This film tells the story of two sisters who discover that their father is having an affair. They deal with it in different ways.The story also tells the love story of every major character in the film. It tells how every person relates to the world around them, and how they connect with their significant others. It is very real life like, and hence it can feel draggy and boring at times. All the couples involved have different outcomes, and it gets interesting and reflective at the end.

I really liked this movie. The 90's references are borderline over the top but oh so fun to absorb. The sisters are very believable as sisters--part allies and part antagonists. Edie Falco nails it. This is what I suppose would be labeled a 'dramedy', though it felt mostly like a comedy. The realistic and tender portrayals of adultery are very well done. I recommend.

"Landline" (2017 release; 93 min.) brings the story of the Jacobs family. As the movie opens, we are reminded that it is "Labor Day, 1995". The family (husband Alan, wife Pat, grown-up daughter Dana and her fiancé Ben, and HS senior Ali) are driving back to New York City from their country estate. Everyone settles back in: Dana works are an indie newspaper, and Ali is supposed to start her last year of high school but has drugs on her mind more than books. It's not long that Ali finds out that dad (Alan) may be having an affair, much to the horror of Ali and Dana. Meanwhile, Dana bumps into an ex-boyfriend at a party she is attending with Ben. At this point we're not even 15 min. into the movie. What will become of all these characters? To tell you more of the plot would ruin your viewing experience, you'll just have to see for yourself how it all plays out.Couple of comments: this movie marks the reunion of writer-director Gillian Robespierre and producer-actress Jenny Slate, who previously collaborated on "Obvious Child" (Slate's break-out role). Here they bring another movie that is billed as a comedy, but in reality is just as much a relationships drama. And there is plenty of drama (biting my lip--mustn't spoil!). Of course there are plenty of lighter moments too. One can't help but smile when we see Dana check her voice mail by calling from a public phone, and many other such 90s-specific things. Jenny Slater once again shines in this movie, and it is her character that seems most authentic--in contrast to her sister Ali, who is supposed to be a HS senior, but comes across much older. John Turturro (as Alan) and Jay DuPlass (as Ben) are in fine form as well. Bottom line, this movie kept my attention from start to finish, and I wasn't quite ready to say goodbye to these characters when the end titles started rolling, the surest sign that I enjoyed this movie quite a bit."Landline" premiered at this year's Sundance Film Festival to positive buzz. The movie finally opened this weekend at my local art-house theater here in Cincinnati, and I couldn't wait to see it. The Saturday matinée screening where I saw this at was attended okay but not great (about 10 people). Hopefully this movie will benefit from positive word-of-mouth as well as wider exposure on VOD, and eventually on DVD/Blu-ray. "Landline" is HIGHLY RECOMMENDED!

LANDLINE (2017) *** Jenny Slate, Abby Quinn, John Turturro, Edie Falco, Jay Duplass, Finn Wittrock. Woody Allen-lite could best describe this dramedy about a NYC family who are going thru several crises largely due to infidelities and identity confirmations. Slate and Quinn are the bickering siblings whose tight knit bond is forged via sarcasm and hearts on their sleeves as they discover their father (Turturro) is having an affair while they are both dealing with their own domestic pitfalls - inklings of wanting something more out of the relationships they both have with other paramours. Filmmaker Gillian Robespierre - who collaborated on the sharp, funny and cleverly warm hearted script with Elisabeth Holm and Tom Bean - has her nostalgia well intact setting the story in 1995 with a fun soundtrack and pre-Internet/cell phone absurdities. Slate's sexy cartoon voice and spiky vulnerability is no full-display and relative newcomer Quinn holds her own with punchy abrasive thrusts-and-parries verbally. An indie gem.