Being a fan of 1970's made-for-TV movies AND women-in-prison films, I just couldn't miss this 1970's made-for-TV woman-in-prison flick. And as bonus, unlike other made made-for-TV WIP films like "Jackson County Jail", this was released overseas in a much sleazier version than the one that appeared on American network TV. Thus you have fairly respectable American TV actors (at least if you consider "Mike Brady" from "The Brady Bunch"and "Ginger" from "Gilligan's Island" to be "respectable") appearing in a typically sleazy WIP flick.The plot is actually fairly serious--two UCLA co-eds, one white and one black, are traveling through the Deep South. They have car trouble and are arrested for vagrancy by a racist sheriff (Bo Hopkins) the black girl earlier insulted. After a brutal (off-screen) rape they are sentenced to a work farm where they are kept segregated and cut off from the outside world and brutalized by sadistic "honorees" (prisoners acting as guards), one of whom is Tina "Ginger" Louise. Robert "Mike Brady" Reed plays the warden who takes sexual advantage of the women (again, off-screen, thank god). There is brutality, suicide, homicide, multiple escape attempts, and--in the "European" version--graphic lesbianism and a nude whipping. In typical 70's fashion the end is not unambiguously happy.The "respectable" actors stay out of the sleaze scenes (but Tina Louise does do some of her guarding in a halter top and hot pants). Former Bond girl (and the much less talented sister of Natalie) Lana Wood appears in a lesbian scene with a naked inmate. And fans of 70's sleaze cinema will be gratified to know the nude whip-ee is Denise Dillaway from "The Cheerleaders".(Regrettably, her scenes probably didn't make the broadcast TV version). Nor is this quite the collision of Sherwood Schwartz sitcom actors and softcore porn that myself and others might have fantasized about (i.e. there's no three-way lesbian shower scene with "Mary Ann", "Marcia Brady" and "Laurie Partridge"). Still, I would certainly recommend this (especially the uncut version) to fans of both 70's made-for-TV and WIP movies.

Usually I try and avoid watching TV-movies because I keep thinking they hold back on shocking content and grisly images, but lately I've encountered several titles that actually proved my way of thinking is entirely incorrect and even quite shallow. "Nightmare in Badham County" is one of them examples, because the themes featuring in this movie are definitely not what you would call "soft". Perhaps the depicted violence isn't as graphical and the sleaze isn't as explicit, but the suggestive material and insinuations here are far more shocking than the gratuitous footage in most other contemporary flicks. This undeservedly and sadly obscure made-for-TV 70's thriller successfully combines elements and ambiances from two of the most commonly used and popular horror sub genres of the mid 70's, namely the so-called "Women in Prison" films and "Hicksploitation" movies. The former is pretty self-explaining and handles about defenseless girls being locked away in corrupt and filthy jails where they are confronted with perverted guards and aggressive prisoner gangs. The latter is probably my personal favorite sub genre of horror and like no other one it truly reflects the essence of 70's horror film-making. "Hicksploitation" routinely revolves on civilized people getting stuck, for whatever reason, in isolated backwoods villages inhabited by primitive and exaggeratedly hostile people with horrible dental hygiene. Combinations of the two genres aren't manifold, but "Nightmare in Badham County" illustrates that it's perfectly possible and even almost logical to amalgamate the characteristics of both.But this is also more than just a shocking exploitation hybrid. "Nightmare in Badham County" is a genuinely moving drama with identifiable lead characters, a disturbing portrait about the abuse of authority and generally speaking also a professionally directed and astoundingly shot but modest film. Whilst on a road trip through the South, interracial college girlfriends Cathy and Diane are forced to make a stop in a small community in Badham County due to car trouble. The liberated and free-spirited girls they are, they quickly offend and publicly humiliate the chauvinistic pig Sheriff Danen. So badly even that he finds a cheap excuse to place them under arrest and then, at night, sneak into Diane's cell to rape her. A trial follows, but seeing that in this Southern part of the nation everyone is related to everyone, the girls are sentenced to 30 days in Badham County's women prison – called "The Farm" – and that's where the nightmare truly begins. The girls become separated because of their skin color and are prohibited to contact the outside world. They are subjected to hard labor and the harsh and often perverted commands of the guards, while the slightest sign of disobedience results in an increase of their punishment. Several courageous attempts to escape or reach out to the outside world fail because everybody in Badham County appears to be corrupt and/or petrified of the local "legal" system. "Nightmare in Badham County" is, without exaggerating, at least a dozen times more involving and approximately 99% of the other 'Women-in-Prison" movies out there, principally because the two leading ladies are so innocent and defenseless whereas the townsfolk and prison guards are so infuriatingly nefarious! This is one of the rare movies where you literally want to dive into the screen and reach out to help the protagonists because everything that happens to them is so damn unfair and saddening. When you accomplish this level of entanglements among your viewers, I think you can safely say you did a great job as a director. Speaking of which, I actually expected no less from John Llewellyn Moxey as he already demonstrated his craftsmanship numerous of times, for example with "Horror Hotel", "The Night Stalker" and "Where have all the People gone?". Moxey marvelously creates a moodily grim and unsettling rural atmosphere, through fitting music and extended shots of lonely country tableaux, but he also owes a lot to his terrific ensemble cast. Deborah Raffin and Lynne Moody are exceptional as the ladies in distress, but the people portraying the local yokels are near perfect as well – particularly the almost naturally sleazy looking Chuck Connors as the Sheriff. The ending will make you feel left behind as helpless and frustrated as Cathy and Diane themselves, but realism and hard truth are also two main trumps of this overall fantastic cult movie accomplishment. In case you're a truly devoted fan of good shock-cinema and you need a break from all the trashy but dumb 'Women-in-Prison' movies, I wholeheartedly recommend tracking this baby down!

