El Cantante
El Cantante
| 12 September 2006 (USA)
El Cantante Trailers

The rise and fall of salsa singer, Héctor Lavoe (1946-1993), as told from the perspective of his wife Puchi, who looks back from 2002.

Reviews
nmvega-191-989093

Some IMDB movie ratings are just wrong. That applies here. Marc Anthony and Jennifer Lopez deserved awards, they were that good. This movie is super intense and they, along with all of the actors, nailed it. 50+ years after the genre burst onto the New York City and global scene, Salsa shows no sign of slowing down. So if you want to see how Salsa all started -- the record label, the artists, the culture, the times and of course the music -- you need to watch this movie. It's really well done.

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nicee18

I personally think that this movie was extremely good, plain and simple. The film started off wonderful from the get-go with a scene where an older, more reminiscent Puchi is telling her side of the story regarding Hector to a documentary film crew. You can totally get the feel of her character right from the start, and can detect her brash, in-your-face attitude suddenly.The music was absolutely amazing, the acting performances by Jennifer, Marc, and the rest of the supporting cast were amazing also, as well as complex. The directing and cinematography were also very good, and I particularly enjoyed the grainy texture of a lot of the scenes, especially the concert/performing scenes. And I also really liked that the director decided to add subtitles for some of the Spanish dialogue scenes and most of the concert scenes. I felt that by adding the subtitles for the songs that Hector performed really gave non-Spanish speakers a scope into the real meaning of the words, and more importantly, the songs themselves. Again, the music was remarkable! Jennifer's performance was absolutely amazing! I don't care what anyone says, she seemed to completely immerse herself in her character and tapped into all of her expansive acting range and emotion. She played the role of Puchi with much confidence and when needed, much vulnerability. I've heard some people commenting on Jennifer's accent, and how it was over done and what not, but keep in mind people, that was how Puchi really spoke! If anyone has had time to check out the DVD commentary by the two original writers of the screenplay: David Darmstaedter and Todd Bello, one would know that they were the ones who actually interviewed and recorded Puchi while she was in a hospital in New York before she died in 2002. They said that Jennifer used their tapes as well as other research she had done for the basis to prepare for the role of Puchi. They said she thoroughly listened to the tapes in order to get everything, down to the tone of her voice right. It was very insightful.Marc, who obviously played the title character of Hector Lavoe, was also excellent in his role. He was very instinctive and laid-back with his acting approach, but it worked wonders. The singing/concert scenes just seemed to validate even more, his superb talents as a singer in his own right. He seemed to really embody the essence of Hector Lavoe, in my opinion, and it was great to see on screen. Many have said that with Marc's great, but understated performance, that he was out-shown, or eclipsed by Jennifer's performance, but I don't know really. Jennifer and Marc had two different acting approaches in my opinion; Jennifer had to be more brash and in-your-face because that was how her character was, according to everyone who knew her, while Marc, who had to embody Hector, had to have a cool, calm and "collected" nature to him (for the most part, of course). Many close to Hector described him as a "Joker," good natured, self-destructive, and extremely flawed, so Marc's acting depicted that I feel. But all-in-all, I personally felt that Jennifer gave the more convincing and complex performance of the two (although Marc was wonderful as well-it's just that Jennifer was that much better).My favorite scenes were: The one where Puchi comes into the recording studio to find Hector's other girlfriend Carmen there, and she has her kicked out (LOL). The scene where Puchi comes home to find Hector shooting-up heroin/high, and they fight. Another is the scene in the night-club towards the end, where Hector is singing, and Puchi comes in to tell him that their son was killed. Then, the scene after their son's funeral when they have another huge fight at their apartment. All of the music/concert scenes were also favorites of mine.Here's another point I wanted to bring up: the never-ending amount of people on this board and other places, as well as critics, talking about the abundance of screen-time that Puchi (Jennifer) gets in this film. People, the story is told from the point-of-view of Puchi, hence Jennifer being in the movie that much. It's not rocket science people. And don't give me that crap about Jennifer giving herself more screen-time because she's one of the producers on the film, that doesn't fly with me. The woman had been attached to the project (as a producer first, and then was convinced to co-star in the film LATER-before her and Marc were even a married couple) since 2001. And Puchi, of all people, wanted Jennifer to play her. What were the producers, director, screenwriters, correspondents, etc. suppose to do really? Write the script from the point-of-view of Hector? No. Unfortunately, he's no longer with us, and he couldn't be there to help guide the film-makers in the process of developing the movie (which wasn't the case with the biopic "Ray"-Ray Charles was alive for the making of the film, and helped with its development). Instead, they were left with the one other person who would possibly know him better than anyone else-his wife, along with many of his friends, band-mates, and manager.Another thing to keep in mind, is the fact that this is NOT a documentary, but only a film based on a true story of Hector's life. There are some aspects that might have been modified in order to condense and what not. But lets be real here folks, it's pretty damn difficult to squeeze the entirety of someone's tragic life into a nearly 2 hour time slot.Lastly, I just wanted to say that I thoroughly enjoyed this film, and it was a joy to discover the beautiful music known as salsa, as well as learn more about the turbulent life of a hero in music folk-lore.

