Last Orders
Last Orders
PG-13 | 10 September 2001 (USA)
Last Orders Trailers

Jack Dodd was a London butcher who enjoyed a pint with his mates for over 50 years. When he died, he died as he lived, with a smile on his face watching a horse race on which he had bet, with borrowed money. But before he died he had a final request, 'Last Orders', that his ashes be scattered in the sea at Margate. The movie follows his mates, Ray, Lenny and Vic and his foster son Vince as they journey to the sea with the ashes. Along the way, the threads of their lives, their loves and their disappointments are woven together in their memories of Jack and his wife Amy

Reviews
Andy Daley

To be perfectly honest, I had never heard of this film or the novel of which it is based on, until I happened to pick it up in a shop. The very fact it starred Bob Hoskins and Michael Caine was enough reason to buy it. What I love about this film is the simple story about a group of close friends who have gone through life together as drinking buddies in South London. It resembles so closely the traits, personality and conversations that all of us will recognise. The basic story is Jack (Caine) has requested that his ashes be scattered into the sea off the end of Margate Pier, the story follows the journey made by his best mate Lucky (Hoskins), Lenny and Vic, plus his son Vince (a young looking Ray Winstone). Through numerous flashbacks we build a picture of their lives through the years, highs and lows. Its a lovely film, and to be perfectly honest the ending gave me a lump in my throat.

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Ben Larson

Just look at the cast and you know this is likely to be a film that will entertain you: Michael Caine, two Oscar wins (The Cider House Rules, The Quiet American, and one BAFTA win (Educating Rita), with numerous nominations; Tom Courtenay, two BAFTA wins (A Rather English Marriage, The Loneliness of the Long Distance Runner) and many BAFTA and Oscar nominations; Bob Hoskins, BAFTA for Mona Lisa, and many more nominations; Helen Mirren, Oscar and BAFTA for The Queen, BAFTAS for Prime Suspect 1,2 and 3, and many more nominations; David Hemmings, and Ray Winstone.That is an ensemble that works, and works well, indeed.Things done, and not done over the years of the lives of friends, and what is important and what is not. A great reflective story.

