Lucky Them
Lucky Them
R | 30 May 2014 (USA)
Lucky Them Trailers

More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.

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Reviews
eb-56687

This movie is for those people who love independent films that drench the viewer in character emotion and situational drama. You feel this is an indie film from the early beginning..why ? because it focuses on humanity and all of that which is the situational character (of the characters if you need more t understand that point). ..Hollywood simply doesn't do these lovely things because tweenies buy movie tickets.. henceHollywood does BOOMS and POWS and boobs..with little to no plot..it often makes me ill how terrible Hollywood has become..Hollywood forgot that this is an Artform to tell stories. Megan Griffiths, I had never heard her name before, but I will certainly be looking out for her name in years to come and will be looking to view her older films. I am an indie film lover, because in 2015, you have to watch indie films to get characters and story and plot that wasn't drawn by Stan Lee. ..and that is what Megan has done very well in this, brought great actors in niche roles that highlight and buff this dramatic off-ended comedy into a pearl. If anyone says this is a bad film, they're clearly a knucklehead. Toni's character pulls you in with her "struggling to survive and find her ground" selfishness that is her defensive line to her rough edged existence of unknowingly battling with her own demons, all while you see her soft spots rise to the surface for her to recognize and then behold in dramatic effort to eventually make her whole once again. As I said before; each actor, niche like, made this come to life. - Like a good book on a rainy day. Megan Griffiths, Thank You. To the cast & crew as well; thank you all. ;)

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mako flik

Lucky Them is a film I cannot stop thinking about. You could say it is a cautionary tale of what not to do with your career and personal life once you hit 40. However, Ellie Klug's flawed character beautifully portrayed by Toni Collette shows the audience that no matter how much Ellie screws up, she still manages to attract a young, hot musician, Lucas Stone played by the yummy Ryan Eggold. Ellie will land on her feet once she lets her guard down among her most loyal friends. Her hard edges eventually soften with Charlie, a guy she dated a couple of times and co-pilot on her assignment to find Matthew Smith, an elusive Seattle Rock Star who disappeared 10 years ago. Thomas Haden Church's monotone funny character portrayal of Charlie is hilarious. You want more of his character in every frame. The writing is funny and brilliant in a way in which it compels you to love these soggy Seattleites. Especially some guy at the end of the film, whom we all would love to grab a latte and listen to the soundtrack of Lucky Them together. I love this movie and highly recommend seeing it – definitely worth the price of the ticket!

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wendyschmidt1957

Lucky me because I found this great little gem entitled, Lucky Them. Toni Collette, plays a darker, humorous role of rocker mag. writer, Elle. She's not losing her edge as much as losing her eagerness to do anything meaningful, anymore. Along comes a story, that is, in part, her story. And, she must choose to visit a painful past relationship. For the trip she brings along a straight up, funny, straight man, Charlie, played by Thomas Haden Church. He is also searching for something gone missing in his life. Add to that a cast of minor characters that steal the show in nearly every scene. But, Toni holds the key to this movie and she never, ever disappoints.

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Lowbacca1977

Toni Collette plays the lead role of Ellie, a music critic still living in the shadow of her ex-boyfriend, emblematic musician Matthew Smith, who disappeared ten years previous. Ellie still really is living as though she's ten years in the past, and that includes not adapting to the changing expectations of the magazine she works for, until she's given an ultimatum to do a story on Smith, and the music impact he had. She begins a search to see if he's out there, somewhere. Also featured are up-and-coming musician Lucas, played by Ryan Eggold (who wrote and sang his own songs), and one-time date Charlie (Thomas Haden Church).I wasn't particularly impressed with Ellie as a character, her challenges she's facing certainly are the point of the film, but it was hard for me to really get by the number of chances it seems she gets, and some of what seems to be her more manipulative tendencies. That said, for that character, I do think Collette plays it well, just that there's parts of the character that were not so motivating. Lucas also feels like a bit too cliché of a character to feel particularly real.Oddly, and certainly not something I'd expected when he first showed up, but for me Charlie quickly became the most interesting character. At first introduction, there's certainly a repellent vibe to him, but it gets developed more into an extreme social awkwardness and unawareness than maliciousness. He still doesn't quite strike me as pleasant, per se, but there's a personality to him from both the writing and Church's performance quickly makes him the most memorable character for me. His actions, his words, his personality all are very idiosyncratic but with an element of being genuine hinted at, but never fully convincingly there. It certainly does make him the character that held my interest best though.The film feels like it makes some sudden stops and gos, with overly convenient plot turns, and a lot of side events that clutter the film, but don't quite seem to really add enough to the story to justify their inclusion, and there could've been a lot more included in there to flesh out Ellie's search for Matthew. I do like, though, that ultimately the film becomes more about if the search is worth it or not, or if ten years is long enough to let the past remain in the past or not. It's an interesting theme, and while I think the search isn't conducted consistently, thematically the film is always exploring if that search is worth it.

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