There is a moment in the film where the two lead characters find themselves utterly broke, with barely enough money to feed themselves. They are also in possession of an artifact which, if they are found with, might lead to a considerable amount of jail time. As they sit with each other, crying and consoling each other, the background score changes to a song that roughly translates into "You're the reason I smile. You're the reason I sing." This, at a moment when neither of the characters is doing either of these things. The scene then cuts to one of the most non-passionate love making scenes I've seen in cinema.That, more or less, is what happens in the entire movie. It simply runs through scenes meant to evoke various emotions - anger, grief, humor. All the scenes, however, leave you devoid of any emotion. At no point do you connect with or sympathize with any of the characters in the movie. You don't feel angry at the bad guys, you don't feel sad when the good guys lose. When the characters cry in grief at their misfortune, you only wish they would hurry on with the story already. And when the movie ends on a positive note (surprise?), you couldn't care less.I am not sure why that is. The story itself is pretty good. Two simpletons move into a city in search of a fortune, and soon learn the unforgiving ways of urban life. The reason none of it works might be attributed to a few things. One, the direction. The movie cuts through some of the best moments too quickly. Most of the times, you will wonder whether it really happened. And by the time you figure out that, yes, it did indeed happen, you would have moved past caring. Two, the acting. None of the actors are really convincing. In parts, they overdramatize the scene which again snaps you out of the film and makes you realize you're only watching filmed footage. Three, the background score. It doesn't matter what kind of a scene it is - love making, shooting, desperation - they all have the same romantic score (mentioned earlier) in the background.The film was founded on a good idea. It is a shame it ended up so emotionless.

When Bhatts and Hansal Mehta who won laurels for SHAHID(2013) come together, we expect a brilliant film CITYLIGHTS is simply brilliant, The film is an official remake from Vishesh Films, of a widely acclaimed gem titled METRO MANILA directed by Sean Ellis (made in Tagalog language) in the year 2013. The best part is it's realistic handling. It starts with Rajkumar Rao and his wife coming to Mumbai from Rajasthan in search of a better lifestyle, there are left homeless,all their problems are identifiable, They get cheated on the quest of getting them a house, then again he has to find a job, His wife starts working in a bar.etc There are several moving scenes like his wife's breakdown after his drunk act, The scenes with Manav Kaul who plays his friend who also makes use of him and the brilliant finale.The film does get slow paced but it's required to be narrated slowly, such films cant be rushed.Direction by Hansal Mehta is brilliant Music is good, Arijit's song Muskurane Ki Wajah is splendid while other songs too are good.Rajkumar Rao is simply brilliant, in fact he conveys so much through his eyes that it's difficult to assume that anyone else could play his part Patralekha as his wife is superb, Manav Kaul is terrific, Khushboo Upadhyay as the bar girl is superb, rest are all good

http://moviereviewsbybinduc.blogspot.in/2014/06/citilights.htmlCityLights is a film with intense human drama. Hansal Mehta (Director) and Rajkummar Rao (Actor), duo of Shahid fame, have once again collaborated together to contribute a brilliant piece of art to the Bollywood. It is so painful to see how the innocence of an ordinary villager and his family gets exploited in the citylights of metro. Hansal Mehta has wonderfully and very realistically encapsulated the challenges faced by a destitute family in the metro. Various adversities faced by the family viz. loss of business in the village, rural migration, extreme poverty, exploitation by the city etc. are well captured in the movie. The movie left me with tears in eyes, rather actually broke my heart. Kudos to Hansal Mehta for making this movie so realistic, profoundly moving, tangible and believable and at the same time 'minus melodrama'.Deepak Singh (Rajkummar Rao) moves to Mumbai after losing his Saree shop (in a village in Rajasthan) to the debtors along with wife Rakhi (Patralekha) and daughter Mahi. Great moments of family togetherness, love between Deepak and Rakhi are shown while in village, which probably gave them confidence to move to the unknown Mumbai and try for a better living. Deepak's friend Omkar, who was supposed to pick them up from the Mumbai railway station, did not turn up. Deepak is cheated and happens to lose whatever money he had. Life turns out to be really challenging for them with not having roof over their heads. Then starts their desperate efforts to survive. Deepak manages to get a job in Active Security Bureau, a group of security force, with his background as an ex-army driver, but his job is kind of life-threatening. Life takes a mysterious turn from there with his partner / boss in job Vishnu (Manav Kaul). It is difficult to understand his intentions. One kept wondering whether Vishnu is good or bad. Rakhi lands up as a bar-dancer, although very very reluctantly.Does life improve for Deepak and family? What all events unfold in their journey to survive in the metro Mumbai ? Who all partner with them in their journey of survival and how? Do Deepak and Rakhi lose their rustic innocence in the citylights? Are Deepak and family able to re-establish the once-happy-family image? Are they able to manage to keep going against the inimical forces that surround them? Is there any flash of light at the end of the tunnel?There are certain heart-wrenching scenes: the manner in which Deepak sits in front of the Saree shop in the village while realizing that he has lost the same; their migration to Mumbai with hope in the eyes, but losing the same the moment they land up in Mumbai; desperate attempts by Deepak and Rakhi to seek job / accommodation; helpless / embarrassed Rakhi standing in front of the Bar-Manager who tries to scan her whole body and the last one to mention is the tragic and shocking climax.Both Rajkummar Rao and Patralekha (his real-life girlfriend) have added so much value to the roles of Deepak and Rakhi through their effortless performances. Manav Kaul as Vishnu has also given an exceptionally well performance. The music by Jeet Ganguli is absolutely soulful and as per the genre of the movie. The songs 'Muskurane' and 'Ek Chirraiya' are very good.

Citylights re-unites the director actor duo Hansal Mehta & Rajkumar Rao after a superb "Shahid" which won each of them the National Award this year.CityLights Citylights is an adaptation of 2013 Award winning movie "METRO MANILA" directed by Sean Elllis and Hansal Mehta does complete justice to the original. The story is credited to Sean Ellis the original writer of METRO MANILA; the adapted screenplay is by Ritesh Shah. Ritesh stays true to the original but adapts it to the Indian context of people from smaller towns who migrate to the city of dreams Mumbai expecting to make a better living. Just a piece of advice if you are looking at an entertaining movie then this is definitely not the right choice.Citylights is the story of Deepak (Rajkumar Rao) and Rakhee (Patralekha) who come to Mumbai from Rajasthan to make a better living but become victim of the shrewd reality of city life. The story by Sean Ellis captures the pathos of a small town guy well in his story and Ritesh's screenplay captures the nuances well. At times the movie's pace becomes sluggish especially during song sequences which was unnecessary. Some of the sequences are very well written albeit I felt the climax was a bit hurried and could have been presented well.It is the performances which make the movie memorable. Rajkumar Rao gives another brilliant performance. His portrayal of Deepak Singh is so realistic that you wonder whether he is really acting. The Dialect to the body language is all up to the mark. Another superb performance is of Manav Kaul who plays Vishnu a friend of Deepak with ulterior motives. After "Kai Po Che" Manav again shows his caliber, this is an actor to look forward to. Sadia Siddique as Vishnu's wife is good albeit her role is small. Patralekha as Rakhee does show a spark but gets overshadowed by Rajkumar and Manav.Production Design by Rajat Poddar is realistic. Editing by Apoorva Asrani could have been sharp. Jeet Ganguli's music is good but does not gel with the narration rather it hampers the pace.Hansal Mehta's forte is to get the human emotions bang on and he succeeds in this movie as well but fails a bit in giving it a Thriller edge and finesse in the narration which was the highlight in the original METRO MANILA.