I really wanted to like this movie. But within the first few minutes its attempt at being a film noir was an epic fail. The script read like a theatrical production rather than a cinematic feature. And every character was a cliché: The main character, Lou, is an aging mob soldier who requests a murder contract in an attempt to capture his younger glory days. Add to that his longtime spurned lover, his dysfunctional daughter, his young and innocent grandson, and the pair of big city cops on his tail. Not only were all of the characters a cast of clichés, but the storyline was as well. To add to it, every character had one dimension of emotion, which was anger. It gave the audience no reason to like anyone or remain engaged in the story. By the end, this film became a caricature of itself.

Frank Vincent is excellent as the senior citizen hit man who volunteers for one last big job. The acting by all concerned is above average, and the photography quite creative. There is of course plenty of violence, but it is not gratuitous. My only objection to "Chicago Overcoat" would be that Armand Assante and Mike Starr really have small roles for being featured on the DVD cover. It is Frank Vincent who shines throughout and almost singlehandedly carries the film. The story flows nicely and has a couple of minor twists and turns. Character development is especially strong, and along with the compelling script, delivers a very enjoyable movie experience. - MERK

This surprisingly good independently made crime drama stars Frank Vincent as Lou Marazano, an aging Toddlin' Town hit-man now living in reduced circumstances. Lou hasn't made a hit in years, and is now mostly employed for minor league shakedowns, but when the opportunity for One Last Big Job arises — and with it the chance to set his daughter up for life — he leaps feet first. It's far from the most original of stories--and the film's production values are on-par with a made-for TV movie--but Vincent is excellent and Chi-Town looks great. Fans of gangster films will definitely enjoy it. Also noteworthy: Stacy Keach as an equally worn out cop and Kathrine Narducci as Lou's love interest.

I have seen Goodfellas and Casino and No country for old men and this genre is as watchable on all levels. I'm just trying to get through to people who enjoy substance over CGI and i watched this without getting bored and I recommend it. This is not your usual suspects, in fact with little effort it has managed to make Old men Dangerous and young people should remember that there is no substitute for experience and being 50 years old myself means I am like Clint Eastwood in Unforgiven, Very Dangerous because Death is not the worst thing that can happen to you and you can take your time which is deadlier than any young punk on a mission