Francis Lederer (Karel Novak), Ginger Rogers (Sylvia Dennis), Arthur Hohl (Pander), Jimmy Butler (Frank Dennis), J. Farrell MacDonald (Murph), Lillian Harmer (Mrs Schultz, the landlady), Helen Ware (Miss Anthrop), Eily Malyon (Miss Evans), Donald Meek (minister), Sidney Toler (police sergeant), Oscar Apfel (judge), Reginald Barlow, Wade Boteler, Frank Sheridan (customs inspectors), Spencer Charters (license clerk), Andy Clyde (liquor store owner), James Donlan (cab manager), Paul Hurst (Joe, a policeman), Harold Goodwin (doctor at police station), Jack Pennick (cab driver), Edward Le Saint (customs official), Irving Bacon (counterman), Dick Curtis, Max Wagner, Richard Alexander, Billy Dooley (men at East River), Christian Rub (joyful immigrant on ship).Director: STEPHEN ROBERTS. Screenplay: Jane Murfin, Edward Kaufman. Story: Don Hartman, Norman Krasna. Photography: Nicholas Musuraca. Film editor: Jack Hively. Art directors: Van Nest Polglase and Charles M. Kirk. Make-up: Mel Berns. Special effects: Vernon L. Walker. Miniatures: Don Jahraus. Music director: Al Colombo. Research: Elizabeth McGaffey. Stills: John Miehle. Assistant director: Dewey Starkey. Sound recording: John E. Tribby. Producer: Pandro S. Berman.Copyright 11 January 1935 by RKO Radio Pictures. New York opening at the Radio City Music Hall: 17 January 1935 (ran only one week). U.S. release: 18 January 1935. Australian release: 27 March 1935. 78 minutes.SYNOPSIS: A fairy tale about an illegal immigrant (Lederer), a kind- heart-ed chorus girl (Rogers) and her orphaned kid brother (Butler).COMMENT: A flag-waving romance that strains credulity to breaking point and then finally snaps altogether in a slapstick-style climax that fades out not on the principals, but on minor character player Donald Meek who has just entered the picture at this point! Francis Lederer makes a somewhat weak hero, but Ginger Rogers looks great (despite some unattractive costumes and odd eyebrow make-up). A goodly supply of our favorite support actors also help out. And, breaking the Hollywood mold, Jimmy Butler presents as quite a personable kid.

ROMANCE IN MANHATTAN (1935) is an immigrant story. Karel Novak (Francis Lederer) comes to America -- "The Land of Opportunity" -- with dreams of becoming a millionaire. He intends to work hard and has already learned to speak English. Right off the boat, he seems an ideal candidate for entry into the country. But the money he's saved is no longer enough to satisfy the immigration fee, which has risen from fifty to two hundred dollars. And so Karel must be sent back to Czechoslovakia, where he may never save enough money for a return trip to the States. Desperate, Karel escapes his deportation and tries to live the American Dream as an illegal alien in New York City.Francis Lederer is supremely likable as Karel Novak, charming and optimistic, though naïve. Karel sees America as the land of his dreams, a place that could well be Heaven. He gets giddy with excitement just seeing the Manhattan skyline lit up at night. Unfortunately Karel enters an America that is mired in a Depression, and millionaires -- and jobs, for that matter -- are hard to come by.Ginger Rogers plays Sylvia, a chorus girl who lives with her little brother, a paper boy when he's not in school (or vice versa). The two earn what they can and take care of each other in these tough times. Sylvia comes to Karel's aid when he's penniless and homeless and soon he's like a member of the family. Sylvia's brother gets Karel a job selling newspapers and Sylvia lets him sleep on the roof of their apartment building. After a while Karel gets a job driving a taxi and starts saving up money to square things with the immigration office. But when Sylvia loses her job, Karel dips into his savings to help out and soon he's back where he started.In the meantime Karel and Sylvia fall in love. And really who can blame them? But Karel's status as an illegal immigrant is going to come back to haunt him and he knows it. And while Karel's struggling with that, Sylvia's trying to keep her brother from being taken away from her and placed in an orphan asylum.ROMANCE IN MANHATTAN is a winner and I don't know how it's slipped under the radar. Francis Lederer and Ginger Rogers are a lovable pair and the film's got Depression-era drama around every corner. Our poor heroes are handed tough break after tough break, just trying to make a go of the "American Dream", but they take each blow on the chin, determined to get by somehow. Karel, the eternal optimist, faces adversity with a smile. It's a cute love story wrapped inside a social drama, and a pleasant watch the whole way through.The question posed at the climax of the film is whether Karel Novak, being a hard-working and respectable young man, deserves any breaks from the immigration office. Sure, he's in the country illegally, but can something be worked out for the poor guy? It's an ethical problem that can be seen as black and white or as shades of gray. The film makes its decision on the matter and I won't spoil it.

