Roddy McDowell (who was also a co-producer, so he has no one to blame but himself) stars in this blah quickie from Monogram about a college student who goes to sea with his father, the captain of a shark-hunting boat, and the troubles that ensue. McDowell is, frankly, not very good in the role; his character comes across as naive, dense and rather stupid. The supporting cast is, for the most part, weak, the script is convoluted and trite, and the only remotely "exciting" thing that happens in the picture is some poorly integrated stock footage of a real shark boat hauling several large sharks--and one VERY large shark-- aboard as part of their catch. There are some phony dramatics involving villain Douglas Fowley, as a shady crew member mixed up with smugglers, and some painfully unfunny comic relief from rotund Nacho Galindo as a cook named "Maestro" who giggles and laughs uncontrollably throughout the picture.Director Budd Boetticher--billed here as Oscar Boetticher--has done much better (much, MUCH better) work. This film isn't really worth wasting your time on; it's talky, boring and the "fight" scene that occurs near the end of the film is very poorly done. Overall, a real snoozer. Skip it.

Don't let the title fool you. If you're tuning in expecting something on the order of a warm-up for "Jaws" you'll be greatly disappointed. Most of the 'killer shark' footage is stock film, and the single incident that comes close to being a nail biter is that scene where a hungry great white chomps on the legs of Captain Jeff White (Roland Winters) and a crewman (Edward Norris) tries to pull him out of the ocean.What the story is about has to do with a young college grad, Ted White (Roddy McDowall) hooking up with his seaman father after a dozen year absence. Together they hit the open ocean with a Mexican crew to hunt shark for their liver, which is packed into tin cans after the fish are gutted. There's no mention of what happens to the rest of the shark, and it would have been a shame if they weren't turned into steaks or some other commodity of commercial value.McDowall had a significant career as a child actor and young adult following his American debut in 1941's "How Green Was My Valley", and he still looks incredibly young here. Doing a cheapo production for Monogram was probably as close to a low career point as one would imagine, but it paid the bills for folks like Roland Winters who had a six picture stint with them as Oriental Detective Charlie Chan.What held my attention most in the picture were the actual scenes of the fishermen pulling in their catch. Sharks were being hauled aboard the Sunrays left and right using all manner of nets and hooks, but I suspect a lot of that was stock footage as well. As far as the story goes, one could make the case that this was a B Western plot that was simply moved to a different venue. It had the returning son (Westerns used nephews and nieces a lot), a pretty female romantic lead (Laurette Luez), and a host of good guys and bad guys who mix it up in a saloon brawl to close out the story. The one thing different when it was all over, McDowall's character was ready to head off into the sunset all by himself.

This little cheapo used to turn up regularly on late night LA TV, much to McDowell's chagrin, I expect. After all, from glossy MGM to miserly Monogram represents quite a tumble. Actually, the movie's not so bad, except for some of the acting that appears at times by the numbers. I just wish someone had put a cork in Galindo's (Maestro) mouth since he appears to confuse shrill giggling with acting. Young Ted (McDowell) strives manfully to redeem himself after causing a fishing boat mishap injuring his dad and a deck hand. You know he's in trouble when he hires veteran bad guy Fowley (Bracado) to boss a new crew of cutthroats. At the same time, Laurette Luez, of the notorious Prehistoric Women (1950), drifts around the edges as eye candy.What the production does best is approximate a seedy Mexican waterfront. It must have been done in LA since I can't imagine Monogram actually popping for location filming. The shipboard and shark scenes are occasionally interesting, causing me to wonder whether old movie freak Steven Spielberg saw A-picture possibilities in this little Monogram programmer. After all, stranger things have happened.

There is little about Killer Shark that is any way recommendable .It was made on a shoestring budget and it shows .The theme is a variation on the classic Captains Courageous .A young College student spends the Summer working on his fathers rusting old shark fishing boat and is responsible for a serious accident which sees two men-including his father-severely injured.This places at risk his fathers ability to repay the loan on his vessel and so he resolves to put a crew together and go out in search of shark himself.Unfortunately he hooks up with a crew of robbers who plan to make away with the cargo themselves.Poorly acted ,flat and ugly in its lighting and with a crude anti intellectual message this is a tedious experience that makes then same directors brilliant Randolph Scott Westerns from the same era all the more remarkable by contrast.Give it a miss.