It's a foggy night. A man with an umbrella enters a London shop. Loud threats are heard and the shopkeeper disappears. A note is found that reads PAY OR BE SEEN NO MORE. The plot is forgettable but this sleek mystery-comedy from MGM is about as smooth as 1930s B movies get. Reporter George Murphy sticks his nose into the missing person case and tangles with Scotland Yard man George Zucco and rich girl Rita Johnson. Everything happens very quickly: Murphy sees a man with an umbrella climbing in a window, so he follows him in and tackles him in the hall. Turns out the intruder is Rita Johnson's butler and next thing you know Murphy and Johnson are exchanging silly dialog:Johnson: "Frankly, I'm disappointed in you, Mr. Dennis. You've been on this case almost two hours, and what have you done besides attacking my poor butler?" Murphy: "I've met you."George Zucco is fun to watch as a detective instead of the villain for once; he and Murphy enjoy the typical friendly inspector-reporter rivalry. Virginia Field has a colorful role as a barmaid. Leo G. Carroll as the butler is also worth keeping an eye on. There's a bit of suspense but nothing too intense--and certainly more comedy than mystery. Unpretentious fun.

It is all too obvious after the first five minutes who the master criminal, "The Umbrella Man" is. Nevertheless, it is a charming, lighthearted mystery with some very good performances.George Murphy (long before he became a U.S. senator from California,) plays the lead part, Michael Denis, with a great deal of charm and a large dose of tongue-in-cheek. Truth be told, our late U.S. senator was quite a handsome man.A small side note: back in 1964 I worked at General Service Studios in Hollywood as a messenger. Among other shows that were filmed there was "The Beverly Hillbillies" starring Buddy Ebsen. Ebsen and Murphy were good friends. After Murphy won his U.S. senate seat, he visited Ebsen in his dressing room. There was some talk that Ebsen (who to me, at my lofty age of 18, seemed to be an insufferable snob) might run for office himself.I had bicycled up to Ebsen's dressing room to deliver some mail. I misjudged the distance between the curb and the dressing room. I hit the curb straight on, knocking all the mail out of my basket. Just as I was maneuvering that very graceful slam, Sen. Murphy came walking out of the dressing room. I was a bit surprised to see that he was about my height. I was, and still am, at 5'9", far from a giant* "What seems to be the trouble, son?" asked the affable Murphy. "I dropped my mail, senator," I managed to mumble and stumble out. "Here, let me help you," said Murphy, whereby this dignified, handsome, and immaculately dressed United States senator got down on his hands and knees, and helped me shuffle the mail back into my basket.I have been a life-long Democrat, but if I had been old enough to vote for Republican George Murphy, I certainly would have.What a guy!*other "cutesie" names (which I learned to despise) were, "squirt," "pipsqueak," "shorty," (which the school bully always called me) and my all time favorite, "shrimp boats."By way of explanation of that last one, there was a very popular song being sung at that time called "Shrimp Boats are A-comin'"

If truth in advertising laws were applied to motion pictures, London By Night would have been titled Backlot By Day, because this is one of the least convincing London-set features made by any American studio. George Murphy barely makes an effort as Michael Denis, an Irish reporter (with an American accent) mixed up in a murder investigation, and most of the rest of the cast deliver their lines in equally unconvincing fashion. Only George Zucco, as a police inspector, makes much of an impression, and the story itself is minor stuff indeed. At least Corky the dog doesn't embarrass himself too much, delivering a convincing portrayal as Jones, Denis' faithful canine pal.

This decent but unremarkable programmer has George Murphy sliding occasionally into his Irish brogue, as a reporter in foggy London who wants to go on vacation, but he needs to solve the mystery of 'the Umbrella Man' and court Rita Johnson -- doing a Billie Burke imitation -- assisted and hampered by his dog and Scotland Yard.As you can tell from that description, it has occasional screwball overtones, but it's largely carried by Murphy's Irish charm. MGM didn't do many of this sort of movie once you descended from the heights of the THIN MAN series, and so it needs to be compared to the RKO programmers of the type. It comes off well in most departments, but it does lack focus and depends on the charm of Mr. George Murphy.... later U.S. Senator. That's one way of getting there, I suppose.