Favorite movie-quote - "Who ever heard of a crooked cop?" To be perfectly honest, Peter Lorre is one of those actors who has always given me the creeps, big-time. To me, Lorre has the sort of "limited" screen persona that's clearly best suited for roles where the character is either seriously unhinged and/or operating from the wrong side of the law.In his Mr. Moto role, Lorre was neither unhinged nor of a criminal mind. On the contrary, Mr. Moto was an exceptionally brilliant professor of criminology whose deductions and quick-mindedness were positively uncanny.In fact, Mr. Moto's cool, collected and matter-of-fact demeanour was, at times, really too much to be believed (but, after all, this was just a movie), especially since it was Lorre who played the part.Had the story-line of this lighthearted, 1938, Whodunnit not been about the world of professional boxing (and the criminal element that gets involved when big bucks are at stake), then I doubt that it would have held my interest as much as it inevitably did.When it comes to the likes of pugs and palookas & chumps and champs, I really enjoy early-Hollywood boxing pictures where double-crosses, treachery and taking a dive are the name of the game.Mind you, with that said, I think this film would've faired a helluva lot better had another actor, other than Lorre, been cast in the Mr. Moto role.Anyways - I sure did like real-life professional boxer, Max Rosenbloom, in the part of the pickpocket, "Knockout" Wellington. And at a 72-minute running time, this strictly formulaic, little Murder/Mystery certainly did move along at a nice, brisk clip.

Mr. Moto (Peter Lorre) investigates a murder during a boxing match, with unwanted help from Charlie's Chan's "Number One Son" Lee (Keye Luke). Most people probably know this, but originally this was intended to be a Charlie Chan film. But when troubled Chan star Warner Oland walked off the set, they reworked the story and turned it into a Moto movie. This explains the appearance of Lee Chan. It also explains why Mr. Moto is less edgy than in his first two films. Here he resemble a more traditional detective like Charlie Chan.While I love Charlie Chan, Peter Lorre is kind of wasted in this type of role. He's better suited to roles with a little menace to them. Keye Luke is fine but the chemistry and rapport he had with Warner Oland is missing. Also appearing are Harold Huber, Douglas Fowley, and beautiful Lynn Bari -- each no stranger to the Charlie Chan series. In addition, there's Ward Bond, George E. Stone, and Maxie Rosenbloom. Lon Chaney, Jr. has a small part. Given the troubled backstory behind the movie, I'm surprised it turns out as well as it does. But a good cast goes a long way with these old detective movies.

Although originally intended as a Chan film maybe not surprisingly it's easy to switch to Moto Mode and enjoy what we've got. Not being a boxing fan is much harder to overcome!A boxer is murdered mid-fight, under the eyes of the multitude and especially Moto's pair of roving eyes, the job is on to find whodunit and how. Peter Lorre was excellent as usual, even hampered with comedy duo no.2 Chan son Lee and kleptomaniac Knockout Wellington. Favourite bit : where someone shouts "Whoever heard of a crooked cop?" and everyone laughs uproariously - in disbelief! The best thing about this Moto though is the never ending stream of then current Fox background actors appearing, from Doug Fowley, chunky Cliff Clark, George E. Stone – even Lon Chaney Jr down to Paul Fix, Ward Bond, Fred Kelsey – why, everyone at the studio was here except Warner Oland!A nice series entry [3/8], all well worth watching if you're a fan of the genre like me.

Putting aside the racist implications of Fox's assumption that one yellowface detective is as good as another, plugging Mr. Moto into a Charlie Chan film only points out that Peter Lorre's Moto is both a more adaptable and infinitely more complex character than the stolid Chan. On one hand, it's quite out of character for the quick-witted Moto to go around mouthing lame aphorisms a la Chan, and Moto would never be as discourteous to anyone in his other films as he is to Lee Chan and his punchy sidekick Maxie Rosenbloom in this one. On the other hand, "Mr. Moto's Gamble" features a nice snappy story with more shape and suspense to it than the usual Moto scenario, and it's fun to see Moto interacting with other characters like a regular guy rather than as the enigmatic will-o-the-wisp of the earlier films. Unfortunately, the later Moto films tried to imitate the formula by giving him dopey sidekicks, which only weighed him down.