Director: WILLIAM C. McGANN. Screenplay: Crane Wilbur. Photography: Arthur L. Todd. Film editor: Frederick Richards. Art director: Hugh Reticker. Costumes designed by Howard Shoup. Music: Howard Jackson. Dialogue director: Harry Seymour. Sound recording: Leslie G. Hewitt. Producer: Bryan Foy.Copyright 3 August 1938 by Warner Brothers Pictures, Inc. A Warner Brothers-First National Picture. New York opening at the Criterion: 19 October 1938. U.S. release: 22 October 1938. 7 reels. 63 minutes.SYNOPSIS: Innocent girl becomes involved in a bank robbery.COMMENT: Early film of Susan Hayward (not her first, however, that was Hollywood Hotel) proves of more than passing interest even to non-Hayward fans. (She has two great scenes, looks terrific, and is her usual fiery, argumentative self). The lead role (despite the billing in the ads for the 1956 re-release) is most skilfully and very sympathetically rendered by Jane Bryan, with an able assist from Sheila Bromley as the no-good Hilda. Ronald Reagan comes over ably enough, though he disappears from the action for long spells and his role is really no more than a support for the Bryan-Bromley plot. Some fine character studies are provided by Rumann (a believable tyrant) and Risdon (her farewell scene at the bus staion is quite touching), Dale and Peterson. McGann has directed with plenty of pace and verve. All told, a fast-movingly suspenseful 63 minutes.

With a slippery friend like Hilda, a dad like a steaming pot, plus a Cinderella dress that could send her to jail, what's poor sweet Connie to do. Well, we find out over a rather mild 60-minutes. It's a 1930's crime programmer from WB, with the usual WB elements-- a brassy blonde (Hilda), gunplay action, and a righteous hand of the law. Here, however, the sweetness of actress Bryan's Connie overshadows these gritty parts. The likable girl's caught up in a vortex of connivance and plain bad luck, that lands her in jail. At the same time, Connie's radiant close-ups, even at the worst moments, amount to a personal showcase that focuses away from the storyline. Anyway, my favorite part is the women's jail. There's real spark in those scenes, and note how similar the girls look, all slim, young, and attractive, like the result of a casting call.Frankly, the storyline's a big stretch, particularly Hilda and Connie's enduring relationship, and that's despite Hilda's frequent betrayals. In fact, the relationship even overshadows Connie's clichéd romance with amiable attorney Neil (Reagan). (Catch Reagan's 1938 film credits-I'm surprised he ever slept.) All in all, the flick's pretty loosely put together, the elements too wobbly to achieve real impact. Nonetheless, probation comes off looking like a pretty humane idea, which I guess is the movie's main purpose.

Girls on Probation (1938) ** 1/2 (out of 4) Extremely silly but highly entertaining crime picture from Warner is "B" movie from start to finish. A good girl (Jane Bryan) gets arrested after her bad girl friend (Sheila Bromley) steals a dress and blames her. The girl gets off due to a insurance inspector (Ronald Reagan) but a little while later is arrested for conspiracy to commit robbery with the same bad girl and her now boyfriend. Once again, innocent but in the wrong place, the girl gets put on probation but soon her past catches up with her as she's now about to marry Reagan's character and is afraid of what he'll think about having a girl on probation. It's amazing how much "story" gets packed into this 65-minute movie but there's quite a bit and it never slows down. I must admit that the movie kept me entertained from start to finish but the biggest reason as to why I can't give this a higher rating is because Bryan's character has got to be the dumbest in screen history. This is coming from someone who watches over a thousand movies a year but this is without question the dumbest character I've seen in any movie. Bryan's character gets herself into so much trouble and it's all because of her doing dumb things and of course all of this blame goes to screenwriter Crane Wilbur who also directed many shorts for Warner. With that said, the performances are all pretty good with Bryan turning in fine work but the picture certainly belongs to Bromley who is perfect as the bad girl. Reagan is fine in his supporting role and early on it's Susan Hayward playing his girlfriend. The ending is downright stupid and brought me to laughs but that's just part of the entertainment to this thing. Fans of "B" movies will certainly want to check it out. Others beware.

Poor Connie Heath (Jane Bryan) can't catch a break. Her father is stern and unforgiving. He doesn't trust her going out or any of her friends. It turns out his mistrust in one friend, Hilda Engstrom, is well founded.Hilda talks Connie into lying to her father and going to a dance he has forbidden. She "loans" Connie a dress she has stolen from the cleaners where they work. Connie gets into trouble but manages to avoid jail time. Her father does boot her out of the house, however.Connie goes to the city and runs into Hilda again. Hilda is sitting in a idling car… outside a bank. Connie decides this is the time to give Hilda a piece of her mind and hops in the car to do so! About this time, Hilda's partner comes running out of the bank, guns blazing. Rather than hopping out of the car, Connie sits there with a puzzled look. She's apparently bewildered by all this. During the high speed police chase Connie gathers her wits and takes the gun. The robbers pull over and the cops find Connie holding the gun.Afraid of her father finding out, Connie decides it's better to go to prison than explain the events. A case worker takes an interest and investigates on her own. She convinces Connie to tell the truth and gets her out on probation.Working for and falling in love with DA Dillon (sounds groovy) Connie thinks her life is back on track. But Hilda returns to try and stir things up again, still talking. Somehow, amid all the nonstop talking of their own, Connie had failed to mention to Dillon that she was fresh out of jail and on probation for the bank robbery.Sound movies had just turned a decade old but the novelty had clearly not worn off. Everything remained dialogue-driven. These people talk and talk… and then talk. No scene is set through visuals, no emotions are described through facial expression. Each and every element is articulated through exposition.The cast is fun and never shuts up. Jane Bryan is cheery despite her character's many setbacks. And she talks about all of it. Sheila Bromley is equally verbose as the diabolical Hilda. Ronald Reagan orates unceasingly as the love interest, Dillon.This type of rapid-fire dialog was a staple of movies during this era and "Girls on Probation" is a jewel of an example. Highly recommended for a look at a typical by-the-numbers production of the 30s.