Phffft! pretty much describes my feelings about this film. And that surprises me. Jack Lemmon has always been one of my favorite actors...a man who can be comfortable with comedy or drama. And Judy Holliday was bright in a number of films, including one of my favorite musicals -- "Bells Are Ringing". So when I saw this listed on TCM I was pleased since somehow I had never seen this.For me, this script just doesn't quite make it. Lots of potential. Perhaps it was partly because this film seems incredibly dated. Lemmon and Holliday are pleasant enough in the roles, but they sure don't seem very inspired, nor -- in this film -- do they seem to click.Although only 44 years of age when this was filmed, Jack Carson seems way too old in this film. The grossly slicked down hair doesn't help any. And again, his character seems so outdated. If you're a Kim Novak fan, don't get too excited -- her role is not very big, but she and Lemmon seem to have a little screen magic.The one truly bright segment in this film is the dancing fiasco. Both Lemmon and Holliday sparkled here! It's not that this is a bad film. It's pretty good...but just pretty good. Worth a watch...once.

I love that scene where the phony doctor and nurse keep upstaging each other while on TV. What a sparkling little comedy from two of the best comedic actors of the time —Holliday and Lemmon. Holliday is less pixilated than usual, but then she does play a TV writer. Lemmon also has fewer tics than usual, but that doesn't hamper the laughs at all. They play a married couple who divorce when he prefers reading second-rate Mickey Spillane to her. Of course, once divorced, they pine for each other following a series of comedic misadventures.That manic dance number alone is worth the price of admission. I just hope they did it in one take, otherwise get out the respirator. Then too the "whooshing" bed proves a great bit of comedic inspiration. Note how its whooshing back and forth becomes innuendo in that flashback scene where they first meet. And what a cutely appropriate final whoosh to the movie as a whole.A lot of credit should go to ace screenwriter Axelrod, who devises a series of amusing episodes where Nina (Holliday) and Robert (Lemmon) try to out-do one another in the I'm-so-over-you department. He grows a mustache and gets a sports car, while she does what any woman is expected to do—she gets a new wardrobe. Meanwhile, that expert performer Jack Carson lends first-rate actorly support but questionable best-friend advice; at the same time, Kim Novak gets into the swing with a vivacious party-girl performance.All in all, the set-ups wear well despite the years. Sure, it's only well done fluff. Still, I'm just sorry there weren't more Holliday-Lemmon pairings, since their styles blend so perfectly as this movie so humorously demonstrates.

If PHFFFT had been made in the '30s or '40s, it would have been done with Cary Grant and Jean Arthur as the couple (or Cary and Irene Dunne). But by 1954, JUDY HOLLIDAY and JACK LEMMON were paired once again (they starred previously in IT SHOULD HAPPEN TO YOU), and proved to be a great comic team with perfect timing and good chemistry.As it is, the story is a throwback to the '30s and the kind of screwball comedies Grant usually did. George Axelrod's script is about a couple who decide that their married life has become a bore and impulsively seek a divorce. They then settle down to the business of finding another mate and discover that the single life is not exactly a bed of roses.Lemmon is matched with KIM NOVAK (a blind date arranged by JACK Carson), and Novak gets a chance to glow as an airhead with a Marilyn Monroe air of winsome charm but ditsy manners. She tries hard, but the character seems forced and her attempt to play the simple minded glamor girl comes across as strained and awkward.But the show belongs to the shenanigans of Holliday and Lemon as they go through the paces of an amusing script with some laugh getting results. However, the material is thin and the ending is a rather predictable one with Judy successfully resisting the advances of JACK Carson and realizing who her own true love really is.Fans of Holliday and Lemmon should enjoy it, but Kim Novak still had a lot to learn.

The four stars make a marvelous quadrangle, and the physical comedy is great. My one disappointment is Richard Quine's direction. Lemmon must've liked him because they did at least 3 movies together, but he always seems to be trying to unexplicably extract pathos out of screwball situations, and this technique quickly wears thin. That aside, still a lot of fun.