Leigh is an actress. A famous one by the looks of it. But she still finds time for the fans and to return home. But things are never so perfectly laid out. Darker tones come into play as we learn there may be an ulterior motive in her return home. I'll stop there, but as you can guess, things go wrong, both for her and everyone she comes into contact with. In a way, this is very timely. But sometimes it also feels like it's been done. Not saying it has been done, but that it felt like it had. Ferocious has a small cast and not much of a budget. But there's bang for their buck. Kim Coates steals the show. He's creepy as all get out. The other actors are good too, though I don't know any of them. I'll give it a 6. It's not incredible, but it's better than most thrillers which are increasingly paint by numbers.

Ferocious is a thriller that takes place in a night club. Not while it's open, but closed. Amanda Crew is back in town (she plays the lead character) to get something back she forgot. Turns out, it's a video tape. Have I seen this before? Yes and no. Despite this having elements from previous films, it plays out in a unique enough way to have kept me interested. There are not a lot of actors in it. Everything is sparse. But that's probably how it should be. Michael Eklund is in it. He's an employee of the bar. He's good (last saw him in The Call). But the real stand out is Kim Coates from Son's of Anarchy. He's so slimy you slide off your chair just watching him. What a good actor. I'm glad they let him have fun with it rather than being just an everyday bad guy. He's fun to watch. I give the movie a 6.5. But since IMDb doesn't let me vote in half number increments, I'll give it a 6. No, a 7

I've seen many bad movies this year, and this one ranks right up there as one of, if not the worst yet. The wooden acting and dialog along with the incredible plot elements are so unbelievably bad that I found myself laughing and shaking my head in disbelief, most likely at parts that were not supposed to be funny.Amanda Crew stars as Leigh Parrish, a famous and successful TV star, with a very wholesome image, who is returning to her hometown with her manager Callum Beck (Dustin Milligan). She is trying to promote her "good girl" with small town roots image, starting with a local TV interview.Leigh mysteriously cancels a dinner with her parents, packs a large knife in her boot, and sets out from her hotel to a club called Shaker's, which is undergoing reconstruction and set to open soon.We soon find out that the owner of the club Maurice (Kim Coates) has been blackmailing Leigh, as he has possession of a porno tape that she made before she became famous. When Leigh offers him a final large payment to end the extortion he refuses. After things get dangerously nasty, a young woman named Tess (Katie Boland) emerges from the shadows and clobbers Maurice and kills him with a large blunt object to protect Leigh. You see Tess is a terribly devoted fan of Leigh's, and she had been at the club to apply for a job but then when she saw Leigh there followed her upstairs. However, Tess is also totally impulsive, unpredictable, and actually quite "crazy".Without revealing more, let's just say this will lead to a long, long series of events where bloody murder and mayhem will ensue. Other characters come into play as the plot continues. There's Eric (Michael Eklund) who's the manager of the club and not the "brightest bulb" on the block. He's also the former boyfriend of Leigh before she left him to pursue her career.The strangest and most diabolical character of all is Sal, the brother of the slain Maurice, who's also played by Kim Coates. I guess nobody noticed that Sal looks exactly like Maurice, and has the exact same speech and mannerisms. Maybe no one bothered to care.Overall, I felt this film was absolutely terrible with incredible plot machinations and completely non-believable decisions by its' characters. If it was meant as a "campy" joke let's just say I didn't get it.

Kim Coates gives a two-for-one stellar performance in the film. Amanda Crew is terrific too, as is Michael Eklund. I found the screenplay well written and very well delivered, making for a relatively fast 93 minutes -- a fine fulfillment of the thriller's vision. Director Robert Cuffley's treatment of the story's monitor-and-mirror motif, definitely 'dark' in tone (much of the film is set in a dimly lit nightclub, after hours) becomes very big on the big screen; if we are paying attention, we recognize this 'monitor' as a mirror (and that any mirror can itself be a "mirage," as much as a monitor can). And to me an upclose- and-personal look at this reflection of archetypical truth, contextualized in clever and at times comical narrative, worth an evening's and a few dollars' investment.