Directed by Mervyn LeRoy, and featuring a screenplay co-written by Abem Finkel, this crime comedy-drama was later remade with Ronald Reagan as Love is in the Air (1937), then again with George Brent in You Can't Escape Forever (1942), and finally as The House Across the Street (1949) with Wayne Morris. This one stars Paul Muni, who would win an Oscar on his fourth (of six) Best Actor nomination(s) the following year playing the title character in The Story of Louis Pasteur (1935).Sam Bradshaw (Muni) is the managing editor of the newspaper run by John Graham (Berton Churchill). He'd bumped reporter Gerry Krale (Glenda Farrell) down to the "Dear Abby"-type job that no one wants when she made a mistake, falling asleep and missing a big story, some time earlier (before the film begins). The paper's lovelorn columnist uses the byline "Nellie Nelson", so Gerry's peers yell "Hi, Nellie!", ridiculing her, every time she passes through the newsroom. Hobart Cavanaugh plays "Fully" Fullerton, a reporter who is rejected every time he asks Gerry for a date. Donald Meek plays "Durky" Durkin, an office boy for the past 40 years. When two stories break at the same time, one about the disappearance of a bank executive and another about that same bank going bankrupt, the assistant editor Dawes (Douglass Dumbrille) is ready to link the two with big headlines on the front page. Sam, however, stops it saying he doesn't run that kind of story without supporting facts, besides, he says "the guy's always been on the level". Every other paper apparently does, so Sam is "called to the mat" by his boss Graham, who's just finished meeting with O'Connell (Edward Ellis). Thanks to Sam's lawyer (Frank Reicher), Graham can't fire him. So, his publisher reassigns Sam to the Nellie Nelson job.Disgruntled, Sam starts drinking and is all but finished after a couple of months of barely doing the new column. However, Gerry catches up with him at a bar and tells him he's got no guts. Out to prove her wrong, Sam starts doing the heartthrob job in earnest. During this time he meets Rosa Marinello (Dorothy Le Baire), a woman whose undertaker father has refused to give her permission to marry. After three months, Sam is called into his publisher's office again. Thinking he's about to get his old job back, Sam is shocked to learn that, because his "Nellie" column has increased the paper's circulation, Graham wants him to keep doing it. Upset, he returns to his office where Shammy (Ned Sparks), one of the paper's investigators, tells Sam he's got a lead in the disappearance of the bank executive - an address from his wife (Marjorie Gateson). Sam notices that the address Shammy gives him happens to match one that Miss Marinello gave him. John Qualen appears, uncredited, as the janitor of an empty apartment. This eventually leads the two of them to visit Mr. Marinello (George Humbert), where they trap him into revealing that there's been a phony burial, and then follow the panicked man to the "Merry Go Round" club, which happens to be owned by suspected crime boss Beau Brownell (Robert Barrat). Once inside the club, the two also see O'Connell.The whole scheme starts to unravel, with Sam bluffing his way into getting a confirmation from Brownell to what he suspects has happened, after he'd roused a drunken bank cashier (George Meeker), that Shammy had recognized, in his office. Then it's a race against time, with the newspaper men calling in their "troops" and the "gangster" his. Guess who wins and guess who then gets assigned the heartthrob column?

Hi, Nellie is one of the most arch, hilarious movie titles I've ever encountered. At first it sounds banal, but as it's tossed around in different scenes by different characters, it gets funnier and funnier. There's a barroom scene that's a howler.But rather than just a prop for the title's running gag, the story is quite interesting on its own. It involves a newspaper and corruption and a missing banker, and things aren't what they seem. We're taken through some amazing sets. it's impressive to see how many resources were plowed into them by the studio, from tracking shots of the cavernous newsroom, of teeming city streets, of the interior of an elaborate nightclub, all following Paul Muni, who, by the way, is a rough-and-tumble editor relegated to the lovelorn column by his publisher.And this is a great showcase for Muni. Most of his scenes show him in closeup. Remember, Cagney had Public Enemy and Muni had Scarface, both intensely focused on their personas. I think Muni, because of his stage background, overdraws his character in movie closeups. (He may have won the Oscar for Louis Pasteur because he wore a beard that restrained his over-expressiveness.) But hey, it's Muni, and it's fun to see him do his stuff.This is a comedy-crime flick, fast-paced, with rapid-fire dialog between great Warner players, so you have to pay attention. There's a scene where a dim young reporter tells Muni that the children's picnic he was assigned to cover didn't occur because the boat taking the kids to the venue ran aground on a sandbar and broke up, so he only had one paragraph to report. This is great stuff!

HI, NELLIE! is a fun film to watch but in no way could it be mistaken for a deep or high quality product. Instead, it's just simple fun--plot holes and all.Paul Muni plays a managing editor at a newspaper. However, his decision to underplay a big story is second-guessed by the owner and as a result, he is demoted to writing a "lonely hearts" column. His co-workers ridicule him unmercifully, but after initially refusing this indignity, he actually makes a success of it. However, he always is thinking about how to get his old job back, as he misses the excitement of crime and other lurid stories.The film has some very good support for Muni, with Glenda Farrell, Donald Meek, Douglass Dumbrille, Ned Sparks, Robert Barrat and others. So, while it's a relatively cheap and silly production, the supporting characters make it a lot more interesting and worth watching. However, just be prepared for an amazingly easy resolution to the mystery in this film and some jumps in logic. Good as a time-passer but far from Warner's or Muni's best.

Having seen Paul Muni in so many dramas, I wondered if he could pull off comedy as well. I needn't have worried. Since he's teamed with Glenda Farrell, a master of the wisecrack, he gets solid support and the looks they exchange throughout the movie are priceless. One scene that I loved was when Glenda is pretending to be Nellie Nelson so that a woman will confide in her and she's bossing Muni around like he's her office boy.The plot isn't that original. In fact, there are several versions on the same theme (star reporter demoted), but this one has the star material to give it an extra life. Ned Sparkes also adds to the fun.