Another disappointment for me, from the local film industry for 2016. After an awe-inspiring 2015, I guess the next year could never live up to it, but so far there doesn't seem to have been either a runaway hit nor an impressive Australian movie to cheer for. 'Looking For Grace' is sadly looking for a purpose, as it seems to be very caught up in its conceit, but not really making any great insights or character development during its healthy 100 minute duration.I've enjoyed some of Sue Brooks' earlier work; especially 'Road to Nihill' but this one just fell flat and felt overdone and without credulity. Why Radha Mitchell's lead character was allowed to cultivate such an over the top accent; escapes me. It made her seem a caricature and the serious storyline reduced to whimsy or light comedy. Lkewise thespian for many decades,Richard Roxburgh was painfully broad and faux comedic, where a more grounded and considered performance would have worked so much better. As with 'The Daughter' (another disappointing and forced dramatic work), Odessa Young really saves this movie too. With a naturalistic style and interesting presence, the actress really gives 'Looking for Grace' its saving grace, as the protagonist to this very choppy and muddy narrative. At the other end of the age spectrum, veteran Terry Norris brings real warmth and character to the film; but again the plot inserts him but doesn't really explain how he is there and how he is able to help the main characters. Ultimately, the plot and the film really don't hang together, and combined with some woeful over- acting, it is hard to get too excited about this movie.Per capita, Australia must have more skilled cinematographers than any country in the world, and 'Looking for Grace' thankfully has a terrific eye in Katie Milwright who gives the film a terrific sense of place and scope. I only wish that the screenplay had provided everybody something more coherent and meaningful to work with.

This has divided our household. I was disappointed while my partner thought it was another Japanese Story (same writer/director). The movie is broken into different perspectives (chapters based on differing characters)The first part of the story (Grace's story) felt very teen angst. Girls on a bus running away. It ends with a penniless girl trying to walk the Nullabor. It made no sense. We do not know why the ran away or get anything from this action. The bulk of the movie is of other characters' stories. They overlap but better storytellers use the later stories to enhance what you have just seen. This is only lightly done. Some of the scenes are quite funny, and this should have been the heart of the movie. A little like "The Road to Nhill".The final act the writer falls back to Japanese Story and throws a huge curve ball. Once is interesting, Toni Collette acted the crap out of JS, but to me, it was a cheap letdown to do the same concept twice.The acting was competent based on what they were given. Terry Norris is a star. The non-teen stars did excellent comedic turns even in the face of their child running away to who knows where. She may have been kidnapped and the tone is light. So when you are expected to get to the change, it does not feel right.The outback, anyone watching Australian movies sees more outback in the cinema they could care to see. In this case, the DP could have used warmer tones, wider shots. Just look at Ivan Sen's Goldstone. If you are going to use it. don't be lazy.

Sue Brooks films are always refreshing, stylish, and unmistakably Australian. Looking for Grace does justice to Brooks fine understanding of the complexities of the human condition and the struggles and subsequent lessons encountered within family life. This is a bold and insightful film, paced in Brooks unique style. I found this film immensely satisfying despite the fact that the interweaving of the characters personal stories confused me a little at times this technique did not detract from the films overall intrigue. The all Australian cast was well chosen and the cinematography captured the desolate emptiness of the desert landscape and added strength to the metaphor of distance within this small family's relationships. This is a great film!

As I sat there at the Melbourne premier of Looking for Grace, I sat in confusion for the first 25 minutes as I struggled to see what kind of movie was being played out. The film did gradually slow into a good pace, but the first 25-35 minutes were unbearable. The camera-work and visual aspects of the film were all very well done, mostly due to the location of Western Australia. The interweaving stories worked well however there wasn't much detail or substance to much of it, to make it more easy to follow. But in some parts it was hard to say that it wasn't a missed opportunity. The acting wasn't great, especially for serious scenes, this very much so affected the tone as a serious scene was set up but came across as comedic. Odessa Young was passable. Her performance didn't excel in any scene and for a film with her name making up half the title, you expect that. To conclude, the film did get the story on track with the help of a very surprising moment near the end which was very well set up. But other than that, it came across as dull and confusing. 5/10