For fans in the know, it isn't exactly too much of a statement to say that Italian horror is far from where it used to be. Between the 60's and mid 90's, there was a plethora of excellent horrors and gialli coming regularly out of pasta land. Sadly, this situation has long ceased to be the case and we now simply have to make do with pretty slim pickings. The director of Ghost Son, Lamberto Bava, was very much an 80's man, delivering several very enjoyable movies in this decade, probably the best of which being the cult classic Demons (1985). But since those halcyon days, like many of his contemporaries, he seems to have got swallowed up by television productions and only rarely delivers any feature films. I guess his comeback movie in this area was The Torturer (2005), a film which I can't say I thought too much of. It did provide a few sleazy thrills but overall it could not escape its bargain basement origins. With Ghost Son, Bava is clearly operating with a much improved budget, allowing him to hire name actors like Laura Harring, John Hannah and Pete Postlethwaite, while also allowing for on location shooting in South Africa and a team behind the lens who have ensured that the movie does look good enough. Set in South Africa, a woman loses her husband in a car accident and then his ghost returns and impregnates her from beyond the grave. Once her son is born she is convinced he is convinced by a malevolent spirit.While it was good to see Bava tackle something with a bit more to it that The Torturer, the main gripe with this one is that it is overall a bit dull. You have to think that a film involving ghosts and voodoo occult has the potential for a few interesting ideas and set-pieces, the truth is that the movie is very by-the-numbers. Nevertheless, it was good to see Harring - one of the stars of my favourite film ever, Mulholland Drive (2001) - get a starring role and it was also good to see Bava getting to helm something with a bit of money behind it. It was a bit so-so, however, and once more showcases the glaring gulf between Italian horror movies of the last twenty years compared to even the lesser ones they produced almost without thinking about it from the golden era.

Now this, I really consider to be Lamberto Bava's international comeback-movie (instead of his previous lower budget effort, THE TORTURER, in 2005). You gotta hand it to the man: Coming back to the theatrical world of horror with an Italian/South African/Spanish/British co-production. And you know what? To my utmost surprise, it's even pretty decent (I saw this one before I saw THE TORTURER later this week, so you can imagine how unpleasant a surprise the latter was….). It's even hard to believe that GHOST SON and THE TORTURER were both directed by the very same director.GHOST SON looks great! The cinematography looks astonishing. And Bava really took the time to direct this one. And he clearly had a very comfortable budget to work with (it always helps to have the money to afford a capable and talented crew). Almost every shot in this movie has movement (travel-shots, letting the camera slowly and stylishly turn around the actors, crane shots,….). It was a lust for the eye to see Bava finally being able to show his more technical directing skills again.The story, on the other hand is a hit and miss deal again. I liked the fact that Bava is giving us a different take on your average ghost story. But while the movie manages to be effectively scary at some points, it also had quite some ridiculous, but highly entertaining events in it (a baby with a boner biting his mother's boobie????). Nevertheless, these events, to me, were extremely fun to watch (still too bad they damaged the over-all 'seriousness' of this movie a bit, though).All-in-all, Ghost Son is a slow mover, but story-wise it did managed to keep my interest because I wanted to know to where it would all lead to, eventually (just don't expect any exciting twists or surprising conclusion to it because the denouement isn't exactly a spectacular climax). In a world filled with horror-movies containing derivative surprise-twists at the end, Ghost Son manages to simply avoid that trap. Rather rare these days, I'd say. But it was really the more than decent cinematography and Bava's skill-full directing that kept my going through this movie. Well, it even has more merits, of course. Like the good acting by Laura Harring and the adequate musical score. Not to forget Pete Postlethwaite's noticeable presence in this one.I'm fully aware of the fact that a lot of people might not like this one as much as I did. Some people even might say THE TORTURER is a better movie. I say: Don't believe them, because it's not... but that's totally up to you, of course.

Alas, it seems that the golden times of stylish Italian cinema have sunk into oblivion. And the recent brainchild of celebrated filmmaker Lamberto Bava is yet another obvious proof to that assumption.I felt lucky to watch many films from this prolific director (like Body Puzzle, Delerium, Macabre and both Demons). Albeit not entirely satisfying they have never been that dull.A suspicion that this new entry to my DVD collection was money thrown to the winds arose shortly in the aftermath of the car crash scene exhibiting an awkward and unlikely position of the body under the flip-over car.And the sense of shallowness grew up in the course of the ponderously narrated chain of events that followed.Dumb dialogs, suspenseless script and a total waste of talents from the international cast. The only character that provided more or less passable performance was the mischievous Mark's son juicing up the entire boredom.Unfortunately, Mario's son job on all accounts could hardly be hailed.I look forward to seeing his Murder House hopefully expected to be an improvement.

First of all, I personally adore Demons and Demons 2, I saw them although it was hard to find good horrors without good official movie distributing here in Russia when I was a kid, and that is an unchangeable part of my boyhood. Then I heard nothing about Mr Bava. Then I saw his Ghost Son. Well, it is certainly not a good coming back! Why was the leading character, whom we never really knew to at least like him, in accident in the middle of an empty road? Why do African servants say so dumb and stupid things about human soul? Why is the plot so primitive? Haven't we seen enough ghosts for 100 years of movie production? It is clear that Lamberto Bava has nothing to show us so far. It is a shame.