After solving the Stable Murder, Charlie finds his way to Paris and a meeting with a contact, who is a dancer, performing In a nightclub. After arriving in the City of Lights, pretending to be on vacation, he waits for the dancer to conclude her performance. Before he can talk to her, she is stabbed. A guy who is dressed like Father Guido Sarducci, is the culprit. This will be a significant development later in the story. An attractive young woman has connections to some guys who have been messing around with illegal treasury bonds. As a matter of fact, she is present when a man, with whom she has had a relationship, is gunned down. Because of her presence on the scene and her connection to the guy, she is blamed for the murder. Once again, however, the great Chinese detective looks for the small details which lead to his solving he case.

From 1935, "Charlie Chan in Paris" was considered one of the lost of the series, but a print was found.Years and years ago, when I first discovered the Chan films, the TV station I watched at the time showed Sidney Toler films. I like Toler in the role -- he had a world-weary way of saying his lines, his Chan was deliberate, and his kids drove him nuts. Oland brings different qualities to the role, and he's a delight - very upbeat, more active, and in this one anyway, Lee Chan (Keye Luke) was a welcome addition to him, not a bother. He really radiates a special warmth.Part of the energy difference is due to age -- Oland was about 12 years younger than Toler when he began the series.In this story, Chan goes on vacation to Paris, but it's just a cover. He's there to investigate a forgery that seems to emanate from one particular bank that is selling bonds. He has someone there, Nardi, working undercover, but she is murdered shortly after the film starts.Good film, and somehow, even working in a studio, the film manages to create a dark and mysterious atmosphere.Enjoyable. I know they are not politically correct, but I do love the Charlie Chan films.

Despite a promising start with the energetic Apache ballet, this film is virtually a retread of CHARLIE CHAN IN London (1934) with its plot about coveted wives, duplicitous subordinates, drunken cronies, young lovers in peril, etc. The plot has possibilities (especially with the introduction of the sinister Marcel Xavier character and his eventual comeuppance) but ends up being less interesting than expected! It's still fun and the lightning pace, ultimately, works to the film's advantage. Furthermore, the introduction of Chan's son as his assistant in the investigation will come to be a trademark of the series.

"Charlie Chan in Paris" (Fox, 1935), directed by Lewis Seiler, the seventh installment to the long running and extremely popular 'Charlie Chan' mysteries starring Warner Oland, is an immediate sequel to "Charlie Chan in London" (1934), in which the story opens with the Oriental sleuth arriving in Paris following his latest case in London. What makes this particular episode special, other than the near perfect Paris backdrop sets and interesting suspense buildup near the conclusion, is the introduction of Keye Luke playing Charlie Chan's Number One Son, Lee. The chemistry between Oland and Luke worked out so well that Luke became a regular, thus, setting the pattern to the future installments that has made the series based on Earl Derr Bigger's created character so successful. Following the montage of stock footage of Paris, the story immediately gets underway as Charlie Chan (Warner Oland), getting off the airplane where he is set to visit his friend, Victor DeCartier (Thomas Beck). While at the airport, Charlie comes across a crippled beggar, and after boarding a taxi, a rock crashing through the window that nearly misses him is picked up by Charlie with a note attached reading, "The purpose of your visit is known. If you place the least value of your life, leave France tonight. This is your only warning." Of course Charlie is not easily frightened. Having met other characters, including Max Corday (Erik Rhodes), Yvette Lamartine (Mary Brian) and Renee Jacquard (Ruth Peterson), Charlie is entertained at a café where he witnesses the Apache dance, where Naldi (Dorothy Appleby), a woman working as a dancer, actually an undercover agent, is murdered. While attempting to keep his appointment at Le Singe Bleu, Charlie encounters the mysterious beggar again. The beggar becomes the key element to the mystery, leading to more murders. Aside from his involvement with Yvette, accused of murdering her blackmailer, Albert DeFresno (John Miljan), Charlie encounters an intruder in his hotel room only to find him to be his son, Lee (Keye Luke), taking time away from college to visit and afterwards assist his father in solving his latest caper.Featured in the supporting cast are: Minor Watson as Mr. Renaud; Henry Kolker as Monsieur LaMartine; John Qualen as Concierge; Murray Kinnell as Henri LaTouche; and Perry Ivins as Bedell. For his introduction to the series, Keye Luke's Lee addresses his father as "Dad," although he does call him "Pop" on a couple of occasions, though "Pop" would be the standard name for his father. As the series progressed, the Lee character changed from a serious-minded son to comic relief. Close to being virtually forgotten today, "Charlie Chan in Paris" is best known as being a lost entry in the series with a print to actually be discovered in the 1970s, while earlier episodes, "Charlie Chan Carries On" (1931), "Charlie Chan's Chance" (1932), "Charlie Chan's Greatest Case" (1933) and "Charlie Chan's Courage" (1934), all featuring Oland, continue to be among the missing links. Thanks to its discovery, "Charlie Chan in Paris" has become a welcome addition to the television markets, and at long last, introduced to television, in the New York City area anyway, on August 12, 1978, becoming the final installment to the eight-week television series, titled "Lost and Found" (1978) hosted by Richard Schickel on WNET, Channel 13. "Charlie Chan in Paris" was also the only sound movie to the list of formerly lost silent movie titles presented. For the "Chan" segment, Schickel did go on to mention in his discussion about Keye Luke's performance as Chan's son to be actually a one-time commitment resulting becoming an addition to the series. In later years, "Charlie Chan in Paris" became one of several Chan titles to be distributed on video cassette, as well as being presented on American Movie Classics from 1989 to 1990, and seven years later, was resurrected on AMC from 1997 to 1998. With Warner Oland as one of the more notable Charlie Chan portrayals, his venture in Paris ranks one of the better entries and worthy screen entertainment for any mystery lover or follower to the 'Charlie Chan' mysteries. Next installment: "Charlie Chan in Egypt" (1935), with Warner Oland, but without Keye Luke. (**1/2)