I've never really enjoyed this film when it was repeated on television, and I still haven't changed my opinion. Both Stewart Granger and Grace Kelly are wasted in this film, even though Kelly was past her best after 'Dial M For Murder'. Granger still had 'Moonfleet' ahead of him, but this film does nothing to add to his canon of films except to have the opportunity to work with Kelly. In his autobiography, 'Sparks Fly Upwards', Granger says 'Grace had one phobia, her behind.' Admittedly, I did notice that her behind stuck out when Paul Douglas embraced her. In the final scene when Grace and Stewart kiss, he says in his autobiography that the torrential downpour 'accentuated that fabulous behind. To save her embarrassment, I covered it with both hands.' I bet Paul Douglas would have wanted to do the same thing.Although the film is awful, reading about Stewart's experience of making the film is interesting.

This colorful picture is set in Columbia, South America , and specifically at the treacherous jungle . There prospector Rian Mitchell (Stewart Granger) comes across what he thinks may be an important emerald site . A bit later on , emerald miner Mitchell is wounded by some bandits , however meets plantation owner named Catherine Knowland (Grace Kelly) and nursed back to health . Catherine along with her brother Donald (John Ericsun) runs a coffee plantation. Rian goes back to get his colleague Vic Leonard (Paul Douglas) to join him in his mining venture . When they come back to the location , they must deal with a nasty native , El Moro, who claims he has rights for the land the major mine is on . Meanwhile , Mitchell and Catherine fall in love and they subsequently are threatened by El Moro . This exciting film contains adventures , thrills , a love story and colorful outdoors well photographed by cameraman Paul Vogel . Plenty of a Hollywood all-star cast as Granger, Kelly , Douglas and Ericsun ; however ordinary script complications muddle the tale . Director Andrew Marton likes lots of big , noisy explosions , especially at its finale , when he doesn't know what else to do . Heat and ills affected the crew and main actors but they surprised for her resistance . During location shooting in Columbia actors lived aboard a huge barge moored in a river , when the river suddenly into spate , the boat broke loose and was drifting at speed down the river when the natives in canoes rescued the players . Special mention to musical score by the classical Miklos Rozsa , a great composer expert on impressive atmosphere in Noir cinema and epic films . The motion picture was professionally directed by Andrew Marton , though with no originality and some moments result to be a little boring . Marton was a specialist on Wartime movies as : ¨The thin red line¨ , ¨The longest day ¨and adventure movies as ¨African Texas style¨, ¨Around the world under the sea¨, ¨Clarence , the cross-eyed lion¨, and ¨King Salomon's mines¨(1950) co-directed by Compton Bennett and Andrew Marton directed the second unit , he then was tasked with replacing Compton Bennett as director after the latter had been taken ill . One of his more prestigious assignments came about by chance to lay in some excellent work as second-unit director , notably in charge of the chariot race for William Wyler's ¨Ben-Hur¨ (1959), as well as of the Normandy invasion sequences for the World War II . After his contract with MGM expired in 1954, Marton founded his own production company in conjunction with fellow Hungarian émigrés Ivan Tors and Laslo Benedek . He later concentrated on TV adventure series, helming the pilots, respectively for "Daktari" (1966) and "Cowboy in Africa" .

