I wanted to watch a romantic comedy, but this failed both the categories. First, I couldn't detected any much romance a part from the guys getting married. There was no sweetness, no passion, nothing at all where you can actually see the couple behaving like a couple. And second, ZERO fun. Even the potentially hilarious scenes like the goat one can't make you do more than "ah." I found myself wondering when the fun part was about to start, until I realised I was already half way in the movie. At that point my flatmate gave up and started watching TV at the same time. There was one of the worst acting moment near the beginning, when husband and wife are in the car, and he's sitting on the back seat; they seem to be acting in different time and different modes... it's just so badly stitched together that I cannot watch that again. Oh yes, no background music of any sort, just bad acting all the way through.

First of all,this was hardly the "worst film of the year" as one reviewer on this site wrote. THAT film was called "All About Steve." This one was in some ways a standard rom-com and yes,there were similarities to other films from "Guess Who's Coming to Dinner" to "Meet the Fockers." But I find that all rom-coms have elements in common,so what's the big deal? The big deal is that this film involves a mixed race couple where neither one is white,in fact the girl is Mexican-American and the boy is African-American,both college educated and from families that are not poor. In fact the prospective groom's father has quite a bit of money,and the bride to be comes from a family that ,if not rich,is at least solidly middle class. I see why the critics,both professional and non,didn't "get it." None of the main characters is involved in gangs,drugs, or lives in the ghetto or the barrio. There are no men dressed in drag pretending to be grandmothers either . And there are no main characters that are white. No "best friend" no work buddy,no obnoxious boss. The plot involves people of color having to bridge a cultural divide. Are there clichéd moments? Sure. Were the fathers sometimes over the top in their dealings with one another? You betcha! Have we seen this in other films that didn't get nearly the lashing this one did? Certainly. I enjoyed this film because ,in spite of the normal conventions of its genre,it showed people of color as normal families dealing with a situation they may not like,but having to find a way to come together for the ones they love.

I rented this movie from the Local Video Store and watched it with little or now expectation of any kind. To my surprise, I felt very pleased with this production that touched the base of cross-cultural barriers that we now so often experience in our Society. After all, America is a melting pot of Cultures and of different Ethnic groups of parents who'd migrated to this land of opportunity to better their families's lives. Problems arise when young ones fall in love with each other from different Cultures, and than they have to bring their desire to marry each other to their families who each want to follow their own Cultural Path's to marry the young couple. Here it is what lies at the heart of this story, which is about understanding, cooperating, respecting, and working together with each other's families while joining the young couple in their sanctity of holy matrimony, or simply put, getting hitched. This movie had brought me a lot of laughter and serious issues to think about in terms of Race Relations and Tolarence for each other's Cultures! I think it is a must see! Steve Horvath, Chicago, IL

Like a terrible version of "Guess Who's Coming To Dinner" blended with "The In-Laws," "Father of the Bride," "Grand Canyon" and "My Big, Fat Greek Wedding," this newest effort by director Rick Famuyiwa (who has helmed such masterpieces as "Brown Sugar," "The Wood" and "Blacktop Lingo," among others), is one of the worst films of the year - so far.It also does for goats what "The Love Guru" did for elephants - burns a vision of those beasts in one's retinas that can never, ever be erased.Instead of blacks and whites coming together after fighting each other throughout the movie (and then reconciling in the end), we get blacks and Hispanics going at each others throats for almost 100 minutes with no relief or comedic situations to speak of, and certainly no satisfying resolution, one way or another.Plot has ultra-wealthy Marcus (Lance Gross, part of the Tyler Perry's "House of Payne" clan), son of Brad Boyd (Forrest Whittaker, Oscar-winner for "Last King Of Scotland"), who falls in love with Lucia Ramirez (America Ferrera, "Ugly Betty"), the salt-of-the-earth daughter of a tow-truck driver, Miguel (stand-up comedian Carlos Mencia, of Comedy Central fame).One day, Miguel has to haul away Boyd's Rolls-Royce which is parked illegally or something like that. Of course, the two begin to argue and also to throw around the first in a series of stereotypical black and Hispanic insults. Get used to this, folks.Like every other film (and television sit-com) of this ilk, the befuddled young couple is excited to spring the big news, but something always spoils it. Here, the setting is a fancy restaurant where Boyd and Ramirez fire more racial insults at one another and forbid the marriage.Rest of film consists of young couple trying to mend fences while various oft-used situations take place (elderly Latina grandmother falls over when she sees Marcus is black, sensible mothers try to reign in husbands' bigotry and stupidity, extended families meet to discuss wildly divergent wedding preparations, sappy talk between father and daughter, a wedding cake fight and some kind of sports or civic event - here it's an amazingly unfunny softball contest in which the two dads, of course, face off against one another).Do the nuptials take place? Do the fathers-in-law come to some kind of agreement? Will Marcus and Lucia stay together forever? Will there be a whole slew of black-Hispanic "comedies" made after this? Was I a complete moron for watching this drivel? Well, I can answer "yes" to the last two questions, at least.Mencias should go back to his stand-up routine while Whittaker needs to give his Oscar to the man who SHOULD have won it - Peter O'Toole (for "Venus"). After "Vantage Point," "Street Kings" and now this turkey, the Academy Award gods have had enough. Ask Cuba Gooding, Jr. Gross and Ferrera are typical young leads, boring and insignificant, while only Marcus' mom, Regina King ("Ray") comes anywhere near a halfway decent effort.So, if one likes watching people of different races and ethnicities screaming at one another, another movie in which men are made out to be total idiots, bigoted and racist material being bandied about (imagine if one of the leads was a WHITE person) and a goat with an erection (don't ask), then by all means, shell out 10 bucks to see this movie, you won't be sorry at all.