ChromeSkull: Laid to Rest 2
ChromeSkull: Laid to Rest 2
R | 20 September 2011 (USA)
ChromeSkull: Laid to Rest 2 Trailers

After his gruesome encounter with a girl, and being outmatched by his own assistant, ChromeSkull resurges with a horrifying massacre of his own.

Reviews
TdSmth5

Emergency personnel arrive to the scene after Laid To Rest ends. One girl escapes with a guy. There's some abusive guy in charge. He finds a phone which he'll use to track down the girl. But this isn't your regular emergency personnel. This is Chromeskull's crew. They operate on him to save his life and restore his face after he wore a skill full of acid. The guy, Preston, does track down the girl and slashes her up in Chromeskull fashion. In fact, he's sort of in charge of the organization while Chromeskull is recovering.When the cops find the girl's remains they recognize the familiar pattern. Elsewhere, a girl is about to undergo surgery for her eyes, she's progressively losing her sight and one night parties with a friend, when Preston-as-Chromeskull arrives, kills the friend and grabs the girl and stashes her in a casket for the real Chromeskull to kill, who's doing better.The cops investigate the girl's disappearance and find a video with Preston walking by. They bring the guy who drove the surviving girl to the station to identify the image. But Preston is also after this guy to tie up Chromeskull's loose ends. Later he kidnaps him and puts him in the same warehouse with the girl. The lame cops eventually make it to the place, just as Chromeskull is up and ready and not happy with Preston impersonating him.Laid to Rest 2 is a great sequel. It's enjoyable when a crew learns and when a sequel for once improves on the original. Acting is better, direction is better, the special effects are truly spectacular and realistic. And they are all physical effects, no cheap CGI stuff, which is great because this movie is very gory. Some death scenes are striking but then there are others that are weak. The story is more elaborate and intriguing when it comes to Chromskull's mysterious organization. Unfortunately, locations are weak and they still struggled with telling the story. At some point this movie confines itself to some small dark warehouse and some tiny office as police station. And that's also when this movie runs out of steam. Preston is always whining and begging for forgiveness for something, we do not know what. The cops are an incompetent bunch. This movie, like the first, also has portions shot in POV for no good reason really. It doesn't add anything or improves things in any way. Overall a strong sequel. And at this pace, a third movie should be near A-movie quality. I just hope they get around to making more in the series as the idea and villain have a lot of potential.

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atinder

I enjoyed the first, I didn't think, I would like, I really did but can't say the same about this sequelThis movie started of where last movie left off, which I liked and then movie went down hill as the movies goes on.I just didn't like where they took the story at all, as I didn't like the plot, it was hard to enjoy it, however the kills in this movie are really creative some really good gory death scenes.The acting in this movie was hit and miss from some of the cast members Not as good or as fun as the first movie but decent kills makes this good slasher movie. 5 out of 10

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Joe Miller

I recently saw the first Laid To Rest film and loved it a lot and was thrilled about finding the second one and not only was it still the work of Robert Hall it had Danielle Harris (Hatchet 2).I just finished and I am still loving the series of Chromeskull!The story still played well and the actors did a great job.This is now a contender of not only my favorite horror series but my favorite Kill Icon!I cannot wait until Laid To Rest 3!Must watch these in order though.~Joe

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Scarecrow-88

Several strikes against Chromeskull: Laid to Rest II. First, the casting of Brian Austin Green immediately had me groaning intensely inside. No, more like nauseated. I can't stand this 90210 pretty boy trying his hand as a Chromeskull disciple who works for the plot's ludicrous "The Organization", I guess a certain type of covert kill-happy operation that delights in the recording of pretty girls as they are tortured, begging for mercy while the psychopath quietly enjoys his handiwork. Most of the time they are trapped in coffins, crying, pleading, wanting to be freed from this terror, falling on deaf ears. Another strike is the rampant stupidity on display, how the main lead killer seems indestructible. How can such damage to a face and head sustained by the Laid to Rest psycho not lead to his demise? The opening facial reconstruction (including skin graft and eyeball surgery) reminded me of Chucky the Doll's repair in Child's Play 3, to use another embarrassingly ridiculous rebirth of a killer. It is hard to accept any of this without laughing, and if the tone of Laid to Rest II wasn't at times so serious (the lead detective of the most inept police task force I've seen in a thriller in quite some time tries to console the kidnapped final slasher heroine's distraught mother, mentioning he himself has a daughter and will do all he can to get her back safe and alive) you might could take it all in stride and just roll the eyes, have a drink and popcorn, abandoning all preconceptions of this attempting to be anything other than a 90 minute stab-a-thon. This is that in all its glory. I would definitely reward this sick-in-the-head film a "creative kills" award for if there is a way to savagely butcher a person with a blade, Laid to Rest II delivers in spades. One scene has a poor female cop (and not a bad looker, to boot) pressed, mouth-first (ouch!) into a "spinner blade" stuck in a stair step as she was trying to climb away from wannabe Chrome killer, Austin Green. Green has his own Chromeskull mask he wears, so devoted to his "boss", he has the Skull and Knives tattoo inked to his chest. Yeah, he also enjoys provoking the film's screeching heroine into tears, talking about how his master enjoys slaughtering victims. Nice guy, this Austin Green. I just can't even stand to look at that mug of his. Anyway, Chromeskull gets in on the action later as Detective King's (Owain Yeoman) litter of cops enter his abandoned warehouse which looks like it was ripped from a SAW sequel. Between Austin Green and Nick Principe's mangled-faced monstrosity, a whole police force is massacred in one singular location! There is one cop who is hooked to a type of electrical box and submerged, against his will, into a tank of water as his face begins to peel away before being slammed into the side. A number of familiar faces show up (director Robert Hall has a ton of friends, I guess) in supporting roles like organization member Danielle Harris who has a way with ChromeSkull, Thomas Dekker (a nice young actor I liked in the wrongfully cancelled Terminator series, as Tommy, a "loose end" that needs to be eliminated), Gail O'Grady (NYPD Blue) as the heroine's concerned mother, and Johnathon Schaech (The Forsaken; Prom Night remake) as an enigmatic FBI agent. Harris steps away from her usual sweet-victim roles in these kinds of movies to play a cold-blooded heel bucking for Green's position. She even has a scene where she shaves ChromeSkull's head bald and tells him via Internet communication (Skype, whatever you want to call it) to have fun in Hollywood where he seems to fit right in with the crazies who populate the streets. ChromeSkull's Organization is quite hi-tech and intricately designed, quite efficient like the FBI or CIA; it's just so surreal that this movie asks us to believe in this. The ultimate strike against this is the ugly digital photography and steadi-cam epileptic movement. Saving money for the gore gags, I guess as the director seems to enjoy lavishing slasher fans with opens wounds, severed heads, and lots of blood. One great scene I rejoiced was Green's fate as it is quite gruesome. Dekker deserves better than his part provides and Mimi Michaels spends all her screen time in a frenzied state of horror, shirtless (just a bra), and pleading for her life. Michaels' character is losing her sight, so she tries to negotiate by telling Green she couldn't identify if he'd let her go. Of course, you get the follow-up heckling from Green that is expected from a movie of this type. He really thinks he's a badass in this movie, let me tell you. I just threw up in my mouth a little..

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