Originally aired as an ABC Movie of the Week. This involves two young innocent female college students who are railroaded into a prison camp in a little Southern town. They aren't allowed phone calls and nobody knows they're there. What follows is rape, torture, beatings, humiliation and degradation leading to a very disturbing conclusion.The TV version was (for its time) grim. No nudity and the beatings were pretty tame but the overall feeling of sleaziness wore one down. The unrated version is even worse--there's plentiful nudity, the violence is extreme and, in one particularly disgusting sequence, we see a crying female prisoner forced to strip while a lesbian guard "uses" her. YUCK! There's nothing wrong with exploitation films but this one just goes over the brink. You get the feeling that the filmmakers enjoy having these poor women being tortured and degraded--all this is shoved in your face like you're supposed to enjoy it. The needlessly downbeat ending doesn't help.I'm giving it a 3 because the acting is good--but that actually makes the movie harder to watch. A sick, sleazy film. Not recommended.

Reminiscent of the Roger Corman cycle of "babes-behind-bars" flicks from the late '60s and early '70s, this is an enjoyable little exploitation item. Maybe some think it has pretensions to mask as "social commentary," but don't believe it, and just enjoy it for what it is--a made-for-TV version of those great Corman Filipino "prison-chicks" flicks. Apparently the video version is a lot more explicit than the TV version, but I haven't seen that one yet, so I can't say. Deborah Raffin and Lynne Moody are the two poor souls who get shanghaied into a Southern hellhole, and while Raffin is her usual bland, whitebread self, Moody steals the show from her. She's a much better actress than Raffin, is (IMHO) prettier and far sexier, and has a fresh, approachable, open appeal that Raffin lacks. Robert Reed does a nice turn as the corrupt prison superintendent, and it's fun to watch Tina Louise playing the sadistic prison matron--and Lana Wood is a blast as a lesbian (ahh, where would women-in-prison movies be without them?) prison guard.All in all, it's a fun watch if you don't take it too seriously--or seriously at all. Check it out.