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You-go

I must admit that I had my doubts about this film, but after I watched it I wanted to watch it again. The movie is about the life of Hector Lavoe (Mark Antony) from the point of view of his wife Puchi (Jennifer Lopez). I shows his personal life in those areas that affected her the most. While some people don't think much of the way the movie is presented I think is very realistic and well acted. For those of us who remember when Hector Lavoe was the main voice of the Salsa music this movie brings back lots of memories. As far as the acting go Jennifer actually becomes Puchi and Mark does very well as Hector. I give it an A-

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radha525

I hadn't expected much out of El Cantante seeing as how JLo was in it (not crazy about her acting skills) but I have to admit I liked it. I wasn't familiar with who Hector Lavoe was until my ex made me listen to the "Who Killed Hector Lavoe" soundtrack repeatedly. Prior to hearing the soundtrack I was familiar with a couple of his songs, didn't necessarily know they were his, and definitely unaware of who he was.In comparison to "Ray" or "Walk the Line" I think El Cantante could've been much better. I liked how JLo acted as the 2002 version of Puchi. I think the makeup made her more authentic. She did well, but really, how much of it was acting? We've seen her play roles where she doesn't have a need to go back to her Bronx roots and it almost seems like she can't relate to her character as much as she does with Puchi or Selena. I'm from the Bronx so the attitude and the cursing is typical based on where I grew up and the girls in my school. Hell, I'm not an actress but if someone asked me to play Puchi I think I'd do a decent job. All in all, I thought she did well.Marc Anthony did well. I haven't had a chance to see old Hector Lavoe videos and such but I thought he did a good job. Based on other comments, I think people who don't know who Marc Anthony is (pre JLo of course) jump to conclusions in thinking he's a nobody that's attached to JLo. Marc Anthony is a megastar to urban Latin Americans. I grew up listening to him and love his music, his style, everything. The fact that he took on this project with his wife just shows that he's willing to reach to other talents he'd like to pursue.I think the movie should've started answering basic questions about Hector--who was in before he moved to NY, why did he move, why did his father not approve of him, it shows how he entered the drug scene but unlike Ray/Walk the Line it doesn't show his progression into becoming a drug addict. He says in one scene he doesn't want to touch anything drug related anymore yet he's high nearly the entire film. I loved the music but doesn't answer how he became famous in the U.S., why salsa was such a hit at that time. I know he and Willie Colon were very good friends but I didn't get a sense that their characters were portrayed as such. I didn't think the cast was as cohesive as it could've been, with the exception of JLo and Marc. I went to a Hector Lavoe tribute concert back in November and I have to say that was a much better show than this movie. Not to say the movie's not worth it, but just could've been better. I think they highlighted his drug dependence too much without answering basic questions or showing who he was as a person. In the 2002 Puchi interview scene, she says that Hector was funny, but doesn't really show his humorous side as much. Every time it seemed that a meatier scene was about to develop (i.e., when they fought after their son's funeral), rather than let that carry on for a few more minutes the scene would switch to something else. So, overall, I like the music, love Hector's legacy even more, admire Puchi for her strength but left looking at my watch and wondering when it would be over. Hopefully they make another version that would satisfy the audience's curiosity.

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