Clapham Junction
Clapham Junction
| 22 July 2007 (USA)
Clapham Junction Trailers

Set in the Clapham district of south London, England, the film is inspired by true events. The paths of several men intersect during a dramatic thirty-six hours in which their lives are changed forever.

Reviews
fubared1

Any organization or individual who is homophobic or hates gays in any way is going to love this film. Here we have every negative gay stereotype imaginable. First we have the gay guy who cheats on his husband on the day they are married. Then there's the pedophile who has sex with a 14 year old boy. Then we have the guys who revel in sex in a public bathroom. Then we have the fat, ugly old priest or minister or whatever. Then we have the closeted, married gay man. Then we have the gay basher who is himself bashed when he reveals his true nature and tries to have sex with a fat, ugly guy. The only stereotype we seem to be missing is the raving gay transvestite, but then most transvestites are heterosexual. So the lesson to be learned here is that it is not possible for gay men to have happy productive lives or 'normal' sex. And if there were anyone associated with this film who is gay, they should be ashamed of themselves for promoting these negative stereotypes.

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jmcgurn

As I gay man, I really liked this film. A more positive vision for at least a few of the characters would have made the movie better. But the acting is very good and violence against gay men still exists today. I have to say that I did not have a problem with the relationship between Theo & Tim. I do not support pedophilia by any means(!), but at 14 ("almost fifteen"), Theo is sexually mature and not confused about his sexuality. He seduces Tim; Tim asks him to leave (4 times I think). I don't believe we know for a fact that Tim is a pedophile. It's only word of mouth from Theo's mother, so consider the source! Their scenes together are quite moving.Watch this film but beware, some of what you will see is very disturbing.

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chrisjay00-1

After much publicity by Channel 4, Clapham Junction started off slow and honestly quite dull. As time went on the plot line began to pick up yet you were still unable to empathise with any of the characters. The programme was cliché ridden and also contained scenes which were pointless at the very least. Three quarters into the show everything began to get confusing again. The character played by Paul Nicholls was also very confusing. Was he gay? Was he straight? There was a very dark mood throughout the whole programme which continued even to the end. As the end approached, i found myself asking questions about what would happen to certain characters. I was sure this would appear on the screen before the end credits. It didn't. And so the audience is left with not only a cliff hanger but also many questions about most of the main characters unanswered. Good performances by the actors involved but i can't help but feel that had some of the pointless scenes been cut, the running time could have been shortened and the programme could have concentrated on a lot less pointless characters. I also felt slightly confused by the inclusion of the small black child playing the violin at certain periods in the programme. By the end the dark mood became even darker when all that was left was his smashed up violin under a bridge. Cue the end credits. All in all a huge disappointment

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kevinmcginness

I was extremely exited when i heard the 40th year since homosexuality was decriminalised was to be marked with this one off drama, and was looking forward to clapham junction giving an insight and celebrating the changes that society has made in dealing with homosexuality in 21st century Britain.I was profoundly disappointed to see that the programme makers decided to concentrate on negative stereotypes of promiscuous partners, horrendous homophobic attacks,closeted husbands and predatory homosexuals preying on underage boys.this type of drama into gay lifestyle gives an untrue representation of how modern gay people live their lives showing that nothing much has changed from the stereotype of the 1950s and 60s. The writers had a massive responsibility and opportunity to show a positive and refreshing view on the matter, particularly for younger people struggling to come to terms with sexuality. Sadly they opted for drama rather than fact.

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