Delightfully Dangerous
Delightfully Dangerous
NR | 31 March 1945 (USA)
Delightfully Dangerous Trailers

Young Sherry Williams dreams of having a singing career, and she idolizes her older sister Josephine, who has gone to New York to perform on the stage. When Sherry is distraught just before performing at her school, a visiting Broadway producer encourages her by telling her positive things about her sister. Soon afterwards, Sherry decides to make a surprise trip to New York to visit Josephine - but what she finds there is not at all what she expected

Reviews
Cristi_Ciopron

This musical _dramedy with Jane Powell as the poison ivy, Constance Moore as her sister, Bellamy as helpless but resigned, directed by Lubin (who was a director otherwise dependable for gentle humor, mostly gags like the ice-creams) and written by DeLeon but also a few others (which usually means slapdash), has its meager graciousness and classiness (but not as naughty), with a bit of awkwardness, and it was meant as extravagant, grand and piquant. Although perhaps not as much sleazy as sulfurous in spirit, it doesn't qualify as exploitation, it has a cool cast, mostly ineffective direction (mediocre, bland but knowledgeable) and likable sets; the fact that the players have styles so unlike enhances the meant extravagance and flurry. Bellamy's character is honest and chivalrous, but the casting _betted on the player's innate shrewdness and slyness.The story bubbles away. Save for the cast, the result is disappointing. Jane Powell and Constance Moore play two sisters, and they both give good performances; Bellamy's character is a consummate gentleman, after all he gets to marry a stripper whose tits and ass are famous, and the player seems resigned and somewhat amused.While the movie has a claim for being a fairy tale, it also comprehends the coarser facts, like the unnerving scene with the marines (the leading actress gives it its truth), and the numberless ironies, as when Ruth Tobey, the dependable and plump roommate, flatters Jo Williams for providing what to tell her children about.Being the tale of a rescuing, it's nonetheless character driven (by the players, not in any way by the script) and it has a feel of laziness, of torpor, contradicted by Jane Powell's force. It's certainly watchable, but mediocre at best, and quite lifeless or uninspired, bland. Precisely what could of been exploitative is awkwardly delivered; so that the naughtiness comes across as bland, the piquant gags as rough, and the gentleness as enjoyable, the storyline, mostly random footage, manages somehow to be good-natured. Yet, why did people like DeLeon and Lubin have to be involved with it? The general sentiment is of aimlessness.Constance Moore's tits and ass are complimented, which they presumably deserve.When the tall girl on the toes enters, she exclaims: 'They just came!'. Maybe they did.

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bkoganbing

In between her contracts with Universal and MGM Jane Powell starred in this independent musical picture Delightfully Dangerous. Jane is about as dangerous as my cat, but the film is an easy to take musical with Powell doing her best to be a junior Deanna Durbin.In fact she and Gloria Jean were both signed as backup sopranos for Durbin, but the folks at Universal decided they had one soprano too many and with the studio now carried by Abbott&Costello they let Powell go which was one lucky break for her because MGM signed her right up. Louis B. Mayer never met a soprano he didn't like.Jane's got a Durbin like part in this United Artists release, she's the younger sister of Constance Moore who has told her she's in a musical show. What Moore didn't say was that she was in burlesque as the famous 'Bubbles Barton' and has left Jane to imagine that she's a bit more than a burlesque queen.It's quite a shock when Jane and friend Ruth Tobey run away from school to New York and meet up with Moore baring the legal limit. Of course with the help of Broadway producer Ralph Bellamy everything gets worked out in the end as both Moore and Powell appear in a Strauss operetta that gets revived with a bit of swing. Arthur Treacher plays Bellamy's butler (what else) and Louise Beavers is Moore's maid. When the households blend those two should make it interesting.Hunt Stromberg who produced several films at MGM including MacDonald/Eddy musicals produced this film and he sure must have missed those lavish MGM budgets. Still those that Jane Powell certainly had a bright future awaiting her at Leo the Lion's den.

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w22nuschler

This is only Jane Powell's second movie and she can more than hold her own. She plays the little sister of Constance Moore, who is a big star in New York. Ralph Bellamy plays a Broadway producer and really gives a great performance. Jane wants to follow her big sister to New York and she won't let her go. Jane talks with Ralph about her sister and he tells everyone what a big star she is on Broadway. Jane goes to New York to see her anyway. She is crushed when her sister is the star of a burlesque show. She runs into Ralph and he calms her down and calls for her sister. He explains to the sister why he lied to Jane about her. Jane is noticed and hired to do a show until they find out what her sister does. Jane finds out Ralph needs talent for his show and she secretly records her sister. He hears it and hires her. She does a great job and Jane also gets to sing in the play. This was a nice movie with a good pace to it. The three leads were perfectly cast and I recommend watching this film. The DVD releases are cheaply produced, but it's still worth watching.

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Snow Leopard

This light musical is solid if nothing special, with a story, characters, and production that are all about average overall. The cast is probably the strongest part if it, with a young Jane Powell in the lead role.The story concerns two sisters and their dreams of a career in show business. As the younger of the two, Powell's character wants to be a singer, and Powell is given several opportunities to perform. As her sister, Constance Moore has a simpler role, but she fulfills it adequately. Ralph Bellamy probably gives the best performance, and he is well-cast as a well-meaning, slightly befuddled Broadway producer. Arthur Treacher also pitches in playing Bellamy's butler.Most of the rest of it is rather plain, although there are no real flaws. The story is purely lightweight, but it has enough to keep you watching, and the characters are just believable enough to make you care about them.

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