one's fears in a journey which culminates in a crucial aspect of self-knowledge. All of these elements, aided by the entrancing scenery throughout, combine to make this film well worthwhile viewing.

at 14 years old this movie scared the living bejesus out of me. ultimately, it is responsible for my love of being scared to this very day. i actually scratched my legs to the bleeding point through sheer nerves. i have never seen it since. i have not bothered to check on its availability, and i don't know that i want to. i hate disappointment. the last movie that threw me for such a loop was Phantasm. it was my first DVD purchase and by the time i got it all hooked up and running, it was late and i was all alone. i couldn't finish the movie til the next day, sunshine and daydreams! but enough of that movie, this was a milestone.