A gas is let loose upon the world that kills anyone over twenty-five years old.Coming from Roger Corman, I wanted to like this, but it never seemed coherent and I think not enough thought was put into a plot or story arc. There are things I enjoyed, such as the permit guy with the whip and how this was an alternate version of "Logan's Run" (this film came out after the novel but before the film, so whether or not there was an influence, I have no idea).There was a problem in that almost no one was under 18. This seemed to be teenagers and young adults cutting loose, but who was watching all the infants?

First off, I'm a fan of Roger Corman and cheesy movies, but this was just plain horrible. If you want to see why the Hippie lifestyle went away then maybe this movie is for you. Otherwise it was a total waste of time. Seemed that everyone associated with this cinematic dreck must have been doing way too much LSD. Just about every line in this movie made no sense. The acting was sub-par even from those that have done fine work in other films. There was no plot in the acceptable use of the word and those involved should hang their heads any time this movie is mentioned. The only thing good I can say is that I managed to not see this junk as long as I have.

Acting, production values - nah, you dont need any of that stuff in the very last days of hippie-ness. Think open air sets, glorious hammy over acting based on silent movie principles and a "hip" cast (for 1971 anyway). This movie seems to be almost 100% based on a stage production. I dont know if it was originally a play. But, you can just imagine the cast performing this at Berkely, or maybe off, off Broadway. Cindy Williams went on to American Graffiti, then to sitcom heaven through out the 70's and early 80's. Ben Vereen made a career as well, and surely this is close to his 1st movie. For lovers of alternative culture, college type movies that were so cool back then. Put it this way, they dont make movies like this any more. Depending on your view, that could be a good thing, but i love the naivety and exuberance.

This is the film that Roger Corman says was his final straw with AIP. After mildly editing WILD ANGELS and THE TRIP, their virtual elimination of "God" and the obliteration of the original ending led him to form New World Pictures.Seeing this film at the American Cinemateque in a striking new print shows both its virtues as a one-of-a-kind (well, at least for anybody BUT Corman!) oddity as well as a failed attempt at counter-culture comedy. It's hard to see how even the original Director's Cut (if it exists at all) would really be that much of an improvement. What is on the screen is still probably about 90% of what Corman shot, and it's a scattershot affair. The Cinematography and Music stand out, as well as bits of the acting, particularly by Elaine Giftos.Roger Corman spoke after the Cinemateque screening.Corman said that he hadn't seen the movie since its release in 1970. It was edited before its theatrical release by AIP. Most significantly was the almost complete elimination of the voice of "God". Corman speculated that since AIP had gone public (stock market) around that time, that they were concerned that the "Jewish comic"-type voice would be considered sacriligious! Then, AIP cut the most elaborate shot in the entire film. The original ending! Elaine Giftos and Robert Corff were to "walk off into the sunset in the most cliched ending possible." This was shot in a big panaroma shot "with marching bands and the whole cast included." Corman said that it STILL bothers him that as released, the film "has no ending."