Universal kept Abbott&Costello very busy during the World War II years. They made so many films one wonders when they had time to do personal tours and war bond rallies. One of the more unusual items the team made was It Ain't Hay which was taken from one of Damon Runyon's Broadway stories. You'll recognize some of the character names from Guys And Dolls.Lou Costello accidentally kills Cecil Kellaway's horse. Kellaway drives a horse drawn cart in Central Park and Lou's guilt, plus the guilt laid on him by everyone else including Bud in a great scene, makes him buy a horse that some racing stable was selling. Problems arise when Bud and Lou discover they have the wrong horse, the horse they were to buy was a dead ringer for the champion 'Teabiscuit'. The boys pick up the real Teabiscuit, but when they discover the mistake are determined to cash in on it. The movie is plainly ripped off from the Marx Brothers A Day At The Races, but that doesn't prevent it from being funny. One definite weakness was that the musical score in the Marx film was a lot better than what Harry Revel and Paul Francis Webster wrote for It Ain't Hay. Still Leighton Noble and Grace McDonald handle the music end nicely and it doesn't get in the way of A&C's routines. And Eugene Palette as the villain gets a few laughs himself as he always does.It Ain't Hay is not often shown and that's a pity. Catch it if possible and hope it comes out on both VHS and DVD.

'Schmaltzy' can best be described by excessively sentimental--to the point where it can be seen as sickeningly sweet. Despite the very positive reviews for IT AIN'T HAY, I am very surprised that none of them see the film as an example of pure 100% bonafide schmaltz.Here is the plot--you decide whether or not it's schmaltz. A young girl (about 14) drives a horse-drawn carriage (hmm...what about child labor laws?). She adores her horse and everyone loves her--calling her "Princess". But, when Lou Costello accidentally kills the horse, the entire community is heart-broken for the poor kid...and Lou knows he must do something to buy the girl and her old granddad a new horse--otherwise, the girl will be miserable and they won't be able to pay their bills! When Lou DOES get a horse, he accidentally steals a famous race horse and gives it to Princess. But, when he learns the truth, the horse must be returned...and what is to become of this precious and precocious teen?! There's quite a bit more to the plot than this, but the bottom line is that Abbott and Costello played the sentimental card too often and the edginess of their material was missing--like it was a film just for kids or people who hate comedy. While some comedians have used schmaltz, there is a big difference between schmaltz and sentimentality. Schmaltz is when the sentimentality takes center stage and is THE substance of a comedy--and real comedy cannot be funny if there's schmaltz as the saccharine style of the film interferes with the laughs. This film simply chose sentiment over laughs again and again. One of the only really funny parts occurred at the very beginning, when Shemp Howard (a perennial in early Abbott and Costello films) is introduced.Overall, the worst film that the team made up until this point. Too much singing, too much sentimentality and a "wacky" race towards the end that instead of helping the film to finish on a high note just came off as contrived. Sorry folks, this is one "lost" film that Abbott and Costello made that just as soon could have stayed lost--barely earning a 5--and that's being rather generous.By the way, the rubber band joke at the end was a reference to WWII and rubber rationing--when rubber was as rare as could be since almost all of it was diverted to wartime use.

The comedy team of Bud Abbott and Lou Costello were in their prime in the 1940's (particularly the early 1940's) and this offering from 1943 is very funny indeed. Based on a Damon Runyon story "Princess O'Hara" (and featuring some of the classic Runyon characters such as Harry the Horse), it's been tailored for the A & C brand of comedy, and features some of their funniest routines (the "mudder & fodder" exchange, which was repeated in their later film "The Noose Hangs High"; stealing the horse, the climactic horse race scene, etc.) Like most of their early features (with the notable exception of the great "Who Done It"), there's also the mandatory songs - they are a mild intrusion, but on their own merit are quite good. (These song numbers were a stock element in the Universal comedies at the time, so you just have to tolerate them, but, like in the Marx Brothers comedies, they did seem to be there just to "pad out" the running time.) There's also a gem of a supporting performance by the great character actor Eugene Palette.Unfortunately, "It Ain't Hay" is currently tied up in legal knots, which keeps it out of circulation at the present time. Due to this, it was not included in the great A & C collection released recently on DVD by MCA, nor has it been shown on television for many years. Hopefully these legal issues will be resolved, and this fine example of the great comedy duo's work will receive the distribution it deserves.

In this film, I think Costello wanted to add a bit more depth to his character. He is a taxi driver and Abbott is is pal. Costello inadvertently kills a horse and takes it upon himself to replace it. as Mr Warner, the bad tempered manager who keeps popping up in the film. The songs have been blasted but I rather like them.There is real character to this film and a good atmosphere. There are many funny gags here and Eugene pallette is hilariousI would of liked Erle C. Kenton to of directed more than just 3 Abbott and Costello movies. he directed some of 'Hit the Ice' too till he fell out with Lou and was replaced with Charles Lamont who said it would only be a one off!!! This is a very pleasing film for Abbott and Costello fans and the kids would love it too. They don't make em like this anymore!