A handsome looking early Cinemascope/colour romantic adventure story is probably about all that makes MGM's GREEN FIRE (1954) an entertaining enough movie. Produced by Armand Deutsch it was routinely written by the usually more astute Ivan Goff and Ben Roberts and directed without an awful lot of spark by Andrew Marton. However it did have its compensations in Paul Vogel's spirited Cinematography and a stunning score by Miklos Rozsa.Starring in the film was a mixed bag of talent! Stewart Granger and Paul Douglas are a pair of Emerald miners prospecting in the hills of Colombia. And Grace Kelly is a neighbourhood coffee planter who Granger has the hots for. The thinly plotted adventure also has some local bandits headed by the infamous El Moro (Murvin Vye) who, of course, wants any and all of the yet unearthed green stones for himself leading to an action filled finale.Although a constantly busy actor Stewart Granger never did have a hugely distinguished career in film. Appearing in a number of unmemorable British films in the forties the London born actor landed himself the lead in Metro's "King Solomines Mines" in 1950 followed by a contract with the studio where - with the exception of the fine swashbuckler "Scaremouche" (1952) and "The Wild North" (1951) - he continued on his merry way of churning out a load of indifferent pictures (including a most unfortunate and ill advised attempt at a western in 1957 called "Gun Glory"). Also Grace Kelly was, to my mind, a quite unremarkable actress! She never really impressed me like she did the public in general. Her role here in GREEN FIRE is tame and forgetful which is probably due to her part being so poorly written. Nevertheless in GREEN FIRE she is quite unimpressive! Two years later the lady would star in MGM's "The Swan" (1956) the story about a girl being groomed to marry a crown prince. The actress then retired from films and did exactly that - becoming a real life princess. How about that?? But Paul Douglas is the most curious bit of casting! He simply doesn't suit the part of the intrepid adventurer! Always a very likable character actor Douglas was more at home in urban dramas and light comedies.The film's most tangible aspect is Miklos Rozsa's music! It is also something of a curiosity! GREEN FIRE is the great composer's most tuneful score and it actually has a theme song which is a great departure for Rozsa. He always had an aversion to theme songs and under no circumstances did he ever wish to go down the Dimitri Tiomkin road. So what ever possessed him to have his pivotal and quite beautiful main theme - with lyrics by Jack Brooks - sung over the titles is anyone's guess! That said, the chorus performing the song do an admirable job and their effort strikingly and vividly adds an attractive harmonic flourish to the piece. Also, with the picture being set in Colombia the music has an engaging Latin flavour and there are plenty of indigenous folk tunes mixed through Rozsa's lovely score. The highlight of the score (and the movie) is the brilliant, exciting and intense cue that comes towards the end for the picture's climax where the composer uses an ingenious, frantic and rhythmic clock ticking sound in the orchestra for the build-up of tension as Granger sets the timer on the explosives charge that will literally bring down the mountain on the marauding bandits.GREEN FIRE is by no means a great movie but with lovely Cinemascope Cinematography, a spectacular mountain avalanche and a great Rozsa score there are, I suppose, worse ways to spend 100 minutes!

Before writing this review I looked up emeralds in Wikipedia and found that Paul Douglas was wrong when he said during the film that emeralds are only found in two places, Colombia and the Soviet Union, specifically Siberia. They are found in all kinds of places including some areas of the USA. Would that were the only thing wrong with this film.Still Colombia is the area best known for it and until recently when you thought of Colombia you thought of emeralds and coffee. Now sad to say you think drug cartel. But back in 1954 it was emeralds that was on the minds of adventurers Stewart Granger and Paul Douglas. They've discovered an abandoned mine that they think was abandoned prematurely. And the only place to get laborers is from the nearby coffee plantation owned by brother and sister Grace Kelly and John Ericson.Young Ericson is hot to trot to help Granger and Douglas, Kelly less so. But she does have an eye for Granger even with both men pursuing her.And of course there's bandit chief Murvyn Vye who actually does own the land where the emeralds might be found. But he'd just as soon let others do the back breaking work of digging them out.Now with all the information I've given I think 99% of viewers would see where this one is going. In fact that's Green Fire's main problem, it's your basic routine action/adventure flick on which MGM decided to spend a ton of money. For one thing it's best asset is the color location cinematography in the Colombian jungles. After King Solomon's Mines and The African Queen, American audiences would not accept back lot jungles any longer. Note that Stewart Granger was the star of King Solomon's Mines and he got first crack at every jungle picture that came along after that.Green Fire is hardly as good as King Solomon's Mines. Grace Kelly seemed pretty distant in this film, looking like she was a Philadelphia débutante rather than a coffee plantation owner. She did a flock of good films this year, Rear Window, The Bridges At Toko-Ri and her Oscar winner The Country Girl in 1954. Green Fire just isn't in the class of the others.In short, admire the flora and fauna of Green Fire and the story is something you can live with.