Everything Will Be Okay
Everything Will Be Okay
| 20 January 2015 (USA)
Everything Will Be Okay Trailers

A divorced father picks up his eight-year-old daughter Lea. It seems pretty much like every second weekend, but after a while Lea can't help feeling that something isn't right. So begins a fateful journey.

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Reviews
Horst in Translation ([email protected])

"Alles wird gut" or "Everything Will Be Okay" is a German/Austrian co-production from last year (2015) that resulted in a half-hour live action short film that managed to impress awards bodies all over the planet. The movie is entirely in German language, so you may want to get subtitles. The writer and director is Patrick Vollrath, who has been writing and directing short films since 2009 already, bus this one here is easily his biggest success so far. And the reason is that his effort was nominated for an Academy Award. And even if he lost to "Stutterer", it is still a great achievement. This is the story of a desperate father who tries to fly out of the country with his young daughter because his ex-wife is about to assure he does not get to see her daughter anymore. Is the title true and will everything really be okay eventually? Watch for yourself and do not keep reading this review if you want to avoid spoilers.The sad thing about this short film is that even if the daughter is safe that there are really only losers eventually here, most of all the father and also the daughter because this day was probably a traumatic event that she will always remember. I think Simon Schwarz does a pretty good job, but that's no surprise looking at his long and successful career. The child actress is Julia Pointness and she gives one of the best child performances of 2015 for sure. Her work should not be discredited because it is "only" a short film. The best thing about the film is probably the emotional moment when Schwarz' character confesses at the end that he has nobody and nothing besides her in life. The weakest moment is perhaps when the daughter tells him that he has to admit that he made something wrong and regret it. This did not feel like an authentic kid's reaction at that point. Overall, however, the good outweighs the bad and I am fine with the film's Academy Award nomination. It's maybe not good enough to win, but then again it's at least as good as the winner I mentioned earlier. Plus, the subject here (fathers' rights) is probably a lot more relevant. Go see it! You will not be disappointed.

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film_person007

This was my favorite film out of the five Oscar shorts (almost tied with "Day One"). I'll start by saying it's comparison with the "Room" is obvious.It was intense, darling and flawlessly made. No plot holes or questions. Nothing done in bad taste and while the ending was dramatic (and daring) the story wasn't all in all horrible (like Room). No one almost died and no one was rapped (like in the movie Room) however the intensity and story style was matched.Perhaps the short format is better for a story like this and if Room had been a short, is would have been better but again I mentioned that this film lacked the distasteful subject matter that Room did.

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David Ferguson

Greetings again from the darkness. Dramatic short films are challenged with generating an ultra-quick connection with viewers. German director Patrick Vollrath begins the film by showing a man anxiously pacing and buzzing the gate bell outside a suburban home. Our instincts that tell us he must be in some kind of trouble fade a bit when an 8 year old girl runs into his arms exclaiming "Daddy!" Lea (newcomer Julia Pointer) clearly loves her father, and we quickly figure out this must be the scheduled every other weekend visit resulting from a recent divorce. Lea's excitement is palpable as they stop off at a toy store where her dad tells her she can pick out any two items she wants. A simple gesture that's probably repeated thousands of times each weekend, re-ignites the instincts we felt in the opening scene. Some "little" hints confirm our suspicion as the two hurriedly rush to an appointment at a government office and then on to the airport.Simon Schwarz plays Michael Baumgartner, the dad who transitions from anxious to warm/loving to purely desperate. His performance, and that of young Ms. Pointer, are realistic and so spot on that we as viewers are sympathetic to both. It's an exceptionally tense and dramatic half-hour reminding us that in a broken family, it's rarely the case that "everything will be okay", and sometimes things escalate into a literal tug-of-war that is heart-breaking. This is expert work from a filmmaker that understands the magic of short films, and it's little wonder the film has been so well received at AFI, Cannes and numerous other festivals.

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FlashCallahan

For a film that is a little over 30 minutes, long, Everytihng Will Be Okay packs more into its running time than your average Hollywood drama, which to be fair, this will probably end up being remade as a gritty Hollywood drama, which will be average, and star someone like Russell Crowe.The film starts with Michael picking up his daughter Lea from his assumed estranged wife. They don't exchange words, but Lea is happy to see her father, so again, one assumes that the break up must be fresh.So we follow Michael and Lea to what seems a perfectly normal Father and Daughter day, he takes her to a toy shop, and for a moment, when he forgets his wallet, I thought she was going to be abducted by an unknown, but no, he proceeds to buy her what she asks for, a perfectly normal thing to do for a parent trying to win favouritism.But then when we are back in the car, Lea cannot find her Cellphone. And then the alarm bells start ringing, and the film goes from a somber piece of drama about a dad trying to win his daughters affections, to a story of total desperation and despair of a man who doesn't believe in the old adage that time is a good healer, and then you realise that the title is highly ironic, because after the actions that Michael does out of sheer desperation, Everything is definitely not going to be okay.The last ten minutes of the film are heartbreaking, the makers really make you sympathise with both Lea and Michael. Lea loves her father dearly, but doesn't know why her father is doing what he is doing, and you sympathise with Michael, because there is a point where he realises what he is doing is wrong, but he is at that point of no return.As short films go, it's one of the most powerful things I've seen in a long time, and it's going to stay with me for a long time, because everything is not going to be okay for the central characters for a very long time.One mans selfish actions, can scar a vulnerable child for life.

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