Despite having written some of Hollywood's most engaging films (Taxi Driver, Raging Bull, Cat People), Paul Schrader now takes the director's seat for 1980's drama, "American Gigolo". The film is a slow (very slow at times) paced drama about a young "scort service" man played by a very young Richard Gere, who gets framed in the brutal murder of one of his ex clients and wife to a Palm Springs millionaire. The life of Julian Kay (Richard Gere) is simple: he gives satisfaction to L.A's lonely and rich Hollywood wives while being handsomely paid for it. From the start, I assume something will eventually go wrong. Julian always keeps a distance from his customers by never getting "too involved" in any way with them. One day he gets a call from an old "friend" who begs him to take a job in Palm Springs; a rich couple into kinky and rough sex, with the husband on the peeping Tom side. The husband asks Julian to handcuff his wife and take her from behind and beat her, to which I assume Julian reluctantly obliges before the scene fades out. Soon after it's all over the news that the kinky wife is found murdered and Julian becomes the prime suspect. All this happens as Julian slowly develops a relationship with his new client, Michelle Stratton (Lauren Hutton), the wife of an up and rising politician. Michelle begins to fall in love with Julian, and he struggles to avoid falling in love too with her."American Gigolo" has a lot going for it, starting with the rousing Blondie hit, "Call Me", which remains as the musical theme throughout the movie. What kills this movie is its decidedly slow pace and bland acting from the young Gere. We know he is a lonely man, doing what does best to get by, but not necessarily liking all of it. When he gets framed for murder, little do we know the reasons behind it and little explanation is given to the audience. The reasons behind Julian's friend Leon (William Duke, from "Predator"), turning on him are really never addressed, except that he was "frameable", which isn't saying much. All we know is that Mrs. Stratton's husband is behind the framing, which is weird, coming from a man who knows before hand his wife cheats on him and doesn't seem to care (on the outside).With all the Hollywood reboots and rehashes going on today, a film like this one could easily be improved upon, perhaps making Julian's past (which we know little from other characters) a bit darker. With "Gigolo" in its title, you'd expect more sex and even by 1980's standards, the sex is pretty restrained. All in all, "American Gigolo" will be best remembered as an early Richard Gere vehicle and the film that featured Blondie's last, enduring hit single, "Call Me".

Only succeeds because of Gere's charisma. Daring themes for its time but attitude to gays is outdated.

With just a little bit of thought, just how hard was it to figure out who the murderer was in this one? Given the characters we're introduced to in the story, the only logical choice was the Rheiman dude himself. Having the blond kid do it was just a diversion, he didn't seem necessary even as an ancillary character.Oh well. Since the story is called "American Gigolo", it comes a bit out of left field when the picture turns into a murder mystery. But even then, it didn't seem like much of a thriller. Planting the stolen jewels in Julian's (Richard Gere) car didn't move the story forward in my estimation, and the way Detective Sunday (Hector Elizondo) blew off Leon's (Bill Duke) death with a circumspect eye witness was simply too incredulous for this viewer to accept.So what's left? Well I guess that would be the ending when Michelle (Lauren Hutton) shows up at the jail and offers to lie to provide Julian with his alibi in the Rheiman murder. An admirable thing to do in one respect, but I'd want to see the trial in the sequel to see how this all turns out. The divorce was bound to be messy.

Young Richard Gere plays Julian; a man who knows how to please women and is paid handsomely for it. Things are going well for him and he can pick and choose who he works for and he has just started a relationship with a beautiful woman but his life is soon turned upside down. After taking a job in Palm Springs as a favour for his friend Leon the woman is murdered. When the police start asking questions he isn't concerned at first but soon it becomes apparent that somebody is trying to frame him. He was with another woman on the night of the murder but she is not going to ruin her reputation to give him an alibi. As the story approaches its end it looks as though Julian won't be able to clear his name; he may work among the upper echelons of society but he certainly isn't part of it and it isn't likely that anybody will risk ruin to help him.Richard Gere goes a fine job in a role that could have been written for him; he is believable as the man older women pay for. Lauren Hutton is also good as love interest Michelle and Bill Duke is great as Leon; the friend who might not be as friendly as he claims to be. Writer/director gives us a stylish mystery with a twist; this isn't about finding who committed the murder, it is about whether or not an innocent man will be able to clear his name. Given the subject matter it isn't surprising that there is some nudity but it is shown in a fairly matter of fact way and is limited to a couple of scenes. Overall this is a slick film that fans of Richard Gere or '80s movies will want to check out.