Menace beneath the surface. Threat of violence always there but unusual for a boxing movie happens only off-screen. Acting top rate. Loved the camerawork. In some frames we are shown everything, others nothing.

I wasn't expecting much from this film with its low rating, but the movie proved to be a rather intense dark drama that kept my interest from start to finish. All the lead actors here: Corey Stoll, Billy Crudup, Marin Ireland, and Yul Vasquez were quite solid in their roles, and there's a sharp screenplay from Noah Buschel who also directed the film.Stoll is excellent in the role of Bud "The Saint" Gordon, a retired boxing champion who's facing hard financial times after his restaurant, in New Jersey, failed. While trying to regain some status and notoriety, he naively and tragically re-enters the employ of a diabolical local mobster, who lures him in with the promise of opening another eating establishment. At the same time, Bud is helping to train a young welterweight contender for a shot at the title.Billy Crudup is terrific in the role of the local mobster J.J. Cook, and Yul Vasquez is absolutely chilling as Roberto, J.J.'s chief enforcer. Marin Ireland also gives a superb performance as Ellen, the long time girlfriend of Bud's who tries to keep their relationship together despite numerous obstacles.Overall, I found this to be more of a dark psychological drama than anything else, with strong acting, writing, and direction. Plus, as mentioned it kept me engaged throughout.

7 of 10. As much as the tedious and overused music Rocky music gets used, having a serious critique of it and the use of music in training was definitely an unexpected bonus. While it creates a story about the underside of boxing and gambling, it does so by making it sexy, amusing, and dangerous.After Foxcatcher (2014), I was hoping more films like this would turn up. Going beyond the simplistic and deceptive underdog sports/fighter hero stories is very much needed even if it lacks the guaranteed easy box office cash. It lacks the "based on a true story" element, but definitely feels as if you're observing a composite sketch of something people have actually seen.The result is something along the lines of The Fighter (2010), with smart casting making up for lesser acting talent and an understanding for their setting and its visual/audio qualities making up for less production money.

Greetings again from the darkness. "Glory Days, well they'll pass you by" is a familiar line sung by Bruce Springsteen, and writer/director Noah Buschel brings that New Jersey sentiment to his latest film. We follow the travails of a former boxer struggling with the faded spotlight and his perceived lack of respect, while also seemingly oblivious to the maintenance his personal relationship requires.Corey Stall (familiar to "House of Cards" fans) plays Bud "The Saint" Gordon, a retired boxer whose self-named local neighborhood hangout recently closed its doors. Bud is trying to figure out how to reclaim the good life afforded by his boxing winnings, and is opposed to his girlfriend Ellen (Marin Ireland) taking a waitress job to help out. He agrees to train a young up-and-coming boxer prepare for a fight, while also agreeing to work with a shady shyster named J.J. (Billy Crudup). Bud and J.J. have a history, and it's soon pretty clear that J.J. is some type of offbeat (he owns a snow leopard) kingpin or mobster, who finds a financial and psychological edge in all dealings.Yul Vazquez plays J.J.'s lead henchman and has the "flashiest" (his character name is Flash) role in the film, although Crudup's character could have been even more fun if allotted more screen time. Also making brief appearances are Kelly Lynch, Katherine Waterston, and David Johansen. Of course, Mr. Johansen is a former member of The New York Dolls, and their song "Trash" plays a key role in one of Bud's earliest scenes working with Flash.There is an unmistakable class theme – the have's vs the have-nots. The two sides are clear in Manhattan vs. New Jersey, and J.J. vs. Bud. The most interesting part of the story is with Bud's attempt to figure out the harsh ways of life, even as we viewers recognize he requires no shades for his future. Although both themes are pretty familiar in the movie world, Mr. Buschel opts to only scratch the surface on both the faded hero and the mob world. Instead, it's more of a dialogue-driven drama that questions where the line in the morality sand is drawn.