Death Benefit
Death Benefit
PG-13 | 13 March 1996 (USA)
Death Benefit Trailers

Steven Keeney is a big corporate lawyer who decides to take on a small-time murder case to discover the true circumstances behind the death of a young girl. Virginia McGinnis is the one suspected of pushing the women off the cliff to collect on a small insurance policy. The further he goes into the case the more he reveals about the background of the suspect. Keeney finds support from others who also want to find out the truth behind the case.

Reviews
DrPhilmreview

This movie is interminable. Peter Horton plays a lawyer who is out to investigate the possible homicide of a young girl virtually nobody cares about, including anybody unfortunate enough to happen to watch this incredibly dull film.Helmed by TV director Mark Piznarski, you get the feeling this "based on a true story" script has LOTS of embellishments, and none of them are interesting. No real reason is given as to why Horton's character is sooooo obsessed with this case that he would jeopardize his career, his relationship with his son and everyone else in his life. He just is. What makes it even harder to believe is we're never really given much of a portrait of the murdered girl. I didn't find her case compelling in the slightest, yet here's Horton obsessed with it. Carrie Snodgrass as the killer had a chance to create an interesting character, but never even reaches the level of killer in a bad episode of "Law & Order".This film illustrates the real death benefit is that the dead can't be forced to watch this.

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Syl

I like this movie for some strange reason. I think Peter Horton is believable as a Louisville attorney who goes from corporate to a criminal case with a possible psychopath female serial killer played wonderfully by Carrie Snodgress. I found Horton's character of Steven Keeney to be believable. He grows conscious over a young girl's fallen death and her mother's inquiry regarding her insurance policy opens a can of worms leading to Virginia McGinnis whose primary motive is to collect money on their insurance policies. We begin a journey with Keeney to discover a disturbing psychopath cold-blooded killer capable of the unthinkable. I won't tell you anything more without spoiling the movie. I was impressed with supporting performances by Elizabeth Ruscio as the victim's mother and I enjoyed the rapport between Keeney's secretary Sara West played by Belita Moreno who is now on the George Lopez Show and himself. I found that to be refreshing and memorable too. I am giving this film an 8 because I think it was weak on some parts and could have explored Virginia's personality and background more clearly but I think it is a very high grade for a television film.

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gzerna

I'm confused. Is this a movie called `Death Benefit' that's about building a case in a homicide investigation, or is it a movie called `Family Neglect' about a professional man's responsibility to his family and his firm. Instead of staying focused on the true story, literally Every Other Scene is about how the protagonist is neglecting his insipid wife, his annoying son, his irritating secretary, or his stupid boss. All of these cardboard characters continually detract from what could have been a solid drama between two strong characters. Also, the director/editor keeps using quick-cut flashbacks in what I guess they think adds intensity, but the montage is so artlessly assembled, these only look like a student filmmaker's attempt to be arty.

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ary

Carrie Snodgress is,without a doubt,one of the most talented and experienced actress of the cinema.She makes the public feel something about her characters,in some moments hating them,in others,loving them.Unfortunately,Carrie Snodgress is now relegated to smaller roles as a supporting actress,wich is certainly not good for us,because it hinders her ability of creating memorable characters,and her vast experience as a well-known respectable actress.Nevertheless,in Death Benefit,Carrie is the protagonist of a tense film,which is,in some moments,sad,and in other moments,involving.The film mixes two genres,drama and suspense and,through the precise and moderate direction,please plenty in telling the story of Virginia Mcginess,a cruel and bad woman that does not hesitate in thrust a young girl from a cliff after becoming aware about the money of the insurance she might get.Peter Horton also offers an excellent interpretation(maybe his best) as the lawyer who finally finds his redemption after helping the victim's family.With a good rhythm,that sometimes,just occasionally,sins due it's morosity,the film is a good demand in the video store for the persons who want to see a good suspense movie and know more about the work of this great actress.Carrie Snodgress proves that some people are born with a natural gift for interpretation and,once you have this gift,you might play the role of a kind and caressing mother(in Pale Rider,with Clint Eastwood),or the role of a cold and seductive killer with determination and hate,who defeats,throw down and hold with an incredible calm a bigger and stronger man in a bathtub(in Murphy's Law),but you will always instigate the public in the theater.

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