Mr. Moto goes undercover in the Cambodian jungle as an archaeologist. There he tangles with a nefarious high priest and a Rajah (J. Edward Bromberg) who's more threatening than he seems. Also in the mix are a couple of goofy newsreel photographers (Robert Kent, Chick Chandler) and an aviatrix (Rochelle Hudson).In most of these Moto films, Peter Lorre seems to be having lots of fun and this one's no exception. He's great to watch. As another reviewer pointed out, Moto uses a disguise that strongly resembles Yoda. Chick Chandler is often annoying. Robert Kent isn't much better. The movie could only have been improved by removing their characters. J. Edward Bromberg seems like comic relief at first but his character's pretty sinister. He serves Mr. Moto his carrier pigeon for dinner! Next to Lorre, Rochelle Hudson is the best reason to watch this. She's gorgeous and does a great job playing the adventuress. She has more sex appeal with a ripped shirt exposing one bare shoulder than most actresses have fully nude.This one plays more like a jungle adventure film than a detective one. But it's pretty fun, with neat temple sets and nice performances from Lorre and Hudson.

Has it occurred to anyone else who has trekked through the undergrowth of this jungle thriller that at last we have the origins of Yoda? Fans of white-suited Mr. Moto may be aware he loves to masquerade in order to manipulate the unwary and the villainous, and in Mr. Moto Takes A Chance, Peter Lorre slips on a disguise...well, you just have to see it to believe it! It also appears that the studio's Central Casting dragged a couple of folks off of Hollywood Boulevard and strapped them into what might be Neo-Asian Drag, as it is a little difficult to know from looking at the poor things exactly what cultural background they are supposed to represent.There's also an ancient temple crawling with vines, a cobra in a basket, and all the trappings of a wonderfully silly Saturday afternoon matinée adventure--all this and Rochelle Hudson! Not one of the best Mr. Moto adventures, especially when Lorre, in his Moto makeup, spends far too much time under another layer of disguise to mystify the villainous as well as willing viewers--that said, if Peter Lorre's in it, the film is probably worth a look!

Peter Lorre stars in "Mr. Moto Takes a Chance," in this 1938 entry into the series. Lorre, of course, as Moto is the main reason for watching this film, but the rest of the cast here is very good: Rochelle Hudson, J. Edward Bromberg, Robert Kent, and Chick Chandler.Working for the government, Moto is on assignment in French Cambodia to defuse two antigovernment plots, one lead by a holy man, Bokor against the local leader, Rajah Ali, and the other plot, led by Rajah Ali, who wants to start war against French rule. Parachuting into all this is Victoria Mason, aviatrix, an Amelia Earhart type but awfully pretty, flirtatious, and glamorous for someone whose plane just caught on fire. There are also two goofy newsreel photographers who keep getting into trouble.Moto plays a double role here, that of Moto and an elderly mystic who looks like he could be over 150. Lorre gives that role just the right touch - he's not fooling the audience and he knows it. Petite Rochelle Hudson is very pretty and vivacious.This film was the second Moto film but held back because it was thought to be not as strong as Thank You, Mr. Moto, to follow the first film. Like another poster, I'm not buying it, so the holdup remains a mystery. It's highly unlikely that Darryl Zanuck wasted five minutes thinking about the Mr. Moto series, except, of course, when the Japanese bombed Pearl Harbor. Then he thought about the series long enough to pull it.

I have recently gotten into watching the Mr. Moto series and what a treat I have discovered. Peter Lorre's diminutive Mr. Moto was an exceptional series. The series was created by the studio to compete with the Charlie Chan series and compete it did even gaining as much popularity as Oland's Charlie Chan. Now, you can't really call Kenjaro Moto, a detective,because, he is an art collector, an archaeologist, an international police person, he is what ever the episode has him being. What he is is entertaining. The soft spoken Moto, has a mean streak in him a mile wide too. No shooting the gun out of the hand of the villain...he shoots to kill. If guy comes at him with a knife...they get it back..MULTIPLE times. Shocking, really, in his ruthlessness and overt violence when dealing with crooks. This particular film has him playing a Nippon Indiana Jones type on a dig. When a female aviator, an Amelia Earhart type, whose a spy, on an around the world trek, deliberately crashes her plane near Moto's Tell. A film crew captures the plane crash on film...while shooting crocodiles in the nearby river. Kind of an interesting scene, rather unique too, one of the characters falls out of the boat in the crocodile infested waters. Of course, they were alligators, but the stunt man was at one end of the canoe and two 'live' alligators were at the other, those bad boys can fly in the water and it took some brave stunt man to hop in there with them.Anyway, the plot involves a revolution in a tiny Asian..Siamish type country that was French controlled. Moto disguises himself as a Tibetan monk guru...and when you see him...you will know, where they came up with the character...Yoda, in the Star Wars series. There was some similarities to the Indiana Jones..Temple of Doom too. Lucas and Spielberg HAD to be watching Mr. Moto sometime. Of course, Moto puts out the mini revolt before it starts, blows up the ammunition dump...after throwing the Rajah down into the powder room..head first. The good guy gets the girl. Moto diffuses a revolution and all live happily ever after. Good cast, crisp direction, back lot adventure of the highest quality. The Mr. Moto series was as popular as Charlie Chan back in the thirties and I can see why. I think Lorre's mean streak, flipping guys all over the place, then killing when he had to was more entertaining than the cerebral Charlie Chan, at times. There was also a nice added feature on the life of Peter Lorre. It also stated why he quit the series...to avoid type casting, to get more and better parts AND get more money. He only was paid $10,000 per episode and there were 8 in all. When he found out Warner Oland was making $40,000 per and they were on par, popularity wise...well...Mr. Moto left to all of our losses. Don't miss any of the Mr. Moto series they are fun viewing and Lorre is a real charmer!