This is a very good comedy about marriage, divorce and remarriage. Judy Holliday is Nina Tracey (nee Chapman), and Jack Lemmon is her husband Robert. Robert's best friend is Charlie Nelson, played by Jack Carson. They had been officers together in the Navy during WW II. Now they are both attorneys. Kim Novak is Janis, a girl in Charlie's black book whom he lines up with Robert after Robert and Nina get a divorce. The couple had been married eight years but boredom set in and they decided to divorce. This happens early in the film, so that the rest is a nice blend of comedy and romance as Robert and Nina try to adjust and get back in the dating game. Of course, that doesn't work for either one, and romance returns between them. The rest of the small cast are fine in their roles.This isn't a challenging film or top flight comedy with much witty dialog and situations. But, it's a pleasant story with some fun scenes that most should enjoy. The cast for "Phffft" is a first rate list of comedy actors in the 1950s. Jack Lemmon and Judy Holliday played in some of the best sophisticated comedies of the time, although Holliday's career was a short one. Jack Carson for many years was one of Hollywood's best supporting actors, especially for comedies. He co-starred here along with Kim Novak, in just her third film. Novak was very good and won a Golden Globe as most promising female newcomer. Holliday had won an Oscar for the comedy-drama "Born Yesterday" of 1950. She had two more smash comedies after that, including another hit with Lemmon in early 1954 – "It Should Happen to You." Holliday made only 14 movies in her career, but won an Oscar and a Golden Globe for film, and a Tony Award on Broadway. The Tony came in 1956 for the Broadway smash hit, "Bells Are Ringing." Holliday's last film was the movie version of "Bells Are Ringing" in 1960. It's a great comedy-musical with Dean Martin, Jean Stapleton and Eddie Foy Jr. Holliday died at age 43 in 1965 after a five year battle with breast cancer.Jack Lemmon was one of the great actors of the silver screen for nearly five decades. But, he got his start in TV in 1949 and was in several TV series through 1954. Those included dramas and comedies. "Phffft" was just his second movie and followed the smash hit earlier that year with Holliday, "It Should Happen to You." Of course, he would go on to win two Oscars and have six more nominations. He also won four Golden Globes for acting, with another 17 nominations. Lemmon won three BAFTA awards, with four more nominations; and he won two prime time Emmy awards with four more nominations. Lemmon was equally adept at drama and comedy. Some of the funniest and most endearing comedies he made were later in life and his career with long-time friend Walter Matthau.

I love that scene where the phony doctor and nurse keep upstaging each other while on TV. What a sparkling little comedy from two of the best comedic actors of the time —Holliday and Lemmon. Holliday is less pixilated than usual, but then she does play a TV writer. Lemmon also has fewer tics than usual, but that doesn't hamper the laughs at all. They play a married couple who divorce when he prefers reading second-rate Mickey Spillane to her. Of course, once divorced, they pine for each other following a series of comedic misadventures.That manic dance number alone is worth the price of admission. I just hope they did it in one take, otherwise get out the respirator. Then too the "whooshing" bed proves a great bit of comedic inspiration. Note how its whooshing back and forth becomes innuendo in that flashback scene where they first meet. And what a cutely appropriate final whoosh to the movie as a whole.A lot of credit should go to ace screenwriter Axelrod, who devises a series of amusing episodes where Nina (Holliday) and Robert (Lemmon) try to out-do one another in the I'm-so-over-you department. He grows a mustache and gets a sports car, while she does what any woman is expected to do—she gets a new wardrobe. Meanwhile, that expert performer Jack Carson lends first-rate actorly support but questionable best-friend advice; at the same time, Kim Novak gets into the swing with a vivacious party-girl performance.All in all, the set-ups wear well despite the years. Sure, it's only well done fluff. Still, I'm just sorry there weren't more Holliday-Lemmon pairings, since their styles blend so perfectly as this movie so humorously demonstrates.

Almost all US sex comedies of the 50's & 60's are dated now by a quaint leering approach to sex & marriage, not to mention the costumes, hair, settings. But the remarriage theme will always be ripe for romantic comedy fun. Here, George Axelrod got his start. He later wrote screenplays for "Will Success Spoil Rock Hunter," "Breakfast At Tiffany's," "Goodbye Charlie," and in a dark mood, "The Manchurian Candidate." His style is comparable to Preston Sturges, using wit to slice through the social conventions. Judy Holliday & Jack Lemmon were a wonderful match. Judy could play an "everywoman" to Jack's "everyman" as in "It Should Happen To You." She could surprise & bedevil him with her mix of ditzines & intelligence. Their comic timing together seems effortlessly perfect. This film should be remembered more fondly.

One reason Judy Holliday fans (of which I am one) are so fervent in their love for the comedienne is that she had mastered timing. In comedy, timing is everything.Phffft! is an excellent vehicle for Judy to work her magic. The story is pedestrian and the one-liners range from cute to tired. But, in Holliday's capable hands the material takes on new life. Watch her delivery, her pauses, her expressions. All pitch-perfect.Jack Lemmon is fantastic as well. In this and "It Should Happen To You" he and Judy display a great on-screen comic chemistry. They play off each other very well. Lemmon handles his own scenes in his classic style as well. He was truly a joy to watch.The film also benefits from excellent support by Jack Carson as Lemmon's best friend/bad influence. Kim Novak makes, I believe, her first major appearance in this movie and does well. She's not as polished as she will later be but her appeal is still quite evident.For me, the movie gets better with repeated viewings. Always a good sign. The mambo scene between Judy and Jack alone is worth the price of admission! Ole!