I may as well say at the outset that I am biased toward this movie. I liked westerns as a teenager and I liked westerns movies in color with recognizable actors. As an older fellow I now like mostly black and white movies westerns included. I stumbled on the production company filming this movie while on vacation with my folks in southern Utah desert in the summer of 1956. Iwas able to wander around the location and Stayed to watch about four takes of a two shot involving Okeefe and Cabot. After waiting eight months I saw the movie and a local theater and found the plot to be far more complex than most. This is not a run-of-the-mill 50s, one hero type, Western. I recommend it to anyone who likes some character development and appreciates the product of some of the good talents offered by Hollywood both in front of and behind the camera. I would like to find it on DVD.

In the opening scenes three wagons converge on the site of a massacre; one is a trader intending to sell goods to the Apache, another contains too convicts being sent east for trial and almost certain hanging and the thirst is a stage coach. There is also one survivor of the massacre; Capt. Matt Riordan who was spared because he once saved the life of the attacking Apache chief. He takes command of the group as they head to the fort at Dragoon Wells. It isn't long before they are attacked and lose the stage coach; the survivors continue on though. Needing every gun the marshal releases the prisoners but tells them that they will still stand trial when they get through the Indian Territory. The next night things get worse when they learn that one of their number is not to be trusted... and they only learn this after he has killed one man and tried to escape causing the loss of another vehicle. They continue on towards the nearest relay station where they hoped to alert the authorities; the Apaches have got there first though and the only survivor is a young girl. Forced onwards with little water tempers fray within the group, more die at the hands of their enemy and just when reach an army fort and it looks as if their troubles are over they find it abandoned and its well salted!This is a decent western where the key characters; the captain, two convicts, the marshal and his deputy, the trader and two women are quickly and effectively introduced before the real action starts. When it does start people that look like they are main characters get killed leading to a sense that anybody could die here... always a good way to raise the tension! The cast did a solid job making their characters convincing; some are likable, some aren't but they are believable. I was surprised that we often saw the horses being targeted, and in one case falling over a cliff; while this seems believable most films of this sort prefer to only show people dying... presumably fearing viewers will be put off otherwise. The film looks great with vivid colour and a spectacular setting; it is just a pity the version shown on television had been cropped to fit old 1.33:1 screens rather than the original 2.35:1. If you enjoy westerns this one is worth watching, if you have a choice watch it in the original aspect ration though.

The most striking thing about this movie is just how splendid it looks ,thanks to the wonderful Technicolor photography by William Clothier .His credits also include Cheyenne Autumn and The Alamo(John Wayne version).He makes superb use of the rugged outdoors locations and does not neglect close-ups which also look very fine indeed .The plot is pretty standard fare in the Western -a trek by wagon train across hostile Indian country .The train is being escorted by Captain Riordan (Dennis O'Keefe).Among its passengers is a US Marshall (Trevor Bardette) ,his prisoner ,a killer (Barry Sullivan) a lady of the night (Katy Jurado)a "nice girl"(Mona Freeman)and sundry others.They are forced to put aside their differences in the face of repeated attacks by hostiles and form a bond wrought by adversity .The script gives each of the figures on the train a turn in the spotlight and the cast responds well with a string of strong performances well in evidence .Especially noteworthy is Jack Elam in a rare sympathetic role. Veteran action director Harold Schuster keeps things moving and the overall result is a strong ,well made Western that will please most genre lovers

Monogram Pictures changed its name to Allied Artists in an effort to change its image from that of a cheap B-studio. For the most part, it didn't really work. Allied Artists' product suffered from the same deficiencies that Monogram's did: shoddy production values, lesser talent--both in front of and behind the cameras--and a lack of originality in its stories. This film, however, does not fall into that mold. While the story--survivors of an Indian attack make their way across the desert to safety--may seem trite, what is done with it isn't. Director Harold D. Schuster, a former editor, is hardly a household name, but he has made several tight little B pictures (1954's "Loophole" is a first-rate film-noir thriller about a bank teller framed for a robbery), and this is one of them. Dennis O'Keefe does a very good job as a cavalry officer who survives an Indian attack, and must lead a disparate group to safety across the desert. They come across a group of traders who aren't exactly what they seem to be, and must band together with them for mutual protection. Jack Elam plays a gunfighter who isn't quite what he seems to be, either. There's a good musical score, Schuster handles the action scenes quite well, and there are some interesting plot twists. Altogether, a well-paced, intriguing little western, highly recommended.