As I read through all the reviews for this film, I was shocked by two things--that people thought it was a good film and that they thought it was a drama. Considering how over the top melodramatic it is, I really thought it was a comedy--albeit an unintentional one! The film starts with Holly (Lana Turner--who was too old for the part) marrying John--a very wealthy man who has ambitions to go into politics. At first, they are happy but after a while John's ambitions take him away from home--a lot. In the meantime, she spends time with another man (Ricardo Montalban) but their relationship is quite chaste. However, when he slips and falls down some stairs to his death, Holly's mother-in-law (Constance Bennett) blackmails her into running off and faking her death, as the mother-in-law THINKS Holly killed her lover! I have no idea why, but Holly agrees--and most of the rest of the film is spent watching Turner show a wide variety of pained looks--ones that look like she's dealing with a bad case of the cramps. All the while, you CONSTANTLY hear the most ridiculously overbearing and ridiculous music. In fact, clearly the music is the worst thing about the film. But you also can't ignore the last half hour--one of the most ridiculously sentimental and stupid half hours in film history (you've just gotta hear Keir Dullea's speech to believe it)! Overall, this is a glossy and beautiful looking bad movie...in a kitschy sort of way. I frankly found much of it laugh out loud funny because the film took itself so seriously but was so seriously bad in the process.By the way, the doctor's comments about absinthe, though believed at the time, are utter nonsense. In fact, the wine industry created all these rumors about absinthe causing brain abnormalities and death! In recent years, it's once again been legalized because it's a potent yet harmless liquor.

This time, in addition to being a glamour puss, Lana gets to deconstruct her image and replace it with a different artifice, which is a lot more fascinating than what's going on with the story. Though the ending is pure tearjerker, it doesn't compare to the waterworks at the finale of "Imitation of Life." And for a juicy wallow in unintentional humor, you can't beat "Portrait In Black" (Navigating the coast highway without ever having driven a car!). But there's enough here to feast your eyes on while plausibility is being stretched to its limit. Though the film purports to cover about twenty years, Miss Turner (and everyone else) looks pure 1966 in every shot. But that's the point of watching this film – endearingly entertaining for all the wrong reasons.

1966's "Madame X" was a second version of the original starring the Oscar nominated Ruth Chatterton in a memorable unforgettable performance.This sudsy story of a woman who accidentally killed her former lover and lived to regret it every day of her life pulls out all the stops. It's as if Lana Turner had to wear a scarlet letter for what she had done for the rest of her life.Having fled the scene thanks to her vicious mother-in-law, played with relish by Constance Bennett, Turner returns years later and is defended by her now grown up son, Keir Dullea. He doesn't know why, but Dullea is drawn to this mysterious woman. He had been told years before that his mother was dead.The film is convincing because of the wonderful cast. Lana Turner has never been better and Constance Bennett's final performance before her death in 1965 of a stroke, is heartfelt and filled with passion.That last scene is absolutely gut-wrenching. You will feel for the characters. A truly remarkable film done superbly by a fine cast.

The timing was not very good for "Madame X".It was the sixties and melodrama was not as popular as it was in the previous decade when Douglas Sirk dominated the genre.David Lowell Rich seems to have studied Sirk's works ; by and large ,he is a good student.The Sirkesque cast and credits ,the huge desirable mansion where a distraught Turner runs after that fateful night ,the final trial -which is guaranteed to send the impressionable tearing through two entire boxes of Kleenex;Keir Dullea's speech for the defense when he praises the love a mother feels for her child and Turner herself crying "forgive me ,child, forgive me" make it the most tear-jerker trial in the whole history of cinema.The well known story of Madame X (it's a remake) is some kind of adult fairy tale :there's the Prince Charming (John Forsythe), the marvelous child ,the cruel mother ("you're nothing but a shop girl!Should have stayed on the other side of the counter "): too bad Constance Benett's part is so underwritten;she is obviously an over possessive mother ,she seems to be in love with her son.Just see her look just after she's left the room after her first meeting with her new daughter-in-law.Overnight,the princess turns into "Cinderella" , "Donkey Skin" or "SnowWhite"Lana Turner ,whose performance in "Imitation of life" (1959) was particularly good ,was certainly an underrated actress.Her best scenes are those when she plays opposite Constance Bennett then Keir Dullea.Like this ?Try these....If you are American.... Only Yesterday John Stahl 1933If you are Italian.... Vedi Napoli e poi muori Riccardo Freda 1952If you are English.... Waterloo bridge Mervyn Le Roy 1939If you are French..... L'Entraineuse Albert Valentin 1938