Seed
Seed
NR | 03 November 2006 (USA)
Seed Trailers

After surviving the electric chair, convicted serial killer Max Seed is buried alive. He digs himself out of the grave and goes on a killing spree. Taking revenge on the men who put him there and random unfortunates alike.

Reviews
Leofwine_draca

So, Uwe Boll does a serial killer flick, albeit one with a supernatural slant. A hulking masked killer is sent to the electric chair only to come back from the dead, seeking revenge. This is by far the worst Boll film I've seen, worse even than BLOODRAYNE and ALONE IN THE DARK, because it manages to be completely offensive as well as execrable.The film begins with needless scenes of real-life animal torture provided by PETA. They're there to shock, and that's it. Then we watch various things die, including a baby in the most distressing scene. More junk designed to shock and desensitise the viewer. Finally the film becomes a predictable, shot-in-the-dark slasher flick, with a random killer murdering endless cops and innocent victims.Later on, there's a stand-out scene of Seed beating in a woman's head in a kitchen which lasts for around five minutes. That's it - just mindless sadism, unnecessary and completely stupid. SEED is as bad as it can be, with rubbish performances, really bad production values, zero story, and awful direction. Michael Pare might be the king of B-movies but he needs to see sense and stop appearing in movies like this one.

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BA_Harrison

Director Uwe Boll is commonly regarded as a terrible film-maker, and his sick psycho killer flick Seed is unlikely to radically alter this general perception, being an absolute mess in the script department; however, if nothing else, it does prove that Boll has balls.Packed full of sadistic, no-holds-barred violence, the film is truly nasty stuff from start to finish, the director clearly not intending to make any new friends; as a result, I can't help but feel a sneaking admiration for this movie maverick, a man for whom the words 'quit', 'diplomacy' and 'restraint' obviously do not exist.During the opening credits, Boll even has the nerve to show PETA footage depicting real-life atrocities perpetrated on defenceless animals; I can only guess that this was an attempt to show the viewer just how inhumane people can be, but it comes across as a cheap tactic to shock the audience.Thankfully, everything from here on in is achieved through special effects, although with numerous graphic murders, a baby among the many victims, it's still definitely not for the easily offended. A prolonged hatchet attack on an elderly woman is perhaps the film's most nauseating moment (although as this particular spot of carnage escalates, the somewhat iffy CGI makes it slightly less effective). Yes, Boll sure knows how to upset and disturb; all he needs to do now is perfect telling a decent story (one that isn't so obviously flawed), hire a decent lighting technician (some scenes were way too dark), and he might be able to silence his critics without having to punch their lights out.4.5/10, rounded up to 5 for IMDb.

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trashgang

Do I have to tell you about the hate campaign towards Uwe Boll, I don't think so. Okay, he has made some terrible flicks but he can deliver gore if he wants to and this here, Seed, is one of his better ones on that side. But still it's a bit of a weird flick. The scene's with the investigators are a bit clumsy and even a bit boring. But it is the scene's with Seed, the serial killer, that deliver the goods for the gorehounds. And if you are an animal fan than I won't recommend it for you. The film starts of with animal brutality and I really mean brutality. I won't go into detail, it is real footage and one you won't forget. It's harder to swallow than let's say, Faces Of Death. And it get's worser, Seed even torture a baby. You can see it die and decompose until the skeleton is over. Once he's been electrocuted and is supposed to be death but he isn't, so they bury him alive. Can you see it coming, he rises from the grave and is out for revenge in violence and gore. The most brutal one, even as it is CGI is the hammer scene. It keeps on going and going and will be hard to swallow for an unwarned viewer not into the genre. It's more cruel than the traps of Jigsaw. So it's between the devil and the deep blue see, it's boring sometimes but it is extremely gory on the other side. 'Seed' it into your DVD player and watch it without your girlfriend.

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Coventry

The name Uwe Boll is automatically linked to bad horror/cult cinema and every new movie he releases – which is about two, three per year – immediately always receives negative ratings and harsh criticism. You're actually almost tempted to think this is just a contemporary hype. You know, like it's popular to hate Uwe Boll whether you liked his movies or not. Let me just assure you that this is NOT the case. Uwe Boll is a terrible writer/director and quite frankly a menace to the entire film-making industry. "Seed" is another most unfortunate of proof that. In here, Boll tries so desperately hard to come across as controversial and shocking that he overlooks numerous other elements that any movie essentially needs to exist, like a plot, a narrative structure, character development, tension building… "Seed" is a hideous movie, full of gratuitous filth and incompetent padding footage. I once read that "Seed" was Uwe Boll's interpretation of the nowadays popular horror trend of Torture Porn flicks, but that's not even close. The film inarguably does borrow some influences from "Saw" and "Hostel", but basically it's just another umpteenth dull slasher with an indestructible killer and video game violence. The first 45 minutes of "Seed" are beyond boring and actually just confirm all the obvious things you already knew were going to happen. For you see, Boll was stupid enough to begin his film with a (hyper- fast) scrolling text explaining there's a federal US law claiming that death row prisoners have to be set free if three attempts to electrocute them fail. So you know this will happen later on, but still the first three quarters are wasted on catching a serial killer and bringing him to the electric chair. Seed is a mute serial killer who supposedly slaughtered 666 victims (exaggerate much?) who wears a bag over his head. He watches real-life animal cruelty footage (and thus WE watch real-life animal cruelty footage; thanks for that Mr. Boll) and videotapes people as the slowly decompose in their cellar (including a crying baby which is really sick and twisted). When he's finally captured, during the most amateurish and implausible police manhunt ever filmed, and put on death row, the film even becomes more retarded. After being buried alive because the electric chair couldn't fry him, Max Seed crawls back to the surface and goes on a brand new killing spree; this time mainly focusing on the people who arrested and executed him. The senseless plot twists and complete lack of story depth of this movie go way past being just bad; they're downright infuriating and insulting the intelligence level of the average horror movie fanatic. Multiple twists and sub plot in "Seed" are simply impossible to accept by the reasonable functioning human mind because they're just too dumb! Nobody believes that cops and prison staff members will just bury a mass murderer alive without shooting a few bullets through his head first. Nobody will accept that a fugitive convict cannot be found for another six months even though he went straight back to the exact same hideout place where they first caught him! "Seed" is full of retarded little things like these and the movie gets dumber with each minute that passes. Personally, I refuse to accept that the cast & crew members didn't notice this as well. It really makes you think that Uwe Boll simply neglects all advice and criticism, and just stubbornly shoots his movies the way he wants to. I imagine his yelling stuff like "shut up and do as you are told" to his actors whenever they remark that the scene they're shooting doesn't make a lick of sense. Just for the fun of upsetting people, there's a gigantically overlong sequence where Max Seed smashes an elderly lady to death with a hammer whilst she's tied up to a chair in the middle of her own living room. Instead of shocking, as Boll intended it to be, this sequence masterfully epitomizes how pathetic and wannabe controversial the whole film in fact is. "Seed" is horrendous, it's disgusting, it's pitiable, it's … Boll.

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