RELEASED TO TV IN 2009 and directed by Bill Corcoran, "Rise of the Gargoyles" chronicles events in Paris when a brutal gargoyle is released from an inner chamber underneath an ancient church. A discredited Professor who specializes in mythic creatures (Eric Balfour) has a close call with the gargoyle and teams up with others to destroy it and its numerous eggs.While this has similarities to 2004's "Gargoyle" and 1972's "Gargoyles," it's easily the least of the trio due to: (1.) dubious camera work that seems a notch below the typical Syfy movie; maybe they had crappy equipment, I don't know, (2.) a lousy third act and (3.) a CGI monster that looks more cartoony than the one in the 2004 flick. Furthermore, there are dull parts here & there; and they coulda done better on the female front.Nevertheless, the European city and catacomb locations (or sets) are great and the ending of the first act features a shocking sequence that is extremely well-done where a woman is chased to the roof of her apartment building and… (I'm not going to give it away). Tanya Clarke really gave it her all in this scene as she truly looks terrified.THE FILM RUNS 94 minutes and was shot in Bucharest, Romania, & Paris, France (the latter I presume was just used for establishing shots). WRITER: Andy Briggs. ADDITIONAL CAST: Ifan Huw Dafydd plays the skeptical inspector while Caroline Néron & Justin Salinger play tabloid reporter/hacks. Nick Mancuso appears as the over-the-top priest.GRADE: C/C- (4.5/10)

Stuck with writer's block, an American architect in Paris falls victim to a series of incidents around the city that is eventually realized to be a loosened gargoyle resurrected and running loose in the city forcing him and a reporter to find a way of stopping the creature's rampage.This one was quite an enjoyable and entertaining creature feature. One of the strongest parts here is the fact that there's a lot of fun to be had with the creatures' history-based backstory which is quite well-detailed. Taking full advantage of the strong connections possible with the city's deep connection to these creatures as well as the information given out during the visits to these locations there's some nice work here of this one utilizing the strong history of gargoyles in French culture. Likewise, there's a great connection with the creature here and the absolutely chilling locations found here as the main church where the action takes place is just as good with the crazy architecture coming along to give this a fine Gothic features that are highly chilling alongside the statues and depictions of other historical events that are placed around the catacombs later on which all gives this one a lot to like. That also leads into the strong action scenes which are quite fun and manage to include the usual standard Sci-Fi Channel series of attacks that range from the short, quick attacks as in the opening down in the basement, the different attacks on the lone individuals out on the city streets and the great encounter at the hotel where the chilling run-ins with the stone gargoyles before leading into the actual encounter here all being quite nice examples. In conjunction with the other rather fun longer attacks featured as a part of this as the opening attacks in the church basement, his colleagues encounter with the creature in her apartment where the creature chases her onto the rooftop for a great sequence as well as the great sequence at the TV station where they come face-to-face with it for the first time is quite the overall fun time here. As well, the finale in the catacombs makes for a gloriously fun sequence where they do battle against the creature leading to the numerous situations in the underground as well as up in the main section of the church for a blazing, high-action finale. Along with the great design and some bloody kills, there's a lot to really like here. It does have a few minor flaws here, namely in the fact that there's no real need for the film to go for the doubting authority to the degree it is in here, which really stretches disbelief in the way he sticks to the guilty reasoning despite the evidence about the claw showing that something inhuman is in the city limits which makes the insistence a little questionable so late into the film. As well, there's the traditional flaw present in these films with some really lousy effects for the title creature, for its design is cool but shoddily rendered in the usual Sci-Fi Channel style of flaws. These here are all that's really wrong here.Rated Unrated/R: Graphic Violence and Language.

workers involuntarily release a gargoyle that proceeds to behead those who took her eggs (and some who didn't!).the animation effects are not bad, as neither is the actor's performance, so all in all it's a solid and watchable film.there are some absurd situations but the winner is the scene where the policeman is taken by the gargoyle while a criminologist team is processing another victim... though another policeman 2 feet away from them is being showered by blood while calling out for the agent into the air, they keep on with their work, undisturbed and without as much as looking to see what is going on! that's what i call being "in focus" with work!!!

Cool CGI with this film since it's shot on video. The gargoyle grows a stone skin during daylight as camouflage and is affected by UV or simulated sunlight lamps. This makes it freeze in place but only if sunlight hits it. Otherwise, it reverts back in darkness. This turning to stone motif is exactly like Disney's Gargoyles cartoon (except Disney's stayed stone all day). This creature actually flies and bullets just nick the skin! Also Eric Balfour reminds me of David Naughton in "An American Werewolf in London". A pretty decent film shot entirely in Paris. This beast is vicious and shows no mercy with moves like a flyby decapitation. I like the underground tunnels and rooms of the egg nest (it's a female) and that they are ..."older than Rome".