Based on a "True Story" the opening scene features a panoramic view of Portland as the narration extols the beauty, culture and incredible atmosphere of the city as a wonderful place to raise a family. Sounds like Paradise but...it seems the town has been overran by murderous rival crime syndicates vying for control of the lucrative pinball vending business. Filmed in a semi-documentary style, Portland Expose reveals the sordid, corrupt side of the City of Roses. The movie follows the plight of local barkeeper George Madison (Edward Binns) as he becomes entangled with the criminal underworld after he agrees to have a pinball machine placed in his tavern. Soon the syndicate forces him to place even more machines and his formerly quiet pub becomes a hangout for the 'wrong crowd'. Regretting his decision Madison decides to fight back after his daughter (Carolyn Craig) is attacked in the parking lot by a syndicate thug (Frank Gorshin). With the cooperation of local officials Madison decides to go undercover to gather evidence to expose the rackets. The movie draws inspiration from the detective exploitation magazines of the era that promised behind the scenes sordid details. The stories were usually presented in a lascivious manner to maximize sensationalism as they followed the crime investigation through the eyes of the investigators. Tame by today's standards, the film pushed the boundaries into the acceptable content of the time. Though it's a fairly typical 1950's matinee programmer, Portland Exposé weaves a pretty fair noirish tale. Gritty and not highly stylized, it features ensemble cast composed of prolific career character actors (Binns, Virginia Gregg, Russ Conway, Lawrence Dobkin, Frank Gorshin, Rusty Lane, Joe Flynn) who manage to make the movie better than might be expected. All in all a watchable B crime flick.

Portland, Oregon appears to be one of the most wholesome cities to raise a family and retire. But there is a shady underbelly; two gangs are fighting to place their pinball machines, juke boxes and slots in high traffic roadhouses and hotels. George Madison(Edward Binna)tries his best, but ends up knuckling under to a mob faction. With gambling machines in his roadhouse, Martin is making money hand over fist. But when a perverted "wise guy"(Frank Gorshin)tries to rape his daughter...Madison agrees to help law officials by wearing a wire in hopes of putting an end to Portland gambling. Nice film noir directed by Harold D. Schuster. Other players: Lawrence Dobkin, Rusty Lane, Carolyn Craig, Virginia Gregg and Joseph Marr.

(Some Spoilers) Trying to muscle in on Portland Oregon's taverns and restaurant trade the Seattle Mob at first infiltrates and then takes over the local teamster unions using them to blackmail anyone, depending on the truckers delivering their booze and food products, who doesn't play ball with them.It's when the mobsters started putting pressure on tavern owner George Madison, Edward Binn, that things started to backfire on them. Madison a hard working man and WWII vet at first gave into the mobs demands in buying their exclusive booze, trucked in by the corrupted teamsters, for his customers as well as installing a number of pinball machines. It's when the mob started to press their luck on him that George started to push back.It's when Seattle mobster the hot in the pants, for underage females, Joe, Frank Gorshin, attacked and tried to rape George's teenage daughter Ruthie, Carolyn Craig, that George took matters into his own hands. At first cold cocking the surprised, in George coming to his daughters rescue, Joe and knocking him out cold it was then decided by Joe's bosses to ice him, since he wasn't worth all the trouble that he caused, by laying him on the railroad track, drenched with booze, and run over making it look like he was a drunk who lost his way to the ginmill. Back at the tavern George saw that booze and pinball machines where soon to be replaced with drugs and prostitution in his family oriented establishment and decided, with the cooperation of the local and still uncorrupted police, to go undercover and get the goods on the mob thus putting their sleazy operation out of commission.Using a hidden tape recorder, circa 1957, that was about the size of a lunch-box George started getting enough evidence on the mobsters, by playing along with them, to put them away for life. It's when mob moll Iris, Jeanne Carmen, started to get a little close to George, on the dance floor at his tavern, that she noticed a bulge, not where she expected it to be, under George's clothes that alerted her that he was up to no good and relayed that very important information to her boss.***SPOILERS*** With George now exposed, thanks to Iris, as a police plant the mobsters started to give him the business by working George over in having him tell them when the tape recordings he took of them where hidden. It was when George's daughter Ruthie who had fled Portland, together with her mom and kid brother, for her own safety showed up unexpectedly to attend the senior high-school dance that she together with her pop, George, was held captive by the mobsters. It's when the mobsters threatened to disfigure Ruthie's pretty face with a vile of acid is when George just lost it. With what seemed like superhuman strength George broke loose and took on the entire Portland Mob almost singlehanded until the police arrived not to rescue him but the mobsters whom he was on the verge of annihilating!Filimed entirely in and around the "City of Roses" Portland Oregon the movie "Portland Expose" shows how one man pushed to he brink can become a one man demolition squad to the shock and surprise to those who did the pushing. It was the Portland Mobs misfortune to find that very important lesson out the hard and bare knuckles way!

This is a tough look at the difference between unions and criminally controlled protection. Portland is a peculiar setting for a film noir. It works well, though: The opening narrative begins like a travelogue and gradually shifts into comments on the city's corruption.The cast is excellent. It's not always the most beautiful looking group. The ingénue, who is pretty, wears her hair slicked back with what looks like Brylcreme. Virginia Gregg, the notable radio actress playing her mother, looks a little old for the role and tired.It's a twisted movie, though. Catch this: Frank Gorshin, of all people, plays a hit man who is also a pedophile! That's a new one on me -- though child molestation does figure in that great classic of weirdness, film noir, and beauty "The Naked Kiss" a few years later.The bit players add a lot. There's a scene, just a throwaway, in which a blonde playing a slot machine yells "Jackpot!" and goes into paroxysms of glee as the camera moves away and dumps her.And the portly older gal imported to Portland to oversee the b-girl business is fabulous. We meet her as she gets off a plane and totters along in her high heels, fur stole wrapped defiantly around her. Her description of her "girls" is priceless: It prefigures the introduction Melanie Griffith provides herself in "Body Double" decades later.Make no mistake: This is a serious movie. It was obviously done on the cheap. But it's done with great style.