I have seen over 2,000 classic films in the last 6 years, and somehow I let this one slip by me. It is rare that I uncover a new classic film favorite, but I did with this film."Romance in Manhattan" works so well thanks to the wonderful performances by Ginger Rogers and especially Francis Lederer. I would have loved to see him hit stardom, but he had a long career and lived 100 years despite not becoming a household name. Lederer is so charismatic and handsome in this film with such an exuberant spirit. A young Ginger Rogers is lovely, has great chemistry with Lederer, and is a loving sister. There are two subplots, but this is mostly about a man coming to America to live the "American Dream" which he does while finding romance along with it. If that appeals to you, then I highly recommend this delightful little gem.

Honestly, I never really cared for the roles Francis Lederer played, until I watched this film. He is just perfect as the optimistic Czech immigrant, Karel Novak, who is so glad to be landing in America. The Great Depression doesn't scare him, he's willing to do anything and figures he can triumph over any adversity. Fate is about to hand him that chance as he faces just about every adversity an immigrant can face. First he arrives in New York with less than the money required to get in - he thought it was fifty dollars, instead it is two hundred. Instead of being deported, he jumps out of the window of the cabin he is confined in and gets ashore before he can be discovered missing.Hungry and broke, Karel is befriended by chorine Sylvia (Ginger Rogers), when she spots him chowing down on the donuts and coffee that she and the other girls in the show were breakfasting on. Although not dismal, Sylvia is realistic about how hard times are. An orphan and only 19 herself, Sylvia is taking care of a younger brother, Frank, who is going to be put in an orphanage if he skips school again. Frank is not skipping school to hang out with some local gang though, he just wants to work selling more papers to help out his big sister whom he can see is working so hard to support them both. Karel helps Sylvia see life a bit differently, through the eyes of an immigrant who is so happy to be in bustling New York where he believes anybody can become a millionaire.So Frank, Sylvia, and Karel become a real threesome. Karel sells papers during the day, then gets a job as a taxi driver, and things are looking up. He's hoping to get the two hundred dollars together to give the immigration people before they catch up to him, and his bank balance is rising. But then everything begins to go wrong. There is a taxi strike and Karel is forced off the job with no pay while the strike drags on. The show Sylvia was dancing in closes, and Karel offers to help out and plunders his entire bank account covering living costs. Finally, Frank skips school AGAIN to sell papers and help out, but this time he is going to be sent to the orphanage. Worst of all a crooked lawyer plays on Karel's lack of knowledge of the law and sells out Karel to the immigration people, so he is facing deportation again.So how is this not the most depressing film ever? Because it is a love story - that of two people trying to make it in New York in slim times - Karel and Sylvia - slowly and convincingly falling in love and having great chemistry together. It's also the story of an unconventional family unit of three - Karel, Sylvia, and Frank - who would do anything for one another. I'll let you watch and see how this all works out.It's a heartwarming tale of a different New York from decades ago - one full of boarding houses, cops on the beat who knew everyone in the neighborhood, when donuts and coffee were considered a hearty breakfast, and people largely had good intentions. It's one of my sentimental favorites.