Hail, Caesar!
Hail, Caesar!
PG-13 | 05 February 2016 (USA)
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When a Hollywood star mysteriously disappears in the middle of filming, the studio sends their fixer to get him back.

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Reviews
SimonJack

"Hail Caesar" is billed as a comedy and mystery, but is mostly a satire of Hollywood. It has very little humor in the dialog, and unless one knows history, much of the plot may not make sense. That includes American history of the mid-20th century, and knowledge about Hollywood in the first half of the last century. With some knowledge in those areas, one can follow the plot and appreciate the humor in the exaggerated scenarios. An example of the latter is when some of the Hollywood communist cell take a small boat to deliver an agent and the ransom money to a Soviet submarine that surfaces off the coast of California. The film covers some of the culture of Hollywood at mid-20th century. But also omits mention of much of it that became known over time. Hollywood had many a scandal over drugs, crime and sex. In the main character, Eddie Mannix (played by Josh Brolin), the film tends to idolize the studio head. It puts Mannix on a pedestal for his 18-hour workdays, seven days a week, in which he holds the studio together. So, all of what Mannix does is whitewashed as essential to protect the stars, the studios, etc. One interesting inclusion is Tilda Swinton who plays sisters Thora Thacker and Thessaly Thacker. They are supposed to be Louella Parsons and Hedda Hopper, who were not real sisters. They were the famous Hollywood gossip columnists since the early 1930s. The little stories that Mannix has to play them to print or not print pale compared to the real stuff that the two rival columnists produced, publicized, promoted or buried. Other things about Hollywood of the time are barely mentioned or not at all. The assaults and murders, suicides and mysterious deaths, adulterous affairs, alcoholism and drug use, car accidents and many other real troubles that actors got into and that Hollywood tried to covere up. There's no mention here of the sex exploits of some studio heads with young actresses that could determine their careers. Enough real news and exposes have come out of Hollywood since before the mid-20th century, to conclude that Hollywood was a sordid sector of society. So, that's a list of some of the usual goings-on in and around Hollywood at least into the mid-20th century. This film skips or skims over much of that, but not all. It does have a pregnancy out of wedlock that is covered up, with a twist so that it doesn't look exactly like a couple of real instances. Instead, the Coen brothers, Ethan and Joel, take aim at the mid-20h century. And specifically, the time of the communist scares and type of film output from Hollywood then. It's somewhat of a social agenda about Hollywood kowtowing to the politics of the day. This is where some knowledge of history helps one follow the script. The House Un-American Activities Committee was investigating the influence of Communism in the entertainment field. The period was often labeled the McCarthy era, after Wisconsin Sen. Joseph McCarthy who said that communists infiltrated the U.S. State Department in numbers, and were gaining control throughout government. McCarthy had phony lists and in the end could produce very few names in support of his claims.But, public concern was fanned when real Soviet spies were caught or uncovered and Soviet individuals began defecting. This was happening in the U.S. England, Canada and other Western countries. A 1948 movie, "The Iron Curtain" is the story of a Soviet code worker in the U.S.S.R. embassy in Canada who defected. He provided information that uncovered an extensive Soviet espionage network in Canada and the U.S. It had been stealing American atomic secrets since the end of World War II. In 1953, the U.S. executed Julius and Ethel Rosenberg for their spy activities for the Soviet Union. As with most events in history, some people thought the Rosenbergs were innocent or had been railroaded. But much evidence was uncovered in Russia after the fall of the Soviet Union that detailed the great amount of espionage they had done for the U.S.S.R. This time also was at the height of the Cold War when tensions between the Soviet Union and the West were near fever pitch. At the end of World War II, the Soviet Union controlled Eastern Europe. So most of those countries were under communist rule and weren't free until after the 1990 collapse of the U.S.S.R. The nuclear arms race was on between the Soviets and the U.S. Those who lived during that time well remember the air raid drills in the schools. By 1962, the U.S. and Russia would be near a nuclear war when Pres. John Kennedy ordered a naval roadblock to stock the Soviets from installing nuclear missiles in Cuba aimed at the U.S. I can't imagine that people without much knowledge of history would find this entertaining or be able to make much sense of it. As one who remembers the political history, I found "Hail, Caesar" just somewhat interesting. It was a recap of some bits of Hollywood history. But, it gosed over the real scandals The plot with the studio magnate, Mannix, seemed somewhat contrived. Yet, one could see it was needed to connect the rest of the parts of the film. With very little humor, this movie soon becomes tiring. That's not a very good recommendation for any movie.The funniest line in the film was by Hobie Doyle, the Western star, played by Alden Ehrenreich. Carlotta Valdez (Veronica Osorio) asks him, "How did you get into pictures, Hobie?" He replies, "Got roped into it."

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ls-73420

Hail, Caesar tells the story of a Hollywood fixer who solves every problem related to the production of movies in a studio. Hail Caesar is an obvious love letter to the big old Hollywood movies, from a technical standpoint the movie is great, the production design on the interior of the movie sets is very detailed and elegant with vivid colors as well as the costumes, the 1950´s aesthetic is very well created too. The cast is great except for some actors who didn´t have many screen time and only made a cameo, and there´s also great scenes here, the Alden Ehrenreich scene were he can not say the line, the Scarlett Johansson and Channing Tatum dance sequences are just an example.However the script its a mess, it falls five different storylines without focusing exactly in one, the editing could also been improved, some scenes felt like they were cut out and just put there, and by the end end of the movie some characters didn´t have a conclusion and the ones who did felt rushed. Hail Caesar does have its moments but not enough of them, and the script doesn´t really help.6.7/10

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Floated2

Hail, Caesar! is another Coen Brothers film and this film takes place during the 1950's. Described as a comedy, though this film's humor is very much subjective as most of what is occurring isn't quite funny. No laughs, but some decent scenes by the musicals and overall chemistry of the cast. Hail, Caesar may be considered one of the Coen Brothers more disappointing films as this film had much hype surrounding it leading up to its release, especially considering the cast. Though the highlight of the film is the character of relatively new comer and future star Alden Ehrenreich. The leads of Josh Brolin and George Clooney play their typical act. Scarlett, Channing Tatum and Jonah Hill don't have as much screen time as their names were advertised. It did not produce as well at the box office as the studios expected and it appears this film was not as successful or liked among movie goers. This is more of a required taste but one can understand why many reviews are saying it is boring and doesn't offer much of interest. One take is that this film tries too hard at being funny and different that it misses the mark, and the overall plot of the film and setting isn't too engaging.

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moonspinner55

Production head at fictional Capitol Pictures in 1950s Hollywood is forced to pay ransom on the star of his latest Roman Sandals epic after the perplexed actor is drugged and abducted by a Communist organization; meanwhile, production continues on a sailor musical, a water ballet (with a pregnant, unmarried starlet) and a black-and-white romance featuring the studio's number-one cowboy star out of his element. Written and directed by Joel and Ethan Coen, "Hail, Caesar!" gives off the impression of film school students running rampant with a huge bankroll. It's a well-produced, fast-paced comedy, but one that offers little more than select episodes reproduced from the movie-memories of two brothers who have watched a lot of TV, attended a lot of film retrospectives, who have the look and flip talk of the '50s classics down pat, but who possess such a dry sense of humor that they may be the only two laughing. Scarlett Johansson has a great bit in a mermaid's tail, Tilda Swinton is spot-on playing twin sister reporters who write competing entertainment columns, and Channing Tatum does a sweet Gene Kelly-like dance routine. Unfortunately, much of the "plot" concerns James Brolin and George Clooney, neither of whom finds their comic groove here. *1/2 from ****

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