I too have been used to seeing Roy Marsden as Adam Dalgleish, but changes are not always bad. I watched it on PBS recently, so it was some years after it first appeared in the UK. It was one of those "I know that person" moments that often occur while watching British programs. More recently here we have watched Mr. Shaw in the Inspector George Gently series, and here he is looking much younger! The production dates explained that confusion.I have enjoyed the two programs very much. I hope there are more. My only problem is that "Death in Holy Orders" ran for three hours from 8-11 pm. I just can't stay awake that long! A friend in the UK explained that their version is cut up into shorter episodes, perhaps hourly. This is a PBS choice, and doesn't take away from the whole production.Such a nice change from continuous gun battles and car chases!

I was a little surprised when I turned on this Inspector Dalgleish and found out that he is now Martin Shaw and not Roy Marsden. Worse yet, after making the character of Dalgleish so popular, P.D. James apparently told someone she likes Shaw better. How's that for gratitude.At any rate, I was so distracted by the fact that it was a new Dalgleish that it was hard at first to concentrate on the film. And it's a good one. Dalgleish returns to a seminary where he spent happy days as a teenager to see if a suicide could have been murder. The seminary is in danger of being closed, and the archdeacon who is interested in its demise is on the premises, as is the detective who accused the archdeacon of killing his wife and as a result, lost his career. When the bodies start dropping around him, Dalgleish realizes the seminary has other problems besides possibly closing.This is a multilayered story with wonderful characterizations thanks to the script and cast, including the handsome Jesse Spencer, Alan Howard, Clive Wood, and Poirot's old partner in crime, Hastings, Hugh Fraser.As for Martin Shaw, I have no memory of the Dalgleish books and Dalgleish as he is written by James. Shaw gives a very subtle, underplayed performance of a gentle man in pain from loss and afraid to reach out again. He's very good, just took some getting used to.

A classic, typical P D James story, well filmed for television. I actually saw Martin Shaw's other outing as Dalgliesh (The Murder Room) before this one, but I liked him better here, possibly because there was less of a soppy subplot in this case. Good acting all round, here, with special praise due to Robert Hardy, who is always good value, and to Jesse Spencer as the troubled head ordinand. Julia MacKenzie does a super turn, too. The plot is full of interest and is grippingly told in three hours. The only weakness in my view is the location. The college is supposed to be on a cliff that's being eaten away by the sea, but we never see it properly at all. All we are shown is the silhouette of a tower on a cliff, plus close-up shots of what could be more or less any old ecclesiastical buildings. Small budget, I suppose, but a shame, because it would have been good to get a fuller feeling for the claustrophobia of the college in its windswept location, battered by the forces of nature. Nevertheless, well worth seeing.

This is one of the best mysteries I've seen in a while, perhaps because it reaches beyond being a simple whodunit and becomes a complex, personal drama. One of the most intriguing aspects of Death in Holy Orders is that you know the characters better than they know themselves, and certainly better than they know each other. The knowledge we have of them propels the story forward easily as you analyze their criticisms of each other and weigh their motives. The dialogue borders on poetry at times, and Martin Shaw in particular executes the lines with compassion and honesty. My only two criticisms are a subplot that made me rather queasy, and the actress who played Inspector Kate Miskin (very, very smugly). If an officer walked around looking at criminals that way in real life, he or she wouldn't make it to Inspector. In addition to Martin Shaw's natural execution, the performances of Robert Hardy, Clive Wood, and Jesse Spencer (where did this kid come from?!) are a real treat in this film.