I don't usually enjoy "special effects" movies but this movie was an exception. For one thing, Kelly Rowan is a really, really good actress. Very realistic. For another, it was interesting learning about the different ways bombers can wreak havoc on the rest of us when they have the brains, resources and, needless to say, no humanity. Also it reminded me of the utter bravery of our "public servants," who risk their lives to protect society. I have only seen Kelly Rowan a few times. Once on "DaVinci's Inquest," an old Canadian episode drama with an excellent cast that is the best thing on television, despite being all reruns, and despite not being aired on ABC until 1:30 or 2 a.m. on Saturdays and Sundays (or later, depending on football). But then, beggars can't be choosers, she said as she yawned from lack of sleep.Currently, Rowan also is very good as Peter Gallagher's wife on "The O.C.," a somewhat thankless role all things considered -- you know, its being on TV for the kids, not us grownups. (In fact, the series can only improve now that Misha Barton is, hopefully, never coming back. After all, she did die. Sure, she has a beautiful face. But her curve-less body and stick-like legs spoil that. Most important, she couldn't show emotion if her life depended on it. Like the untalented Cohen character, who is almost as bad an actor as Ms. Barton.)As pure entertainment, Greenmail was not bad at all. Better than Titanic or one of those other overblown film excesses. Rowan, who is genuinely, outstandingly beautiful, and appears to have achieved that status without plastic surgery, seems to be excellent in everything she does. The rest of the cast was above average, as well. I especially enjoyed the bomb technician who portrayed realistic emotion when he thought he was going to be blown to smithereens. Of course, the Skerrit role (Rowan's retiring boss) had to die -- that was pretty obvious. But the way he died was not obvious and tied together a loose end.All in all, I enjoyed this flick. Certainly much more than Titanic, which has earned more money than practically any other film and which I could not stand. (Can you tell?) But then, of course, not being a geek or nerd or electronic engineer or tracker of plastic explosives or Einstein or otherwise a genius, I found the movie enjoyable as pure entertainment. As a normal, average person, that is.

An environmentalist group leader Alexander Scott(Stephen Baldwin)is jailed as a suspect of bombing a chemical plant. But while behind bars, bombings continue. Then suspicion turns to another member of the group, Jeremy O'Brien(D.B. Sweeney). ATF team members Tom Bradshaw(Tom Skerritt)and Ashley Pryor(Kelly Rowan) take Scott's voluntary help to track down his loose cannon comrade O'Brien. Seattle makes for a large hunting ground for an insane, ruthless megalomaniac. Pretty ho-hum fare until the final fifteen tense minutes. Supporting cast includes: Alan C. Peterson, John Bachelder, Sarah Richardson and Nels Lennarson. Veteran Skerritt along with Sweeney seem to be the only talent here. Maybe this is why GREENMAIL is looked over at the video store.

SpoilersStephen Baldwin played a environmentalist convicted of blowing stuff up who has to help the police find his serial bomber former colleague in this STV actioner. There wasn't much characterisation and the plot wasn't anything that the average film watcher hasn't seen dozens of times before. The climax wasn't particularly climatic either.Still, for a video movie it had its fair share of things blowing up which prevented it from being completely tedious. It had Tom Skerritt in too, who did his best but couldn't save this film from being more fodder for empty weekends. Watchable for one viewing.4/10

As a card-carrying member of a half-dozen or more environmental groups, I was attracted to `Greenmail's' advertised plot about the mismatched union of an activist and an ATF agent to stop an environmentalist gone over the edge into a spree of fatal bombings.Alas, the environmental angle is nothing more than an excuse for a very standard genre thriller where the villain blows up a lot of people. Even the potentially interesting Seattle setting (actually, the ever-popular Vancouver, save for a few establishing shots) is not utilized to any particular advantage.The competent cast does what it can with a basically uninteresting script and surprisingly languid direction. What suspense there is consists of far too many scenes of people hesitantly snipping wires on bombs which either blow up or do not with fair predictability.Too bad. There was the opportunity for some genuine ideological conflict between the two main protagonists and a more thoughtful motivation for the cardboard villain. The one very minor plot twist is reduced to a simple throwaway line because we really don't know much about why the characters do what they do to their friends or to others.