Abbie (Billy Crystal) is a surgeon who just had a heart attack. On his on again off again girlfriend Lisa (JoBeth Williams)'s insistence, he visits his estranged father Abe (Alan King). Abe is a failed actor/extra who is slowly suffering from dementia.Henry Winkler directs this movie. He doesn't really have any vision or style. All he does is just turn on the camera and let the actors go. And that's what Alan King does. He's manic. He's powerful. Billy Crystal is playing the angry young man trying to reconnect with his crazy father.The pace is slow and cumbersome. The jokes come fast and deliver flat. Everybody is grumpy. I hoped the movie to be better. I'm pulling for them. But Crystal is just too grumpy.The stuff about being an extra just doesn't ring true. It may seem right if you don't think about it. But if an extra keeps causing trouble, he'd be quickly kicked off the set.

I kind of feel that Billy Crystal did this film in part to get closure with his father (who died when Billy was 15). It's an amazingly good film and shows off the depth of acting Billy Crystal and Alan King can do. They played very well off of each other in this movie.It's always nice to see JoBeth Williams on the screen, who I've always thought was scrumptious. A number of the extras who work with Alan King are extras who you've seen in films forever. **SPOILER** Whenever I tell people about this, I tell them about the recurring question Billy Crystal asks his father: "Don't you feel like a putz?" The final punchline of the joke is a classic. (If you haven't seen the film, I'm not going to reveal that much--it's very moving and has even made me think of something similar.)Go see it. You'll sniffle and laugh throughout.

This film proves with JUST TELL ME WHAT YOU WANT that Alan King was capable of a good film career. The story here does not deal with secretive billionaires and their angry mistresses, but with a man who left his family in New York City decades before to pursue a career in Hollywood. But Abe has never been more than a background extra. When his son Abie (Billy Chrystal) is recovering from a heart attack, he goes to Hollywood to see his father for the first time in years. Abie discovers that his father has never even had a real speaking part (the closest is when he was the sixth or seventh man in SPARTACUS to yell "I am Spartacus!"). Naturally, given the shattering effect that Abe's abandonment of the family had, it does not seem to Abie that his father had much to show for it. Abe, who has become part of the Hollywood community (he is usually seen with his fellow extras, but we see he does know Sean Connery by first names). He is reasonably happy - but Abie keeps dismissing him as a hack, not an artist.The arrival of Abie's girlfriend Lisa (JoBeth Williams) does not help matters at first, but she manages to bridge the anger and contempt that the son feels for his father, and slowly they do find some degrees of similarities. Abie loves playing the trumpet, for example, and does it well. But Abie discovers that there is something physically wrong about his father - a sudden memory problem causing the father to recite a scene he liked from INHERIT THE WIND. The prognosis is grim. So Abie decides to help his father accomplish his greatest wish: get a full scene in a movie with actual dialog.Most of the comments here have been fairly negative, insisting that it is a very lachrymose and overly sentimental tale. There is no denying that it is (ultimately) a tragic story - but the performances (particularly King as a proud and touchy man, who will not admit that his life has been less than a success) are good for the three leads. King's performance mingled pathos and comedy quite well. Witness the scene where he was trying to choose among his friends for the extras in a science fiction film, where he is dressed in a lobster costume. King shows his sauciness at a self-important assistant director, but he also shows the start of his mental/physical collapse in the same sequence (quite a change of pace). Similarly his interview with the casting director for the speaking part that Abie sneaks into is done with great charm and dignity. It was a first rate performance - and proved that King was an actor.

I like Billy Crystal, and I thought it would be fun to watch this film, since I know he admired Alan King and they would be funny together. I thought I had seen all Billy's movies but couldn't remember this one, and now I know why. It's so full of clichés and phony emotion; you can smell each scene coming (and going!). Billy doesn't even get to be funny very often. He's too busy trying to cry fake tears or show his angst at how badly his father let him down. Alan King himself is fairly likable, as is the subplot about being an extra in the movies. But what a coincidence that Billy just happens to visit his father just as a major health crisis takes place, etc. etc. Or that two busy doctors can just shut down their practices to moon around in LA. And when the end comes, boy, does it come quickly! Almost as though the writers realized they had painted themselves into a corner and the only way out was to do a death scene. Mostly disappointing with a few glimmers of good humor.