In the Name of the Father
In the Name of the Father
R | 12 December 1993 (USA)
In the Name of the Father Trailers

A small time thief from Belfast, Gerry Conlon, is falsely implicated in the IRA bombing of a pub that kills several people while he is in London. He and his four friends are coerced by British police into confessing their guilt. Gerry's father and other relatives in London are also implicated in the crime. He spends fifteen years in prison with his father trying to prove his innocence.

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Reviews
scottbeaudette

This film is the epitome of heartbreaking drama, and that it's based on real events makes it deliver the punch even harder. Performances from everyone in this film are top notch. There isn't one moment that feels out of place or contrived.

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kiekeo

It was cool, and my dad was an extra in it as a police officer. So that's cool.

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alexanderberg94

Pete Postlethwaite's and Daniel Day-Lewis' incredible reenactment of father and son wrongly convicted for the 1974 Guildford pub bombings and their different approaches on trying to get the case appealed. Their amazing on screen synergy is a big part of this films appeal which tackles a tough subject about injustice and the state of Britain at the time. Day-Lewis captures his characters' (Gerry Conlon) evolution in an Oscar worthy way and proves himself to be a very diverse actor. Supporting actor Emma Thompson delivers a touching performance as the lawyer working towards getting the case appealed.Director Jim Sheridan does a good job and uses a mix of methods to enhance a scene's importance or emotional weight. The pacing is very good and all three acts of the film are excellent. Overall it's fantastic film that seems to be very faithful to it's source material.

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robertklinck

I won't write a spoiler, but merely invite viewers of the film to reflect on how what the prisoners and their legal counsel are striving to prove has any logical bearing on the issue of their guilt, given the method by which the crime was committed. My son pointed this problem out to me when he saw the film at the age of 12; I myself, like the many people who have found the plot to be credible, had not picked up on it. It's a classic instance of Hollywood-manufactured cognitive dissonance.Before the over-the-top stereotypical court scene at the end, the performances of the actors are very good.

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