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johnnyboyz

How very strange to have a film such as Last Orders, a film that has its themes and its content revolve around death, loss and nostalgia and yet still manage to remain uplifting; positive, even. Last Orders is one of those films that covers a lot of ground in a two hour timeframe; it's sort of what Forrest Gump would have been like if Forrest Gump had had masses of friends and buddies to hang around with as his own life unfolded. But don't think I'm comparing films here because whilst Last Orders is great in its own retrospect, Forrest Gump remains the pinnacle of this sort of genre.I suppose Last Orders is to 'death' as Reservoir Dogs is to 'heist'. The idea that you get a load of male characters (although Helen Mirren's Amy plays a sort of important role); have them situated close to all but one place for the past tense scenes but now and again, showing the repercussions of said death/heist event in the present tense. While Reservoir Dogs' flashback scenes covered a whole range of locations, Last Orders fixes on a public house for the scenes in which all the characters are together but in order to understand more and more about them the film delves deeper into the past; much like Reservoir Dogs did with the Mr. Orange character – showing us how the development of friendship and trust became apparent. Added to this, Last Orders in the present tense beds down in one locale; a moving vehicle as they travel to a pier in order to carry out the dead man's final wish – parallels to Reservoir Dogs and the warehouse can be made here where, arguably, the most intense moments of clashing egos and best examples of dialogue float to the surface.But Last Orders isn't trying to be Forrest Gump or Reservoir Dogs, in my opinion two of the 1990s greatest films. No, Last Orders is a different beast; a tale of friendship and life that is pushed to an apparent breaking point even when the man has gone. It seems funny how with a cast like Hoskins, Caine, Mirren, Hemmings and Winstone one can be so easily attracted to the actors and actresses who play the characters in decades gone by. JJ Field does a superb job as a young Jack (Caine) as does Kelly Reilly with Amy (Mirren); what's more, there is an added sense of nostalgia when Anatol Yusef portrays a young Ray (Hoskins) when really it seems like he is playing Hoskins himself from times gone by – you cannot help but smirk in appreciation. Even though the film plays out with one of its main characters actually dead throughout the entire piece, what makes Last Orders so successful? Well, it gets across a feeling of nostalgia; a feeling of time gone by. Secondly, it gives us these characters who we have seen many times before in films of a different genre; maybe even on a television drama if you're from Britain but it injects heart and soul into any usual stereotypes you might have expected.In order to break away from tired clichés or familiar archetypes, Last Orders develops almost all of its characters through out their respective lives. There are instances when Ray is tempted to engage in an affair with Jack's wife Amy; there are other instances that seem almost irrelevant: Ray's daughter marrying an Australian and moving away and Jack's son Vince wanting to follow a path in the mechanical trade rather than the butcher trade. Although these seem like mere formalities, they are actually extremely important plot points in these respective people's lives with the genius of it to follow: they all deal with loss of some sort. If Ray and Amy have an affair, Jack looses out; if Vince wants to become a mechanic against his fathers wishes then the '& sons' tag to the business is rendered false; if Ray's daughter wants to marry and move to the other side of the world, Ray and his wife loose their daughter on a certain level. But one persons loss is another persons gain: Ray's daughter has found love; Vince has found a career he loves and Ray has found love to a certain degree with Amy, even if it is at a friend's expense. This is where the film's main level of loss is challenged: When it is made apparent after five minutes it is the character of Jack that is dead, nobody wins but everybody looses. Thus, the ensuing road trip is everybody banded together to deal with the event.With the film's theme and consensus loss, it is no surprise tiny references are made apparent all the way through the journey. The lads visit a war memorial in a park to celebrate the 'loss' of life in the war; when walking through the cathedral, Vince talks about how interesting it is to have all the 'dead' kings and queens 'buried' in amongst the walls; there is even mention of the ancient Egyptian pharaohs – harking back to times of old and great people who are now dead, echoing Jack and his life. Even stranger, what do we learn ourselves about Jack during the film? He is a womaniser who seemed carefree and outlandish; a man who wanted his son to do what he did and got angry when he didn't but despite Jack seeming like the least likable person of the group of lads, it is his death that has brought everyone together in a celebration of life above all other things. Last Orders is clever and engaging with a narrative that will entertain and may well have even pulled at some emotional strings by the time the obligatory scene arrives – that itself is an achievement.

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swillsqueal

Jack Dodds knows that he is going to die soon, but before he does, he wants to settle his affairs. Ya see, Jack here, he's got himself in a bit of trouble, hanging on too long to his dream of community, work and fun. He's gone and been left behind by the incessant march of capitalism towards the bigger, better and cheaper. His butcher shop has become "uncompetitive". Jack has come to realize this, but too late. Now, he's going to die. And Amy, his wife is going to have to suffer as a result after Jack carks it.Then, Jack gets this idea. He'll borrow some money from his son, Vince. You see, his son was supposed to take over the butcher shop, but Vince figured (rightly) that there wasn't a future there. Jack cajoled him and begged him to take it over, you know, the old father leaves the son the family business and then becomes the father himself to leave to the son trip. But, that don't wash over time. That was some other time. Perhaps, the last time, it was that time was in the 19th Century. At least, in England....So, but Vince, he's got cash now because he ignored his father and took up car salesmanship. Jack is dying. Vince comes to visit. What can Vince do? His pop asks him for money, YET AGAIN. And this time, he's on his deathbed...well practically. Vince coughs up some pounds and Jack then asks his old pal Raysie to use his best betting knowledge and put the lot on a long shot horse. This is a film about a fading generation of fast disappearing traditions, a generation who spent their lives together in one community and lived much of their free-time communing at their local pub. It's a story of camaraderie, friendship, betrayal, commitment, love and honour : C'est la bonne vie. Coming to terms with death and happiness, with loss and gain, "Last Orders" is a film which will not let you down.The cast and their direction are superb. You can almost feel Tom Courtenay's Vic, trembling as the loneliness of a long distance runner sets in. And Helen Mirren's Amy, once the belle of all balls, now the distraught, caring wife of Michael Caine's Alfie, turned honest, loving, joie-de-vivre-Jack. David Hemmings'...is that really the mod photographer from "Blow Up"? Ah and Bob Hoskins, lucky Raysie, survivor, friend and the unlikely winner, racing off to the land down under with one of his best friend's wives.

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