Great movie. One movie any movie buff irrespective of language should watch and this movie should be prescribed as a part of the curriculum for all the aspiring directors and aspiring cinematographers. The usage of technology and light is just impeccable. The way the story is weaved around the characters is jaw dropping. Each and every character shown on screen has an importance in their own right and it becomes even more important for the actors to perform better. So good was the screenplay. Marcus Bartley had combined with KV Reddy to create the masterpiece for generations to cherish. Naming just one or two actors from the movie is only an insult to the casting. 10 out of 10...by any strict standards.

I have seen this film as a child with my parents. I have watched this film with my Children. Thanks to the digitally remastered and colorized version released on 30th January 2010 making my job easier to suggest my grandchildren to look out for this film. Despite the limited technology during 1950s, Maya Bazaar can still get the attention of even current generations and get them by surprise with its cinematography, art direction and visual effects. No wonder CNN-IBN poll conducted in May 2013 listed it as the greatest Indian movie of all time. I don't think any review can cover even a fraction of Maya Bazar's details. It may not be out of the way to mention here that Singer P.Leela once said in an interview that while recording the songs of this film, one of the songs sung by her took 28 takes and the fifth was finalized by the Music Director Ghantasala who took over the position after the initial Music director S.Rajeswara Rao opted out of the project. As per the sourced information, S.Rajeswararao composed the tunes for four songs: "Srikarulu Devathalu", "Lahiri Lahiri", "Choopulu Kalisina Shubhavela" and "Neekosame" which were orchestrated by Ghantasala besides composing the rest of the film's soundtrack and the entire background score. Though each frame of this Film is a story by itself, I liked the sequence of evicting Subhadra by her brothers, the song during their Journey and particularly the War with Ghatotkacha and Abhimanyu where in the character Subhadra (Rushyendramani) picks up a poem angrily mentioning that she is the sister of Krishna and Balarama and also the wife of Arjuna making Ghatotkacha ( S.V.Ranga Rao) to realize that it is his cousin Abhimanyu (ANR) with whom he is in war with. That's just one out several impactive sequences. It's hard to mark the film's genre as the story involves all aspects from the genres of action to drama and comedy to science fiction. Big Salute to all those great people behind this greatest Indian movie of all time, whichever the world they are in today.

No other Telugu movie has transcended the boundaries of language as this film did and it goes on.If there is one telugu film to refer to say that it is the all time great of all, then this film in every sense does justice to the statement. It indeed, is seriously the best film technically, culturally and aesthetically. Acting is one heck that makes it a must watch and so is the music that will be alive even 100 years later. I love many songs today too and the tiles of most songs are later made as titles for other films. Now, we can understand how loved the film was to every telugu movie goer.The story is not as though a tale taken from Mahabharata but a fable written by the writer Pingali Nagendra Rao and also Nagireddi and Chakrapani (both Reddy and Chakrapni are founders of Chandamama magazine too) but nevertheless its based on Mahabharatha.If I were to simplistically write then this is about out how a man helps a girl elope and gets her married to a dear relative of his own. But this movie is not that simplistic it's multi layered and comes out in many folds as we go about each character. What's more astonishing is that Ghatothkatcha (who is the main character of the whole film) comes an hour into the film and takes this film head on and gives us a really enthralling performance.The movie is slow for today's times but perfect and in fact you will crave for more after the completion of it. Such is the magic of this film, just terrific and enjoyable. The cinematography by Marcus Bartley (I suppose the greatest cameraman ever for Telugu films) is so awesome like we wonder how those scenes were made possible in 1957 when there was no CG or computer or any other equipment apart from a camera. Man, he must have been god to create illusions as they were shown in the film.Everyone did their best from writing to editing to sound design to every aspect of the film. There has since not been a movie that can beat this in all departments in Telugu at least.I have both the Black and White and the Colour DVD's but I prefer to go with B & W. It's lengthier and pristine so that helps the magic live longer. Having said that, the colour conversion is done well and I was very happy with the fact that this film was being re released.I bet, that most films made in those good old days of Telugu are much better and much relevant than the crap being made today.I will go with 5/5 for this movie that will ever be called the best of all Telugu movies.

Mayabazar is among the best movies in the world, no compare.Each and every scene is wonderful in the movie. SVR, Savitri, NTR nobody can replace them in those roles. KVReddy screenplay is put in one of USA film schools as reference. music by ghantasala is sweety. dialogs by pingali are unparalleled till now. he introduced some new telugu words like tasmadeeyude etc. It is amazing with how much ease SVR acts. No one can act better than SVR in this role. Savtri is equally good. will never be bored to watch this movie or songs from this movie n number of times.plot: During the period of exile which the five Pandavas must face, Arjuna (one of the Pandavas) sends one of his wives, Subhadra, and their son Abhimanyu to Dwaraka — where her two elderbrothers — the Lord Shri Krishna (played by film actor N. T. Rama Rao) and Balarama reign. Sasirekha (played by actress Savithri) is Balarama's daughter and is in love with Abhimanyu (played by actor A. N. R.) since childhood; and their parents had decided and promised that the two of them should get married when they become old enough to marry. However, ten years later, when both Sasirekha and Abhimanyu becomes of age for marriage, Balarama and his wife decide to change their decision. Balarama's wife is a greedy woman who wants her daughter to be married to Duryodhana's (Kaurava leader) son Laxmankumar (played by actor Relangi Venkata Ramaiah), as Abhimanyu's father - Arjuna had lost his kingdom; while Balarama has soft corner towards Duryodhana (as he is Balarama's student and disciple). But Sasireka, Lord Krishna and Subhadra oppose this change of plans. Now Krishna asks Subhadra to approach Ghatotkacha (Son of Bhima, a Pandava) — who possesses magical powers of Asuras (His mother is an Asura) — who will readily come to their help. Now Ghatotkacha (S.V.Ranga Rao) goes to the place where the marriage is scheduled and disguises himself as Sasirekha (through magical powers) and send away the real Sasireka to the place where Abhimanyu and company are camping. When Laxmankumar approaches Ghatotkacha thinking her to be Sasireka he gets the shock of his life, as it is a demon and not the beauty! Ghatotkacha uses all sorts of tricks to scare Laxmankumar into backing out of the marriage. Towards the end, Ghatotkacha displays his magic(Maya) to Duryodhana and his evil-minded kinsmen and drives them back to Hastinapura (Duryodhana's capital).