Moment of Danger
Moment of Danger
| 26 January 1960 (USA)
Moment of Danger Trailers

Having been coerced unto helping a criminal pull off a jewellery theft, a locksmith is double crossed by the crook and heads off to Spain with an eye to getting even.

Reviews
Maddyclassicfilms

Moment Of Danger is directed by Laslo Benedek, has a screenplay by David D. Osborn, is based on the novel by Donald MacKenzie and stars Dorothy Dandridge, Trevor Howard,Edmund Purdom and Michael Hordon.Thief Peter Curran(Edmund Purdom)and locksmith John Bain(Trevor Howard)steal some jewels and Bain is double crossed by Curran. Curran also abandons his girlfriend Gianna(Dorothy Dandridge), Gianna and Bain team up together to get even with Curran. As time goes on they begin to fall in love with each other.This would sadly be one of Dorothy's last films and she gives a truly magnificent and powerful performance as Gianna, when she's on screen she holds your attention completely. Trevor is superb as Bain and has great chemistry with Dandridge. A great crime drama which deserves more attention than it's received.

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samtrak1204

Dorothy Dandridge is the only reason to see this awful film. The plot sucks. The dialog is really stupid. The film is racist because Dorothy and Trevor are not allowed to touch even though they share the same bed. This was Dorothy's last film and the desperation shows. After her Oscar nominated role as "Carmen Jones" in 1954 Dandridge was offered only one more starring role in a big production movie because Hollywood didn't know what to do with a beautiful black leading lady...thus relegating the star to whatever low budget B or foreign films her devoted manager could scrounge up. "Porgy and Bess" followed five years after "Carmen" but was universally panned or boycotted by blacks resenting the mammy images and blatant racial stereotypes created by producer Otto Preminger, Dorothy's back door white lover.Actually Trevor Howard is much too ugly to kiss beautiful Dorothy Dandridge...race aside. She should have been given a handsome leading man like her lightweight boyfriend in this film. Still I would love to see legitimate quality copies of MALAGA, MURDER MEN, and PORGY & BESSS released on DVD.

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carolscott564

I remembered this film as a child when it would come on Channel 7 movie. I could not believe this was Ms. Dandridge's last film role because she was so good. Hopefully this movie will be on DVD. The cast was so good and due to Jim Crow they could show kissing between black and whites in films like they can now. I've always liked Trevor Howard and he was quite good in Malaga. After Carmen Jones Ms. Dandridge did other films such as Island in The Sun Porgy and Bess, The Decks Ran Red and Tamango and except for Porgy and Bess she always seem to be lusted after by white men. But Ms. Dandridge to me was our Marilyn Monroe! This movie is rarely shown on TV whether cable or not! For Black History month certain stations would mostly show Sidney Poitier movies as if that is what Black History is all about. Some people never heard of Dorothy Dandridge until Halle Berry portrayed on HBO! They say you're as good as last film and this film would be the last for Ms. Dandridge and we will never know what other film roles she would have done.

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normbong

Forget Carmen Jones! This is Dorothy Dandridge's greatest performance on film, bar none. Her disillusioned, world-weary, but still hopeful Gianna is the essence of film noir. The parallels to her life are eerie. She says to Johnny (Trevor Howard), "No, with us, Johnny, it has to be everything -- or nothing." "Everything and Nothing" would be the title of her posthumously-published autobiography a few years later. She says, "London was my Mexico. There isn't any Mexico for anybody, anywhere." The day she died, she was to return to Mexico to do some television and film work.Forget the drivel published in most movie-listing books. Watch this film for yourself (if you can find a way to do so). This is a master actress giving everything she has to a role. I would love to see a brand-new director's cut with the outtakes replaced. The haunting music is by Matyas Seiber, who studied composition under Bela Bartok. This film is new every time you watch it.

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