It's a surprising tearjerker, with good acting and strong characters you would expect who originated in the Iwaki coal mine, but it whitewashes the fact that much of that mine's wealth was as a result of WW2 slave labor. This is a problem the Japanese seem to have in confronting their history. Unfortunately, it wasn't only Japanese who suffered in the coal mines!

This is one of my favorite movie. It contains nice relationships among people in country side, a little bit comedy yet heart warming.Girls living in Hukushima prefecture including Kumiko, played by Yu Aoi decided to work as a dancer to save people's live there. Those days around Showa40 year, their life style was going to be changed, and it meant people in Kumiko's village were going to lose their work. Instead of that, they try to built a big entertainer, "Resort Hawaiians". That's why they try hard to be a fine dancers to work there as "Hula girls"!! However, it's not easy to manage it through some problems. Villager are used to work as coal miner, even through they have some dead in mine, and also it's hard for Kumiko and her mates to master Hula which they had not know at all. Can they dance? Can they save people? What's become of them? I believe you can enjoy not only story, but also one of Japanese dialects.This is what I, Japanese student says, so you can be sure to enjoy interesting Japanese. It obviously shows Japanese dialect! Do not miss it!

My impression of the hula dance - random wave movement of the hands by tanned girls wearing straw skirts with a big flower on the head. That was before this movie.The Hula Girls, a heartwarming comedy from Japan, tells about the craft, emotions and passion behind this dance. Being Hawaii has almost nothing to do with a depressed and cold mining town, almost devoid of colours and warmth. However, a group of girls from the conservatives to bespectacled obasan, decided to learn the dance to develop this declining town into a Hawaiian Village.This is a daunting task to a Tokyo dance teacher (wonderfully played by Yasuko Matsuyuki) and a demoralizing act to the conservative skeptics in the small village.A story about going against all odds may remind you of another Japanese comedy, The Swing Girls. Both movies boost great energy, lovely music and can put a smile on your face.As Japan official's entry to the 2007 Academy Awards Best Foreign Film, The Hula Girls is not only entertaining, but motivational. It may be small in ambition, but big in what in can achieve – to inspire people to chance, accept, fall and rise again.It is funny and touching at the small time, pushing your heartstrings (and tear ducts) with the girls' triumph over people who do not believe in them, which includes themselves.With its infectious energy and stirring movements, this hula dance deserves a round of applause and bouquets.http://themovieclub.blogspot.com

Make no mistake about it, this is a Japanese comedy, with few ties to Hawaii. But that doesn't take away from the fact the film is wonderfully scored, believably acted, and a fun, entertaining movie. Screened for the first time in the U.S. in October 2006 as the finale gala extravaganza at the Hawaii International Film Festival (#1 Asian festival & one of world's 10 best overall now), many hula teachers and Hawaii fans may have feared this movie might take a less- than-serious-enough view of the sacred Hawaiian dance. But, upon viewing this light-hearted comedy, critics had to sit back and appreciate just how loyal the film remained to the Japanese interpretation of hula. Japanese view hula as a dance, and Hawaii as a warm tropical paradise in much the same way American filmmakers viewed Hawaii in the 1950s. Viewers, even kumu hula and critics, shouldn't forget that this is a film about that Japanese interpretation - at that time, and not impose upon it the serious more cultural aspects a current movement in Hawaii is bringing back to the dance. In fact, the director of "Hula Garu" successfully gets away with this by making the film a comedy, and never trying to delve into the historical, religious, or other cultural dimensions of hula. While not true to today's view of hula in Hawaii, this film is not about today, or Hawaii. It's about an obscure little town in northern Japan that created a Hawaiian village concept, complete with its own hula troupe to attract tourists and save the town from extinction. Several heart warming moments in this 'To Sir With Love,' teacher-conquers- impossible-odds themed story bring tears to the spectators' eyes. And the music could hardly have been more perfect to help accentuate those emotional moments. Ukulele virtuoso Jake Shimabukuro's score is perfect, and likely to win awards, and possibly even help make Jake a household name on the U.S. mainland, as it already has become in many circles in Japan. The film's screenplay successfully draws the audience into the characters in a way that forces even the most critical hula fans to forgive the film's small imperfections. The only strong disappointment I had about the film was how it confused hula and Tahitian dancing. On the other hand, that's a common misconception that all Hawaii visitors make, since hula troups almost always perform both types of dances in public. So, in a sense, the film is true to the way Japanese and tourists perceive hula, if not to hula itself. This film is not a film about Hawaii or hula dancing; but a comedy about how Japanese have adopted this wonderful dance in its own way, while respecting the Hawaiian culture in doing so. Keeping that in mind, viewers will have little to critique and everything to enjoy about this film, the acting, and the wonderful music. Overall, this is a fun, enjoyable family movie which deserves to be seen on the big screen. Don't wait to rent the video. See it in a theater and feel the energy, the music, and the strange story that began Japan's growing love for Hawaii's greatest export.