Producer: Hal B. Wallis. Executive producer: Jack L. Warner. Copyright 23 October 1943 by Warner Bros. Pictures, Inc. A Warner Bros.-First National picture. A Hal B. Wallis production. New York opening at the Strand: 5 November 1943. U.S. release: 23 October 1943. Australian release: 11 October 1945 (sic). 8,659 feet. 96 minutes.SYNOPSIS: Brash American pilot woos European princess.NOTES: Academy of Motion Picture Arts and Sciences Award to Norman Krasna for Best Original Screenplay (defeating Dudley Nichols' Air Force, Noel Coward's In Which We Serve, Lillian Hellman's The North Star, and Allan Scott's So Proudly We Hail).COMMENT: Although Bosley Crowther gave "Princess O'Rourke" a marvelously enthusiastic write-up in The New York Times (the film was a runner-up for his "Ten Best" of the year), and although Norman Krasna defeated unusually stiff competition to carry off the Best Original Screenplay Oscar, it is not a movie all that fondly remembered today. In fact it hasn't been aired for at least 40 years on my local television, though it's certainly a far more agreeable comedy than most of the junk that nowadays passes for hilarity. Lightweight it definitely is, but Krasna displays an appropriately light touch, drawing pleasant performances from his large and distinguished cast. Photography is most attractive, and art direction superb."Princess O'Rourke" may not be exactly Royal Command Performance material, but it's a most enjoyable way to spend an idle 96 minutes.

It is, after all, 1943, so you've got to expect a little propaganda from a film, even if it is a comedy called "Princess O'Rourke," starring Olivia de Havilland, Robert Cummings, Jack Carson, and Jane Wyman. DeHavilland is a princess visiting in New York, en route by plane to San Francisco to escape from boredom. Before she leaves, she gets a sleeping pill from her uncle's secretary (Gladys Cooper) but when it doesn't work immediately, she gets another one from the flight attendant, one from the copilot (Jack Carson), and finally, two from the pilot, Eddie (Robert Cummings). Then she can sleep. Unfortunately, the plane has to turn around and return to New York and the princess can't be awakened. Eddie takes her to his place to sleep it off - all very chaste, of course - and the two fall in love.Olivia de Havilland is very beautiful and was one of the best actresses in Hollywood. Alas, she didn't always get a chance to show it. But she is certainly lovely as a young woman torn between loyalty and love. Her sleeping pill scene and the scene where her uncle discusses a possible American suitor with her are wonderful and demonstrate her impeccable timing. Jack Carson and Jane Wyman are delightful as Eddie's friends, and Cummings gives an energetic performance as Eddie. In the film Eddie's birth date is given as 1914; Cummings was actually born in 1908 and was around 33 when the movie was made (though released in 1943, the film was made over a year earlier). He retained his youthful appearance well past the 1950s, during which time he played a swinging bachelor in his television series. Charles Coburn provides excellent support, and Gladys Cooper is totally wasted in a role that she must have been assigned for some contractual reason."Princess O'Rourke" enters the realm of whimsy when the President and his "little dog Fala," as Roosevelt referred to his buddy, take a hand in the romance. The dog playing Fala is excellent! One interesting bit of trivia: It's rare to see a film released 63 years ago in which two of the stars are still alive (in fact, it's rare to see a film released 63 years ago in which even one star is alive), but at this writing, both de Havilland and Wyman are still with us. So is "Princess O'Rourke." It's light and enjoyable.

Firstly, I have to comment that Olivia de Havilland looks absolutely beautiful in this movie, and that is just as well, because the story is fairly flimsy and Robert Cummings is even out of his depth in this. (despite the foregoing, this film pre-dated "Roman Holiday" which has a very similar story line). The usual Warner stalwarts in Jack Carson and Jane Wyman had familiar roles which I am sure they could have played with their eyes shut, but it was so disappointing to see that wonderful actress Gladys Cooper in a five minute role as a secretary, and insulting to someone of her class. Charles Coburn was a good foil for the comings and goings of the lead characters. Somehow, one gets the feeling that this film, and a few others like it, would have been the reasons for Miss de Havilland going on suspension so often at Warner Brothers.

Norman Krasna wrote a delightful script that is played to the hilt by Olivia de Havilland, Robert Cummings, Jane Wyman and Jack Carson--not to mention Charles Coburn. Interesting to note that de Havilland and Wyman would be up for Best Actress Oscars three years later (To Each His Own, The Yearling). Wyman was so impressive as Jack Carson's wise-cracking wife that Billy Wilder decided to use her for 'The Lost Weekend' in a more dramatic role. De Havilland's sleeping pill scene early on gets the film off to a breezy start--she even lapses into a little French (long before she became a Parisian in real life). All in all, she does a wonderful job as the Princess in love with commoner (Robert Cummings)and facing a few twists and turns of plot before the ending. John Huston, her boyfriend at the time, was said to have coached her in the role. Jack Carson and Jane Wyman have good supporting roles--and Charles Coburn has some amusing scenes as de Havilland's overprotective uncle. Ten years later, 'Roman Holiday' gave us another variation on this theme. One of de Havilland's better comedy roles.