Standard low, low budget Monogram programmer stars the legends Bela Lugosi and John Carradine as a pair of scientists. Professor Dexter (Lugosi) is determined that they find a perfectly preserved prehistoric man so they can continue with their cold storage experiments. Naturally, they do find an ape man (prizefighter Frank Moran), who comes back to life and wreaks predictable havoc. Dexter thinks that the solution to controlling the ape man will be donating a portion of a rational mans' brain to the confused cave dude.Although this is routine stuff, clocking in at barely over an hour, Bela and Carradine are once again great value. Carradine, who played his own fair share of mad scientists over the course of his career, here gets to play the moral centre / voice of reason - and also gets to play that oh so familiar composition "Moonlight Sonata" on the piano. Bela, meanwhile, clearly has fun as the irrational, totally self serving cretin who doesn't care what he has to do to realize his ambitions. The supporting cast is sufficient: gorgeous Teala Loring as Carradines' niece, Michael Ames (a.k.a. Tod Andrews) as her fiancée, Mary Currier as Carradines' wife, Eddy Chandler as a police sergeant, and Ernie Adams as a hobo. George Zucco was originally cast as the title character, and had done the required hair and makeup tests, but fell ill, and had to leave the picture. As a result, he's barely in it, spending a few seconds on the slab until the ape man wakes up and is then played by Moran. Still, Zucco clearly had a good agent; his contract allowed him to get third billing no matter what.Overall, this is a mildly enjoyable lark, with nothing special or memorable about it, but it's got a decent forward pace and enough chuckles to make it palatable. The director is Phil Rosen, an extremely prolific B filmmaker whose credits include some of the Charlie Chan features.Five out of 10.

How can I not like this film? Bela Lugosi, John Carradine, & George Zucco stars in this fun poverty row quickie. The film lasts around an hour and it's an enjoyable watch.We have Bela Lugosi as the mad scientist Prof. Dexter who is experimenting with a the frozen body of a prehistoric caveman (George Zucco) - that is thawed out and now living. Prof. John Gilmore (John Carradine) is right beside Dexter but Dexter has plans of his own! Everything becomes a fun romp as we usually expect from these films.Really a good way to enjoy and hour three classic horror favorites .7.5/10

Return Of The Ape Man which has nothing to do with the original Ape Man which was no Oscar winner either boasts in its cast three players who apparently had no standards by which they chose projects. Bela Lugosi, John Carradine, and to a lesser extent George Zucco probably in the aggregate can count on more dreadful films than any other three players you can name.Starting off with the fact that a product from Monogram Pictures ought to carry a warning label, Return Of The Ape Man is one horrid ripoff from the Frankenstein story. Lugosi and Carradine are a pair of scientists experimenting in cryogenics before its time and travel on an Arctic expedition to find hopefully a frozen caveman from prehistoric times to experiment on.What Carradine doesn't know is that eventually he winds up part of the experiment as a bit of his brain winds up in the caveman's body. After that it's George Zucco who takes over the caveman part from former boxer Frank Moran. Zucco gets to talk guttural monster talk like both Lugosi and Boris Karloff did playing the Frankenstein monster.Biggest hoot in the film is when the caveman with new enhanced intelligence breaks into Carradine's house plays Moonlight Sonata on the piano and then strangles Mary Currier who is Carradine's wife. I split a gut with that one.For a few laughs check out Return Of The Ape Man.

RETURN OF THE APE MAN was one of nine films Bela Lugosi appeared for the Poverty Row studio Monogram between 1941 and 1944. In this film, he plays mad scientist Professor Dexter who with the help of his colleague Professor John Gilmore (John Carradine) revives a prehistoric man (Frank Moran) from an ice block. Dexter schemes to kill a modern person to use part of his brain in the newly thawed brute. Thus, the savage ape man will not only become manageable, but he'll have the speech and intelligence to describe his prehistoric life. Why not a WHOLE brain? Because Dexter believes that if he removes all of his subject's old brain, the ape man won't have any knowledge of his former life.This synopsis suggests the film's silliness. The plot is more coherent than in most of Lugosi's other Monogram films, but it still has its share of inexplicabilities and inconsistencies. Monogram's typically poor production values further enhance the film's cheesiness. The sets are sparse and threadbare. An Arctic sequence where the scientists find the ape man is especially phony looking; one expects the curtain to come down when it ends. The music, consisting of randomly selected stock scores, is dull and often inappropriate, such as a marching band tune during action sequences.Still, one can derive legitimate pleasure from Bela Lugosi's performance. Ever the trouper, he acts as if he's in one of his Shakespeare productions in his native Hungary and the film is all the better because of it. Lugosi emotes his standard mad scientist part with passion and conviction. He delivers such lines as "Some people's brains would never be missed" in his sonorous Hungarian accented voice with an air of sinister elegance. Such a unique delivery elevates his dialogue from stale cliches to arcane parlance. Lugosi fans should savor RETURN OF THE APE MAN.It's a letdown for John Carradine's fans, however. As Dexter's sane and ethical partner, he just goes through the motions. His performance is so listless that one perversely roots for Lugosi's far more vibrant character when the scientists argue.Overall, RETURN OF THE APE MAN exemplifies the situation of an outstanding performer (in this case, Lugosi) rising above his unpromising material.